It's been said by plenty of us plenty of times that it'll be far more likely to get half-decent HD remasters for streaming purposes than top-notch BDs like TNG got. They will have to do it at some point or their intellectual property becomes next to useless (no broadcaster or streaming service will pay much for SD content moving forward, unless it's a classic like Fawlty Towers or something), the only real question is when and how good it'll be. There could be disappointing answers to both.
It's all a matter of taste. The later seasons' lighting may be less "cinematic", but it certainly felt more realistic to me.Yeah, the lighting in the first two seasons was fantastic. I've seen it refered to as noir-ish, and I can totally see that. It's a real shame they fired the first guy and made the decision to flood-light so much of the ship instead.
Problem being, Star Trek is a TV show not a hospital or business. The lighting, just like the music, can help sell the drama. Both the lighting and music became flat on Berman's watch.
Agreed. The decision to go with the more even lighting in from season three and on was something Berman wanted, so he let go of the first DP Edward Brown and Marvin Rush was hired to light the Enterprise sets more like a casino. Berman didn't like the more dramatic lighting in the first two seasons made use of shadows.
Robert Meyer Burnett @BurnettRM Jan 4
@MuseZack @BittrScrptReadr The Blu Ray sales were EXTREMELY disappointing. Unfortunately, the fan base didn't really understand the upgrade.
For a show that, at minimum had 7 million viewers in 1994 to its high of over 11 million in spring of 1992 and with 1,500,000 likes on Facebook, not counting message boards like this one, they could have easily made their sales projections.
More like $5-$7 million at best, after the retailer's cut, manufacturing costs, and residuals for the creators.And just taking those 1.5 million likes on Facebook... if every single one of those people simply picked a TNG standalone of their choice, like BOBW or AGT and bought it at Amazon for $15, that would gross $22.5 million for the project, and suddenly CBS would have 22.5 million reasons to go ahead with DS9-R.
More like $5-$7 million at best, after the retailer's cut, manufacturing costs, and residuals for the creators.And just taking those 1.5 million likes on Facebook... if every single one of those people simply picked a TNG standalone of their choice, like BOBW or AGT and bought it at Amazon for $15, that would gross $22.5 million for the project, and suddenly CBS would have 22.5 million reasons to go ahead with DS9-R.
I think it's, well, horrifying that there might be a day when shows that can't be converted because of cost and market will be lost.
As for the retailer's cut, it seems to me that a blu-ray disc priced at $15 isn't really much more than a loss-leader for the retailer.
Assuming $10 for a movie ticket, if everyone who paid to watch that steaming pile of dump Into Darkness at the cinema, gave $1.50 to CBS, CBS would have more than enough money to remaster DS9 and Voyager.
Not everyone's situation is like mine but I think CBS/Paramount/Whoever would sell more Blu-Rays at cheaper prices.
I'm not that hardcore so my love of the multiple series isn't going to be so intense that it overrides any sense of being responsible with my finances.
I can't be the only one who feels this way.
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