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Poll If the Pine/Hemsworth thing doesn't happen what should they go for?

If the Pine/Hemsworth thing doesn't happen what should they go for?

  • Hire back Pine without Hemsworth

    Votes: 39 42.4%
  • 2 Recast Kirks, keep Quinto, Saldana, Pegg, Urban & Cho

    Votes: 6 6.5%
  • A complete reboot

    Votes: 4 4.3%
  • The Return of the Shat

    Votes: 7 7.6%
  • EXCELSIOR starring John Cho

    Votes: 7 7.6%
  • TNG reboot

    Votes: 1 1.1%
  • fastrack Tarantino Trek

    Votes: 11 12.0%
  • call the whole thing off, we're fine with the TV shows

    Votes: 13 14.1%
  • other (please state)

    Votes: 4 4.3%

  • Total voters
    92
  • Poll closed .
Flicked through this weeks National Enquirer (yeah I do that from time to time) and they had a brief piece on page 2 or 3 about the 2 Chris's feuding over who gets the biggest pay packet and how they are playing dangerous game as could result in recasting or the film being scrapped
 
"Feuding over who gets the biggest pay packet" makes it sound a lot more dramatic than it probably is. And it's probably not that dangerous a game for them if they're already less than optimistic about a fourth ST movie at this point.
 
Flicked through this weeks National Enquirer (yeah I do that from time to time) and they had a brief piece on page 2 or 3 about the 2 Chris's feuding over who gets the biggest pay packet and how they are playing dangerous game as could result in recasting or the film being scrapped
Last time I saw anything about the National Enquirer mentioning Star Trek, it also involved a feud:


WAR OF THE STAR TREK DIVAS

By NATIONAL ENQUIRER staff
Mar 28, 2012 @ 13:20PM


GUESS WHO?! Ego torpedoes explode on the deck of the NEW Starship Enterprise as diva STAR TREK actors go for each other’s throats in blood feud! PLUS: D-lister’s lost weekend after escape from rehab to gin mill paradise!

A feud is brewing aboard the USS Enterprise! Two actors currently filming the untitled “Star Trek” sequel have been at each other’s throats. The pair got along on the first film, but they’re bigger stars now and bigger divas! Who are they?

And the gag reels made it look like everyone was having such a great time. Go figure!
 
Do people actually take that rag seriously?
Lol, no... :D

2mETatn.png
 
I don't believe you, I've seen the Darwin awards. I think there are some ppl who actually believe that crap. Some of those Clinton ones actually sound plausible. :guffaw:
 
When the George Kirk thing was announced as the potential plotline for movie 4, any interest I might have had completely evaporated. I don't want a Kirk movie. I want a Star Trek movie, with decent story and screen time for Spock, McCoy, Uhura, Scotty and Sulu as well. They don't have to recast Chekov - just have someone mention that he transferred to another ship. And I certainly don't want a Kirk movie that's basically all about his daddy issues. We get it. His dad's dead. So is Spock's mum. So is McCoy's dad (assuming no divergence from Prime universe). There are far more important ideas a movie could delve into than Kirk's man pain.

I've seen theories that it'll be a time travel movie where Kirk saves his dad, and the two of them join forces to somehow prevent the destruction of Vulcan, which means the Kelvin timeline effectively ceases to exist, and everything 'merges' back into Prime. No. Just no. The Kelvin movies aren't perfect by any means, but don't close out the series by saying they basically never happened in the first place.

One question I have - have any of the other main actors said they won't come back if Pine isn't onboard?

IMHO, it makes no sense to recast Kirk for what might be the closer movie of the Kelvin universe. Settle the dispute, get rid of the George Kirk story, do something more interesting that doesn't need Hemsworth in the first place. But YMMV :-)
 
have any of the other main actors said they won't come back if Pine isn't onboard?
Unless they somehow had this written into their contracts, Pine's absence wouldn't be enough reason for them not to appear when scheduled.
 
If we bring back Winona is that a ‘yay matriarchy!’ Film?
Sure. And why not? Star Trek has always been about the dads. Let's have a story about Mom for once. And frankly, assuming the 'leaked' plot is even a little bit true, I think Spock abandoning all logic and rebuffing TNOTM and risk forsaking the timeline just to save his mother makes for a much more interesting story. Plus it opens the door for Kelvin Micheal. (MemAlph isn't clear on when the Klingons killed her parents, but I don't think it would be a reach to say it was before 2233 and the split.)

Ryder is making a comeback and still a nice get, but I think she'd be cheaper than Hemsworth. (pay discrimination notwithstanding) And she has a much more decorated career to hang on.

But Amanda really emphasizes my point. Throughout all of TOS, Spock's relationship with her was really nothing more than window dressing. All the dramatic tension lay in his relationship with Sarek.

This continued through the other series. Almost every charter on TNG focused on the patriarchy. Even Wesley, despite having his mother as another main cast member, was more about the absence of his dad as the driving force in his life. Riker, Worf, Data? All dads. I suppose the one obvious exception is Luwaxana. But, she was usually treated as an annoyance and a burden to Troi. Certainly not celebrated. We did see Geordi's mom, but that was kind of a weird episode.

DS9? More dads. Heck, the power of the patriarchy was an underlying theme. Sisko and Jake and Joe -- Nog and Rom (and Quark) and you could even throw in Zek and the way Moogie was often treated didn't help matters -- Garak and Tain -- Odo and Dr. Mora. We did see Ezri and Kira's moms, but that ended badly for both of them.

Voyager? More of the same. Janeway, Chuckles, Paris, Doc all about dad. B'Elana did see her mother as a positive force, but the absence of her father was the root of all her inner turmoil. Both of Seven's were just shitty parents. Then there's Harry who was portrayed early on as the classic, stereotypical "Mama's boy" in the way that was supposed to make him appear weak -- despite one of the main conceits of the show is that Voyager is supposed to be a pseudo matriarchy.

And the whole underpinning g arc of Enterprise is Archer proving his dad's worth.

The movies aren't better: There's the symbolic relationship V'Ger and Decker.

David, despite growing up working with his mom is ultimately defined as being "just like his father."

Back to Amanda, she's just a soundboard in TVH. Spock's arc in the film ultimately concludes with him literally standing toe to toe with his father.

The big dramatic beats in TFF are the "pain" scenes of Sarek and Bones with his dad.

And the thematic resolution of TUC ultimately comes down to "You have restored my father's/son's faith."

All in all, Star Trek's history has overwhelmingly favored the father/child relationship -- either in celebratory fashion or as the root or crux of the drama.

So, yes, let's try for some "Yay! Matriarhchy!" for a change.
 
Sure. And why not? Star Trek has always been about the dads. Let's have a story about Mom for once. And frankly, assuming the 'leaked' plot is even a little bit true, I think Spock abandoning all logic and rebuffing TNOTM and risk forsaking the timeline just to save his mother makes for a much more interesting story. Plus it opens the door for Kelvin Micheal. (MemAlph isn't clear on when the Klingons killed her parents, but I don't think it would be a reach to say it was before 2233 and the split.)

Ryder is making a comeback and still a nice get, but I think she'd be cheaper than Hemsworth. (pay discrimination notwithstanding) And she has a much more decorated career to hang on.

But Amanda really emphasizes my point. Throughout all of TOS, Spock's relationship with her was really nothing more than window dressing. All the dramatic tension lay in his relationship with Sarek.

This continued through the other series. Almost every charter on TNG focused on the patriarchy. Even Wesley, despite having his mother as another main cast member, was more about the absence of his dad as the driving force in his life. Riker, Worf, Data? All dads. I suppose the one obvious exception is Luwaxana. But, she was usually treated as an annoyance and a burden to Troi. Certainly not celebrated. We did see Geordi's mom, but that was kind of a weird episode.

DS9? More dads. Heck, the power of the patriarchy was an underlying theme. Sisko and Jake and Joe -- Nog and Rom (and Quark) and you could even throw in Zek and the way Moogie was often treated didn't help matters -- Garak and Tain -- Odo and Dr. Mora. We did see Ezri and Kira's moms, but that ended badly for both of them.

Voyager? More of the same. Janeway, Chuckles, Paris, Doc all about dad. B'Elana did see her mother as a positive force, but the absence of her father was the root of all her inner turmoil. Both of Seven's were just shitty parents. Then there's Harry who was portrayed early on as the classic, stereotypical "Mama's boy" in the way that was supposed to make him appear weak -- despite one of the main conceits of the show is that Voyager is supposed to be a pseudo matriarchy.

And the whole underpinning g arc of Enterprise is Archer proving his dad's worth.

The movies aren't better: There's the symbolic relationship V'Ger and Decker.

David, despite growing up working with his mom is ultimately defined as being "just like his father."

Back to Amanda, she's just a soundboard in TVH. Spock's arc in the film ultimately concludes with him literally standing toe to toe with his father.

The big dramatic beats in TFF are the "pain" scenes of Sarek and Bones with his dad.

And the thematic resolution of TUC ultimately comes down to "You have restored my father's/son's faith."

All in all, Star Trek's history has overwhelmingly favored the father/child relationship -- either in celebratory fashion or as the root or crux of the drama.

So, yes, let's try for some "Yay! Matriarhchy!" for a change.

I think you confuse ‘patriarchy’ and ‘matriarchy’ for ‘paternal’ and ‘maternal’ and it sort of goes wrong from there. There are, as you point out, many..possibly a majority...of stories that deal with characters relationships with their fathers (usually dysfunctional) but there are also many that are to do with mothers (Troi, Kira, Geordi...bit of an odd one for Data...B’Ellana, this is just off the top of my head btw.) but none of those are actually about a matriarchy, just as stories about fathers aren’t necessarily about a patriarchy.
I agree that Spock wanting to save his mother would add interest to such a time travel story, even if it doesn’t bend as nicely back to the very start point of the KT. But assuming it was just about getting Kirk senior back? Still wouldn’t be about a patriarchy.
I get that the word root is the same, and in a household unit you could fudge it a bit, but frankly, they are not remotely the same thing. I also find the idea that any kind of positive story about a child needing their parent would be a bad thing (I thought Amanda’s treatment was borderline fridging tbh, and I am being very generous with the border...but then, making Kirk a wild child because he lost his dad isn’t exactly dodging the stereotype book much either, especially after making his stepdad into an arse as well.) and I think it’s insulting to consider things like Sisko and Jake’s relationship anything but a positive thing.
In short...that’s a nonsense reading, and many of your others miss the point... Lwxana included, but especially when disregarding how much of B’Ellanas stuff is to do with her mother. (Not to mention the maternal subtexts between Janeway/Seven/Borg Queen.)
Fatherhood and motherhood on a basic level are nothing to do with the politically loaded terms being bandied about, especially in media representation terms.
‘patriarchy’ and ‘matriarchy’ are to do with gender and power, sure, but the big onus is on power, and parenthood doesn’t even factor into it.
Gender based power structures aren’t even a thing in Trek, certainly by the time of TNG...otherwise we may as well call Bajor a matriarchy, on the grounds that most of its cultural leaders that we see are female, and our highest ranking regular is also female. Given various other story beats, does that mean that DS9 is yay matriarchy? After all, Sisko’s whole destiny is down to the choices made by his Prophet Mother, and by extension everything that happens in the whole series? Is Voyager as you say a pseudo matriarchy because Janeway is female? When does it stop being pseudo? When she listens to Chakotay?

To be clear, I am not arguing about the existence of power structures, but I am talking about Trek. And I think if it’s one thing that many of us love about Trek, it’s in it push for equality, limited only by the restrictions of its time...and how it often skirts them. Beverly Crusher, and by series end, Deanna Troi, for example, both hold the same rank as Riker, and I think it’s fair to say that both of those act as as much of an advisor to Picard as his first officer does...so does that make the enterprise a patriarchy simply because Picard is male? When two thirds of the immediate next rank in the structure are female? Two of his main advisers throughout the series? Not to mention the unofficial advisor in Guinan.
See how easy it is to take this stuff and run with it?

Sometimes a cigar is just a cigar.
Sometimes a big name casting decision is just a big name casting decision. If George Kirk had been played by Fred Bloggs, and Winona had a full blown second wind, then Ms.Ryder would already have been reading a script. It’s not like Trek ever goes full Tomb Raider Daddy Issues as a central point...this would probably have been the first. Though maybe we class The Visitor on DS9 as that..because that wasn’t in any way a well regarded episode. huh? (Maybe the Worf Son of Mogh stuff, but tbh, that was always more about Worf and general Klingon stuff, for good or ill.)
I like that Trek is equality based in so many ways, and have zero problems, even welcome the idea of Winona returning. I would prefer it to the George Kirk idea. But don’t think either of those things are related to power structures beyond the Almighty Box Office Dollar, basically.
I would also say it’s because Kirk is still the Star, maybe more so in these new KT films, since Quinto has waned since 2009. In fact, Pegg and Saldana are both more famous names outside of genre screen work (Pegg possibly topping even Pine for big hitting films.) So I would say make the next film about Scott and Uhura, with McCoy just because. Then everyone is happy, especially us Brits xD

Edit: forgot ask...the what now with Decker and V’Ger? I don’t remember V’Ger specifying a gender for the creator, and Decker is never explicitly identified as son of the TOS character. Not even gonna mention the Virgin Mary imagery with Ilia.
 
Personally I think Kirk and his Dad and Kirk and his Dad/Mum as a background was sufficiently covered, making a movie with that theme um, strikes me as boring. I would give Hemsworth the flick, he's kind of a meathead actor anyway. Stick to Thor mate that's about your level.

Star Trek TOS based has to have Kirk. Otherwise move on to a complete reworking of TNG and bring in a complete cast change. If this lot (current cast) are money grabbing I'm sure other actors/actresses would welcome the opportunity to get paid to take on the challenge.
 
I think you confuse ‘patriarchy’ and ‘matriarchy’ for ‘paternal’ and ‘maternal’
No. The whole point in my post was to demonstrate that in every parental relationship ever depicted on screen the father holds equal influence (in like one example) of the child or most, if not all the influence. And influence equals power. In Star Trek, dads matter. Moms don't - or, at best, very little.

And this even before you account for the massive cast imbalance, which hovers around 2:1 depending who you count and how you do the math. Even if you go out of your way to favor women when counting secondary and tertiary characters, there's still half-again as many men.

Star Trek has never really been about equality - at least not gender equality - that's all PR bullshit. It has ALWAYS favored men, the male point of view, and the influence of [older] men.

And look at how many so-called fans lost their shit over Disco. But when you can right down to it, the actual credited main cast is two women and five men. Sure the secondary cast consisted of a lot of women -- including three of significance, but there were plenty of men too. Including Sarek, which brings us right back around. Micheal is defined so much more by her relationship with Sarek (And Lorca.), and said relationship is the entire driving force of her arc. Amanda gives her a book. Sarek and Lorca have the influence. They have the power.
 
No. The whole point in my post was to demonstrate that in every parental relationship ever depicted on screen the father holds equal influence (in like one example) of the child or most, if not all the influence. And influence equals power. In Star Trek, dads matter. Moms don't - or, at best, very little.

And this even before you account for the massive cast imbalance, which hovers around 2:1 depending who you count and how you do the math. Even if you go out of your way to favor women when counting secondary and tertiary characters, there's still half-again as many men.

Star Trek has never really been about equality - at least not gender equality - that's all PR bullshit. It has ALWAYS favored men, the male point of view, and the influence of [older] men.

And look at how many so-called fans lost their shit over Disco. But when you can right down to it, the actual credited main cast is two women and five men. Sure the secondary cast consisted of a lot of women -- including three of significance, but there were plenty of men too. Including Sarek, which brings us right back around. Micheal is defined so much more by her relationship with Sarek (And Lorca.), and said relationship is the entire driving force of her arc. Amanda gives her a book. Sarek and Lorca have the influence. They have the power.

I think narrative works slightly different to that tbh, but thatsdiverging from the point...as it happens, I agree that in terms of numbers and gender representation, DSC is a step backwards, VOY was pretty much the pinnacle, and is very balanced.
That aside.

Almost every dad in the relationships you discuss is eaither (a) dead or (b) some kind of asshole. That’s hardly a positive thing, and hardly a way of affirming some kind of ideal where the male figure is promoted as a positive power figure (which presumably, were one actually trying to promote a patriarchal model by the use of a parent character) Also, in terms of influence...you are a it fuzzy here. Is there a problem with a dad holding equal ‘power’ in a parental relationship? I am assuming you mean in terms of importance to the child character? What if the child character is an adult?
Mothers not important? You talk about how many characters have a mother, but no father...that de facto puts them ina position of more ‘power’. Lwxana Troi is the main recurring parent figure in all of Trek. She’s a mother. She also has what might called ‘agency’ away from that role, when she turns up in DS9 for instance, or when much of her appearances revolve around her reasons for being ina story, not simply as mother to Deanna. Contrast that with Sisko’s dad...probably the next most recurring parent figure to a main character..who only ever apppears in his role as Sisko’s father.
Now, you say mums do t matter but...they matter as much as the father characters. Jennifer and her loss is literally the defining moment of Benjamin Sisko’s life, as his wife, but also as much of a defining factor for Jake and how he develops across the show. She is treated with more weight than the other ‘lost’ parents, even old bumpy Mogh (or Jack Crusher, or Ian Troi) because we see the effects of her loss, we see her grieved, we see her family unit coping. That’s without talking about family units like the O’Briens, or the change in dynamic for the Sisko’s or Rom and Nog when Kasidy or Leeta start becoming a factor. You talk about Mughi for Quark and Rom, and how she’s treated...but that’s how she’s treated by Ferengi culture. When you look how she’s treated by her sons, you actually see a matriarchal figure (as you do with Lwxana) who is also literally a force for change and the power behind to throne.
I think your reading is biased, and doesn’t change the fact that there is a separation between the portrayal of any parent figures and the wider power structures in society anyway (whilst agreeing that isn’t always the case, but it’s usually obvious when that is going on, and automatically define any time a father has importance as ‘patriarchy’ and any time a mother does as ‘matriarchy’ is both simplistic and...well, a bit silly tbh.) particularly in something like Trek where the power structures in universe clearly don’t work that way.

I would also point out that positive portrayals of fathers are few and far between in popular media, and that includes in Trek. All those dead dads? Does that demonstrate the male figure is seen as that which cane sacrificed, a disposable male, with the great honour of dying to protect his little tribe? (Because that is a bit patriarchal in one sense, but also more complex.) because that is literally what happens with KT Kirk. If we look at the few times in Trek to reverse happens, what do we see? Dads who are rubbish at being parents, shifting the primacy of the care role to the mother because the dads aren’t any good at it (Riker, Torres, Worf) or have a huge struggle (Sisko). Now..I would call that sexist for sure. Reinforcing gender stereotypes? Absolutely. To the detriment of both genders (ignoring the fact it just fiction, and they are looking for a source of drama) but it’s hardly reinforcing a ‘male figure is best at being in charge’ concept such as a ‘patriarchy’.

I also disagree with your assessment of the Spock/Sarek dynamic. As we see later with Burnham also, Amanda is a key part of the set up, because she is the intercessionary character that often facilitates the other relationships with Sarek. Does she have less screen time etc? Yes. But her moments carry weight, and the other moments in those relationships do not necessarily work without her presence...this is particularly true of the Spock/Sarek relationship.

Personally, I like the family units in Trek, but the most well done are the O’Briens and the Paris/Torres unit.

So hooray for mums, and hooray for dads, and boo to treating the concepts as political footballs. Down with ‘archies and up with equalities, wherever we find them. It’s not a zero sum game, and on balance, balance is best.
 
I also disagree with your assessment of the Spock/Sarek dynamic. As we see later with Burnham also, Amanda is a key part of the set up, because she is the intercessionary character that often facilitates the other relationships with Sarek. Does she have less screen time etc? Yes. But her moments carry weight, and the other moments in those relationships do not necessarily work without her presence...this is particularly true of the Spock/Sarek relationship.
Amanda is probably the biggest pivot point of that relationship. She has more influence upon Spock, and Sarek ultimately ends up reaffirming that relationship in a positive way.
 
I think it would have been interesting to have the character of Admiral Marcus in STID be a woman instead of a man. Female 'baddies' are pretty rare, and it would have made for a very different dynamic between Carol and her parent. I think the novel explains her English accent as being due to her parents divorcing, and her being raised in England by her mother. What if she'd been raised by her father, and her mom had been the ambitious, hawkish, Starfleet go-getter instead? Helen Mirren instead of Peter Weller, perhaps? :-)
 
Amanda is probably the biggest pivot point of that relationship. She has more influence upon Spock, and Sarek ultimately ends up reaffirming that relationship in a positive way.

Absolutely. It’s amusing to look at Spock in biblical terms, given his resurrection etc. (He gave his life that others may live, and in the third film he rose again, and those he saved once again walked in the forbidden garden as told in the tapes of genesis, and the evil was cast i to a pot of fire...etc...etc....) This makes Amanda the Mary figure, with Sarek as the aloof God/Father figure, and the half human Spock allowing a greater understanding in that father figure of those that are from earth as opposed to ‘the heavens’.
I wonder hiw much of that was intentional? Certainly by TVH it seems to be. That underpinning archetype may be part of why its difficult to graft Burnham onto the dynamic. We will see.
 
Absolutely. It’s amusing to look at Spock in biblical terms, given his resurrection etc. (He gave his life that others may live, and in the third film he rose again, and those he saved once again walked in the forbidden garden as told in the tapes of genesis, and the evil was cast i to a pot of fire...etc...etc....) This makes Amanda the Mary figure, with Sarek as the aloof God/Father figure, and the half human Spock allowing a greater understanding in that father figure of those that are from earth as opposed to ‘the heavens’.
Other than the "aloof God figure" that interpretation is certainly one I have seen and discussed before. I largely agree, aside from Sarek's role.
 
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