Discovery ending with Season 5

Michael didn't get her captain killed, her captain got herself killed because she refused to listen to Michael.

Um, no. In point of fact, if Georgiou Prime had ignored Michael's advice and instead taken Saru's, T'Kuvma would not have been able to use the death of the Torchbearer or the Georgiou's use of the phrase "we come in peace" as propaganda to rally the rival Klingon Houses to his cause. It was, furthermore, Michael's idea to attempt to board the Ship of the Dead and capture T'Kuvma; had Georgiou Prime not listened to Michael's advice, she would likely have survived the battle with the rest of the crew.

So, yes, Michael got her captain killed.

Michael was rightfully or wrongfully blamed for starting a war,

If the character starts a war, as Michael did, then they are not a Mary Sue, because that is a profound failure. Michael was not unjustly blamed for starting the war -- her aggressive actions towards the Klingons, starting with killing the Torchbearer, directly feed into T'Kuvma's plan to go to war with the Federation.

and got put in a position to save an entire galaxy wide species of sentient fungus based life from being genocided.

Are you talking about the tardigrade?

And the first season was her proving herself by showing how much better she was then everybody else.

That's just false. Michael's arc in S1 is one of redemption, not one of proving her superiority.

All that is textbook Mary Sue.

You have, at best, severe problems comprehending the content of Star Trek: Discovery and a false understanding of a "textbook Mary Sue." A Mary Sue is not a female character who does things.
 
I'm glad Sci responded, so I wouldn't have to waste my time on a bunch of nonsense.
Michael didn't get her captain killed, her captain got herself killed because she refused to listen to Michael.

Michael was rightfully or wrongfully blamed for starting a war, and got put in a position to save an entire galaxy wide species of sentient fungus based life from being genocided.

And the first season was her proving herself by showing how much better she was then everybody else.

All that is textbook Mary Sue.
You're late to the party. Take a hint.

 
This isn’t the same as ENT, which was always on the bubble for most of its run.

DIS just ended, as CBS only ordered 5 seasons, as those were all paid for.

Of the live action shows airing, DIS was the most expensive show to produce. And the success of PIC and SNW has probably made TPTB wonder why they are paying so much for DIS when they can get the same quality for less with PIC and SNW.

And why would CBS continue DIS when they could not renew and get two PICs or SNWs up and running in its place? With change to spare.

The only thing that hurts a Nhan S31 show or Tilly Starfleet Academy show is if they struck down all of the DIS sets down already (and its possible they have, as I’ve read they struck the PIC S3 sets already).
I have not been able to find a reputable source saying that the sets were struck.

It's entirely possible they were completely dismantled; more likely the secondary sets that are not being recycled to a new show were struck and the major sets put in storage, in case a new show is ordered.
 
Michael has flaws...oh boy does she have flaws. The show even starts explicitly lampshading them in the third season. That means she's not a Mary Sue. That said, I feel like the show failed to deliver a fully-realized character arc for Michael in any of the seasons.

To broadly simplify, this is a sketch of a character arc:
  1. Character makes a "bad" decision
  2. Character suffers from the consequences of said decision
  3. Character grows and learns from their mistakes
  4. Character makes different decisions.
Discovery didn't really do this in any of the seasons, though it made attempts.
  • SoSeason 1 attempted this classic character arc, but some combination of sloppy edits/rewrites make it unclear. Like, Michael is absolutely blamed for "starting" the Klingon War, but it's completely unclear what decision she made which causes her to be blamed. The Klingon ships only begin firing due to actions taken by Georgiou, not Michael's attempted "mutiny." Murdering T'Kuvma was a clear mistake, but somehow the show never brings up Michael's choice to kill in cold blood again. Still, if nothing else her attempted "mutiny" does cause great personal consequences, having her stripped of rank, sentenced to hard labor, and having to slowly claw her way back up to respectability. The build-up - putting her life back together - is the best part of Season 1. But then the show faps around in Part 2 of the season torturing her for no good reason/with no character growth. Where it really fails though is it's completely unclear how her decisions at the end of the season (to save MU Georgiou, to disobey Starfleet's wishes to blow up QonoS, to trust Georgiou not to kill her, and to give L'Rell the hydro-bomb controller) actually flow through from the lessons she learned from her earlier mistakes/subsequent growth. Michael just comes across as a woman who makes seat-of-pants, gut-reaction decisions, from the beginning to the end of the season. Her spidey-sense helps her in the 11th hour because she's the protagonist, has plot armor, and the good guys have to win.

  • In Season 2 it's really hard to decipher any character arc at all for Michael. Oddly, the season (particularly in the back half, once Control came to the fore) sort of treated Michael as the subject of the season - had the whole universe revolve around her - but her actual choices/reactions were far less important than in the first season. Honestly Season 2 was the most strongly plot-focused Discovery season by far, which along with the semi-episodic structure, left little place for solid character development. I suppose the theme of family is explored. Michael starts out the season with a shit relationship with Spock, and mends it just in time to say goodbye to him, so I guess that shows growth, though it doesn't really inform her decisions.

  • In Season 3, Michael has no character arc to speak of, and is always right. She ends up in the 32nd century and is like "hey, we should do something about The Burn" and remains a monomaniac regarding it for the remainder of the season. The season is explicit regarding Michael's savior complex being a personality flaw, and there's one crowning moment - in Unification III - where Michael shows tremendous personality growth, realizing that her quest to find the cause of the burn isn't worth causing a civil war on Ni'Var. The writers totally ruin the impact of this character growth, however, with T'Rina deciding to pass her the needed information in private, meaning she made no sacrifice and suffered no consequence. Her monomania is vindicated in the end, of course.

  • Season 4 is set up, right in the first episode, with the premise that now that Michael is in command she'll have to consider there are times that she'll not be able to save everyone. The season builds up towards this idea, putting numerous people in danger in the finale, and setting up a choice between Michael saving Book or completing her mission. Ultimately, she chokes, and is unable to help cause Book's death, but she gets it all - her boyfriend back (with nothing but community service!) and everyone else saved, along with Nhan telling her she made the right decision in the end. I have lots of issues regarding the lack of consequence in the Season 4 finale in general. I feel like the season worked great as a first contact sci-fi plot, but it absolutely failed as a study in character growth of Michael under command.
The common theme through all of the seasons is though Michael has flaws, the writers are afraid to let these flaws have any lasting consequence which will impact the forward movement of the plot. They might even just be concerned with the possibility of the series lead being 'wrong." This is an older issue within Trek as well. Berman famously thought that the captain always had to be proven in the right by the end of every episode, which screwed up elements of both VOY and ENT.
THIS is what a good argument looks like!
 
Which has nothing to do with being a Mary Sue.

Actually it has everything to do with it. Since an argument from those that claim that Burnham isn’t a Mary Sue is that she’s doing nothing different from white, male captain’s and criticism is because she’s a black female. And I pointed out that there was dislike with action hero Picard, just like there was dislike with action hero Burnham.

Sometime criticism toward Burnham has nothing to do with her being a Mary Sue. It has to do with unpopular writing and portrayal of main characters, regardless of appearance.

Sometime the critics are consistent, and there no “anti-woke” agenda at play.

.... no. None of that is being a Mary Sue. Everything you just described is about Michael being the protagonist, not being a Mary Sue.

A Mary Sue is an author self-insert character who has no flaws, whom everybody loves, and whose astonishing abilities resolve the plot with no real costs.

Michael has plenty of flaws. She wrestles with them throughout the series. Well into Season Four, she is not universally beloved. And most importantly -- she is no one's self-insert character.

Michael Burnham is not a Mary Sue.

Yes, she is the protagonist.

Yes, they were producing a show from her perspective, instead of the captain. At least for the first few seasons.

It still doesn’t address why she was treated the way she was from Pike and Rillak. Since she’s not trying to make anyone feel incompetent. And isn’t different from historical captains, which Rilliak should be aware of. Or is the only one intervening to prevent a fight.

Either the people around Burnham aren’t all there mentally and Burnham’s just normal. Or the people around Burnham are all of sound mind, and Burnham was written to be beyond excellent – a Mary Sue.

And how many time do you need to see the rest of the crew being behind her, and the brass coming around to her before you realize she is supposed to be universally liked?

I don't know what the fuck show you're watching, but it ain't Star Trek: Discovery.

Maybe its you that’s not watching Star Trek: Discovery. You should try that, instead of dropping F-bombs to try and project authority.

Burnham may do actions that others disapprove of, but that’s not the same thing as having flaws.
 
It has to do with unpopular writing and portrayal of main characters, regardless of appearance.
Not a Mary Sue.
And how many time do you need to see the rest of the crew being behind her, and the brass coming around to her before you realize she is supposed to be universally liked
Same amount with Janeway.
Burnham may do actions that others disapprove of, but that’s not the same thing as having flaws.
Ok, but that doesn't make her a Mary Sue. Just a character with writing people disagree with. Protagonist doesn't mean I'll agree with the character. Just that they're at the center of the action. You can call her poorly written but she's flawed.
 
Sci said:
FederationHistorian said:
Actually, some fans aren’t fond of Picard’s action hero phase in the movies. Which is comparable to Burnham’s action hero phase in the final act of S3.
Which has nothing to do with being a Mary Sue.

Actually it has everything to do with it. Since an argument from those that claim that Burnham isn’t a Mary Sue is that she’s doing nothing different from white, male captain’s and criticism is because she’s a black female. And I pointed out that there was dislike with action hero Picard, just like there was dislike with action hero Burnham.

Sometime criticism toward Burnham has nothing to do with her being a Mary Sue. It has to do with unpopular writing and portrayal of main characters, regardless of appearance.

Sometime the critics are consistent, and there no “anti-woke” agenda at play.

That's cool, but being an action hero doesn't make either character a Mary Sue.

It still doesn’t address why she was treated the way she was from Pike and Rillak.

What, specifically, about Pike's and Rilak's behavior towards Michael marks her as a Mary Sue?

Because my recollection is that Pike treats her as a highly-talented officer who is still maturing. Which makes sense, because she, in addition to her record, she both established how talented she was in her first mission with him while also getting herself badly injured and needing a rescue.

Rillak's whole thing towards Michael at first is that she both recognizes Michael is extraordinarily talented, yet also recognizes that Michael has not yet come to accept that she cannot save everyone and that this is a pretty major blind spot that can lead to her making some really bad decisions, as it very nearly did in that episode.

This is not how supporting characters treat Mary Sues. Mary Sues do not have blind spots that get called out by other characters. Mary Sues are definitionally flawless.

You want a Mary Sue? Jack Dawson from the 1997 film Titanic is a Mary Sue. He has no real flaws; he is effortlessly competent when others are incompetent; when others have conflict with him, they usually being assholes or classist or both; and he is a pretty obvious author self-insert for writer-director James Cameron.

Michael Burnham is nothing like Jack Dawson.

Either the people around Burnham aren’t all there mentally and Burnham’s just normal. Or the people around Burnham are all of sound mind, and Burnham was written to be beyond excellent – a Mary Sue.

Absolute nonsense. Michael is consistently framed as a person who is extraordinarily talented but also has major flaws.

And how many time do you need to see the rest of the crew being behind her, and the brass coming around to her before you realize she is supposed to be universally liked?

Please do give more supporting detail, because I don't know what the fuck you're talking about.

Maybe its you that’s not watching Star Trek: Discovery. You should try that, instead of dropping F-bombs to try and project authority.

If you don't like my use of fuck for emphasis (not authority), you can fucking die mad about it. :bolian:

I watch Star Trek: Discovery. You either do not, or you do and do not understand what you are watching, or you do and you are being intentionally dishonest in your description of its events.

Burnham may do actions that others disapprove of, but that’s not the same thing as having flaws.

S4 is literally about Michael having to come to terms with the fact she can't save everybody, as exemplified most intimately by her inability to save Book from his own grief. That's a flaw. Rillak was absolutely correct in her assessment of Michael in "Kobayashi Maru."
 
Since she’s not trying to make anyone feel incompetent.

What?

That is exactly what she did!

10 minutes into the first episode, her second interaction with Saru (in her first interaction with him, she only belittles him)

Michael Burnham embarrasses Saru in front of the Captain and the entire bridge crew.
The writers felt it was necessary to elevate Mikey B, to show how competent and smart she is, at the expense of Saru who was portrayed as an incompetent fool who doesn't know what he is doing.

ErRdV02WMAEkUrD

ErRdV05XIAAqDo0


Burnham pushes Saru physically away from his station.

ErRdY4UW4AAmhqP



That smug facial expression. And people wonder why Burnham is not liked.

ErRda83XAAEFRjZ

ErggozHXYAAUMHe
 
10 minutes into the first episode, her second interaction with Saru (in her first interaction with him, she only belittles him)

Michael Burnham embarrasses Saru in front of the Captain and the entire bridge crew.
The writers felt it was necessary to elevate Mikey B, to show how competent and smart she is, at the expense of Saru who was portrayed as an incompetent fool who doesn't know what he is doing.

The point of that scene was not that Saru was incompetent and Michael hyper-competent and correct. The point of that scene was that Michael was talented but arrogant and disrespectful. Part of her redemption in S1 was letting go of her arrogance and learning to treat others with more respect.
 
Like, Michael is absolutely blamed for "starting" the Klingon War, but it's completely unclear what decision she made which causes her to be blamed. The Klingon ships only begin firing due to actions taken by Georgiou, not Michael's attempted "mutiny." Murdering T'Kuvma was a clear mistake, but somehow the show never brings up Michael's choice to kill in cold blood again.

Her actions did start the war.
Particularly because she disobeyed Georgiou.

Georgiou ordered Burnham to do only a flyby.
She lied to Gereogui with a straight face and disobeyed her order to satisfy her personal curiosity.
That led to her killing the Torchbearer and that drove T'Kuvma over the edge.

ErggLXzWMAM7-wZ

ErggLbKXcAAGfRh

ErggLddWMAA9Q5m
ErggLgxXIAARmZl
RPDMPR3.jpg
1Fp4Yt5.jpg


Then she failed at stopping the war because she did not capture T'Kuvma.
She did not follow the plan, disobeying orders again.
BTW, she failed at capturing T'Kuvma not because of her inability to do so, but because she chose to fail by killing him.

Lying to her captain, disobeying orders (twice), attacking her captain, and trying to take over command. All of that was in the first episode of the first season.
And people don't understand why Burnham is not liked.

but somehow the show never brings up Michael's choice to kill in cold blood again.

That's called "bad writing".
 
Last edited:
Back
Top