Re: I officially began my journey through all Star Trek on October 9th
I love the FX sequences in TMP. It's about the only time in all the films (outside of TFF, I suppose) where the intrepid Enterprise and its crew are actively exploring the unknown. It's one of the few moments in all of Star Trek, where the whole thing is so literally about the journey.
And I find the awe and wonder shown in the crew's faces (Khambatta especially) to be very visceral.
And I don't think it was all that common to release big films so close to Christmas, back then.
So then they're moving on into 1980. January-early March has always been a movie dead zone. And, given how release cycles were back then, had they pushed it too far up into spring, suddenly they would have found themselves competing with that other space movie thingy.
**And, oh yes, TMP's score is simply amazing. While, all the films' scores have their moments (Save for The Voyage Home, maybe.
) , none achieve the same level of awesomeness. It really is a masterpiece, and the jewel of Goldsmith's career, IMO.
I love the FX sequences in TMP. It's about the only time in all the films (outside of TFF, I suppose) where the intrepid Enterprise and its crew are actively exploring the unknown. It's one of the few moments in all of Star Trek, where the whole thing is so literally about the journey.
And I find the awe and wonder shown in the crew's faces (Khambatta especially) to be very visceral.
Well, both The Jerk and 1941 came out the following week. The former was fairly successful in and of itself, and I suspect Hollywood was excepting the latter to be much more successful than it actually was.I wonder why they were so adamant to delay it at least another week or two. Was there any big blockbuster coming out they had to avoid? I imagine TMP would have been the biggest film of the year after Alien.
And I don't think it was all that common to release big films so close to Christmas, back then.
So then they're moving on into 1980. January-early March has always been a movie dead zone. And, given how release cycles were back then, had they pushed it too far up into spring, suddenly they would have found themselves competing with that other space movie thingy.
Outside of the novelty, it doesn't really add much and, frankly, takes a bit away.If I've heard correctly, The Director's Edition is more like what we should have seen. Might check that out whenever I come around to watching this again.
**And, oh yes, TMP's score is simply amazing. While, all the films' scores have their moments (Save for The Voyage Home, maybe.
