Lynx is overstating the case a bit, but genre fiction definitely has shifted to "grittiness" since the turn of the century, and doubly so since the dual combo of nuBSG and Game of Thrones, both of which seemed to be taken as blueprints for how to write "mature" SFF. It's not universal, but you'd definitely have a harder time getting most 90s SFF shows commissioned today, because they lack "prestige" unless they're seen to deconstruct the genre in some way (which always translates to including lots of cheap references to real-world suffering, taking out all the fun or fantastical elements that made people love these genres in the first place, and sometimes just outright sneering at past works).
It's starting to go into reverse now, though - I've noticed the shift back to fun/optimism happening in videogames, which themselves were largely insulated from the initial wave of "let's make everything DARKER" in the late 90s, but now might act as a marker for where television and films are going to go.
You can measure the change over the last 8 years by imagining if Discovery's first season was released today - Disco is far from the worst example of the era, but it is a useful benchmark. In 2017 it fit perfectly into ongoing "darker and edgier" prestige TV trends, but today parts of it almost read as a parody of that era, to the point where there's a real argument to be made that the show works best nowadays as a comedy.
It's starting to go into reverse now, though - I've noticed the shift back to fun/optimism happening in videogames, which themselves were largely insulated from the initial wave of "let's make everything DARKER" in the late 90s, but now might act as a marker for where television and films are going to go.
You can measure the change over the last 8 years by imagining if Discovery's first season was released today - Disco is far from the worst example of the era, but it is a useful benchmark. In 2017 it fit perfectly into ongoing "darker and edgier" prestige TV trends, but today parts of it almost read as a parody of that era, to the point where there's a real argument to be made that the show works best nowadays as a comedy.
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