By the way, has anyone seen the different designs of the U.S.S. Enterprise-E in the Generations/First Contact 'Making of...' book? Some of them are beyond recognizable!
I don't think it's so much the design as the proportions. The secondary hull is too close to the saucer, too forward, and the neck is too short. If you took these pieces, and put them over the original Enterprise design, it would look so much better. See below.
[snipped]
The top images is how the design is in the movie, the bottom is corrected to match the TOS Enterprise proportions.
My monitor is 1440x900, but my browser window is set at 1024x768. The current image is 800 pixels wide and the original image was more like 920, and I was having to scroll side-to-side to read single lines.Ok, I scaled the image down, but dang, what ancient monitor are you running on? Any computer running a res lower than 1024x768 these days is just silly.
Agreed. The original image was only 720px wide...how is that stretching anyone's monitor unless they're still running at 800x600 or something? I don't see why those with modern monitors should have to squint at lo-res images because a certain few are still hobbling themselves with antiquated technology.
...I think it's rather obvious there are in-universe plot reasons that the ship looks like it does (which could and should be debated separately.)...
Could JJ and company have designed a Enterprise we all would have loved?
...when we are talking about the aesthetic value of this new Enterprise, why do we need to compare it -- or its proportions -- to the original? Why do we think the original ship's proportions are the baseline for "looking good"? I think the answer to that is that we have a bias towards the TOS Enterprise, and that is the only design we know, so in our minds TOS must be the "right" design.
I understand what you're saying, but can't a 2009 design borrow from 1955 and still be a 2009 design? How often is an era's design aesthetic completely original to that era?I love the way the NuEnterprise got rid of the utilitarian design ethic of the 1960s, and instead replaced it with the "futuristic" design ethic of the totally un-dated and un-obsolete 1950s.
Thank God that the nacelles now look almost exactly like the upper front and rear fenders of a mid-50s Chevy Belair, from the great big round headlight bezel up front, to the demi-fins on the back.
And those curved nacelle struts positively reek of visions of futures past.
Visually, this isn't your father's Enterprise, but your grandfather's Enterprise.
Not saying I don't like it. I do. I'm just saying that it's every bit as dated looking, if not more so, than the original Gray Lady was, and as such, the supposed "need to make these changes for modern audiences to accept them" is somewhat suspect.
...I think it's rather obvious there are in-universe plot reasons that the ship looks like it does (which could and should be debated separately.)...
I think the difference in look will NOT be obviously an in-universe change. The Alternate Timeline might be a way for some fans to reconcile the new look, but I personally don't think that will be an overt "in-film" reason for the change. I think it looks different just because the film is made in 2009 instead of with a 1966 aesthetic. That's the only reason.
If a "fanon" reason for the change in look is the alternate timeline, then that's fine...but I don't think that will be an obvious plot point to this film.
As are all of us.You might be right for all I know. I'm just guessing.
I understand what you're saying, but can't a 2009 design borrow from 1955 and still be a 2009 design? How often is an era's design aesthetic completely original to that era?
I think it's that, if they're going to go for nostalgia, why not go for the nostalgia of the era of the show? Also, there's a difference between the design aesthetic of TOS and the new movie's ship. In TOS Matt Jefferies had a mandate to make things look very practical. His background was in real-world airplane and military design. It was supposed to look utilitarian, yet impressive. The Kelvin achieves this flawlessly. The Enterprise in this movie is very showy. I understand the function of having it look that way story-wise: it's supposed to be the impressive brand-new powerful ship. But it's still essentially much more a military vessel than, say, a Galaxy-class ship, whose mission is more focused on diplomacy.Granted, there are details in this ship that are deliberate attempts at giving us a subconcious feeling of nostalgia, even though that nostalgia is for the 1950s and not the 1960s Star Trek TV era...but a general feeling of nostalgia -- regardless of the era -- is a positive feeling nevertheless.
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