I'm afraid I'm not a fan of Waltz. It does have a few nice scenes, but those aren't part of the main Sisko and Dukat in a cave scenario. This situation really does have loads of potential and I'm certainly an admirer of the talents of Brooks and Alaimo, but it just doesn't work for me here, even ignoring how this episode affected Dukat's character arc.
No Compromises does contain some good things, but I'm not really a big fan of it. It's certainly nowhere near as good as the opening episodes of the last couple of seasons. I must say Byron strikes me as a bit of a pretentious git, to be honest! That said, I rather like Captain Lochley - Claudia Christian's departure certainly left a hole in the show, but Tracy Scoggins did a creditable job in the time she had.
The Very Long Night... is much better - indeed I'd say it's the best episode of the first half of Season 5. I loved how Londo's dream sequences were presented and the examination of his previous actions (or inaction) was nicely done. The sub-plot about Lennier was very well-executed as well.
No Compromises does contain some good things, but I'm not really a big fan of it. It's certainly nowhere near as good as the opening episodes of the last couple of seasons. I must say Byron strikes me as a bit of a pretentious git, to be honest! That said, I rather like Captain Lochley - Claudia Christian's departure certainly left a hole in the show, but Tracy Scoggins did a creditable job in the time she had.
The Very Long Night... is much better - indeed I'd say it's the best episode of the first half of Season 5. I loved how Londo's dream sequences were presented and the examination of his previous actions (or inaction) was nicely done. The sub-plot about Lennier was very well-executed as well.
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, Time's Orphan, which should have been a better torture O'Brien episode than it is (though I'm not sure another one was necessary this season), followed by The Sound of Her Voice... Here again I get what the writers had in mind, but it just doesn't produce anything memorable. The season finale is good, though. 

No wonder the Dominion are winning the war if this is the best Starfleet Intelligence can manage. But the episode is done so well that you're willing to forgive that weirdness, and Meaney turns in his standard quality performance. DS9 wins this one, just about.