What is this, the goddamn episode 11 thread?
One could argue if the film was better received, there wouldn't have been that fatigue and numbers dropping off.
Ultimately the diminishing returns mattered to Disney. Episode 9 literally tried to awkwardly course correct a lot of TLJ, and Critics actually found that jarring. Rey Palpatine..lol
Makes me happy we got Picard and friends reunited one last time in a satisfying 'TNG movie' of sorts that audiences loved. Sorry Luke, Han and Leia.. it's never going to happen now.![]()
Ultimately, time. Did it impact people on a deeper level, and speak to the human condition in a way that will be remembered? Or, did it trade on shallow feelings of nostalgia and ear tickling and not leave a lasting impression?
Look at how well Coto's Enterprise Season 4 holds up, and how fans still want more aspects of that show to play into modern Trek.
Not including "These are the Voyages" though. Near 20 years later, that finale still remains quite reviled by cast, crew and fans.
It's all in the approach.It's worth bearing in mind that some nostalgia-based works of art can achieve lasting popular love even beyond their original nostalgia audience, and some can't. Like, I don't think anyone really remembers or cares about The Brady Bunch Reunion, but clearly people still love Grease. It depends on a lot of factors and I suspect I would need to think longer and more deeply to try to suss out what those factors are.
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Maybe that means most audiences liked the course The Last Jedi took and didn't want to see the course change in The Rise of Skywalker.
Very true. Matalas did a much better job of channeling nostalgia for TNG in PIC S3 than Berman & Braga did in "These Are the Voyages..."
.I'm not convinced getting Luke, Han, and Leia back together one last time was necessary. Their joint story had already come to a fairly satisfying conclusion in Return of the Jedi -- unlike TNG's previous joint finale, the awful Nemesis. Sure, we got to see each of them back individually and in pairs, but their story as a trio was over. I don't really think they needed an encore.
Very true. Matalas did a much better job of channeling nostalgia for TNG in PIC S3 than Berman & Braga did in "These Are the Voyages..."
Both are terrible.Very true. Matalas did a much better job of channeling nostalgia for TNG in PIC S3 than Berman & Braga did in "These Are the Voyages..."
That hypothesis is non-falsifiable because it relies upon hidden information. Who talks like that, lol.
Jokes aside. Disney course corrected, so they recognized that something didn't work with TLJ.
In all likelihood, it was probably the 700M less it did.
I mean... that's not exactly high praise.
They didn't, but the fans would have loved it. And it will never happen now, so as Star Trek TNG fans we can enjoy the schadenfreude![]()
I do.
And then their course correction also did not work, so it's just as likely that they misinterpreted how common audience dissatisfaction with The Last Jedi actually was because of how loud its harshest critics were.
I don't enjoy any schadenfreude over it. I feel pretty neutral about it, actually. Like I said, their story as a trio was over. And I absolutely adored Luke's arc in The Last Jedi, so I'm okay with the trio's reunion never happening. My only sadness is over the loss of Carrie Fischer.
I'm curious ... since people have been asked to explain "why" Picard season 1 was "bad" in this thread, might I ask all the people whom either don't like, or seem to be "concerned" about the excitement of Picard season 3, to give a cogent argument for why it's bad or why they feel the need to effectively tell people: "no, you're wrong to think that's good television"?
The problem with a lot of the comments about season 3, for me, is that its detractors don't so much argue how it's narratively worse than any other season of Star Trek. Just saying "nostalgia" is weak when 1) there were a million ways they could have screwed this up or leaned even more into nostalgia (e.g., they could have put them on the Enterprise-D in episode 2 and just skipped the Titan), 2) it's odd to argue nostalgia as a negative on a series whose entire point is to revisit a legacy character in their established universe again, and 3) there's character arcs and growth over the season. People may not like the choices Matalas made, but to argue all he did was plop them together on the Enterprise-D and that's why people like it, is not being fair to the show.
Moreover, I get the feeling that some are more concerned about what liking this season means. Most of the negative comments about season 3 are more that people seem threatened by its popularity and what that might mean for their favorite version of Star Trek in the future, and the implications for the decisions that have been made on the other shows than just enjoying a TV show for being a TV show. Reading between the lines, I get the feeling that some think to like season 3, or to support what Matalas wants to do going forward, is a tacit admission that all of those people who complained about ship designs not matching or looking close to what they did 30 years ago were right. And that engenders a lot of the "concern" about the excitement of season 3.
Again, this is impossible to prove.
Whether it was a misinterpretation or not (Disney has far more data on this), they course corrected... and it was a rather drastic and jarring course correction.
For that to have happened, Disney must have had some concerns about TLJ's reception with the audience.
I'm curious ... since people have been asked to explain "why" Picard season 1 was "bad" in this thread, might I ask all the people whom either don't like, or seem to be "concerned" about the excitement of Picard season 3, to give a cogent argument for why it's bad or why they feel the need to effectively tell people: "no, you're wrong to think that's good television"?
Most of the negative comments about season 3 are more that people seem threatened by its popularity and what that might mean for their favorite version of Star Trek in the future,
My only "concern" is being told to like it, and to sit in the back of bus because this what the "fans want." It's unnecessary in its exclusionary tactics.I'm curious ... since people have been asked to explain "why" Picard season 1 was "bad" in this thread, might I ask all the people whom either don't like, or seem to be "concerned" about the excitement of Picard season 3, to give a cogent argument for why it's bad or why they feel the need to effectively tell people: "no, you're wrong to think that's good television"?
Exactly.I don't want Matalas-style ST to go away. I want more of it. But I also want more Chabon-style Star Trek. I want them both.
And this ruins any support I would have. Being dismissed out of hand for having the wrong opinion is not what I want.Honestly, don't bother with detractors. There's so few of them at this point, so it ultimately doesn't make a difference.
And this ruins any support I would have. Being dismissed out of hand for having the wrong opinion is not what I want.
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This misses every single point of discourse. Unfortunate and disappointing.I'm just being brutally honest to the person who wrote that. No one is going to change their mind, so it's a waste of time arguing in circles with a select few.
I'm curious ... since people have been asked to explain "why" Picard season 1 was "bad" in this thread, might I ask all the people whom either don't like, or seem to be "concerned" about the excitement of Picard season 3, to give a cogent argument for why it's bad or why they feel the need to effectively tell people: "no, you're wrong to think that's good television"?
Paramount+ wants the money of Star Trek fans. I stopped watching DISCOVERY and SNW, so they won't get hate watch view counts from me anymore. Now, if I'm just a lonely voice crying out from the wilderness, sure. But it seems like there's a critical mass of fans unhappy with the current direction. If season 3 punches above the weight of the other NuTrek seasons, finally people like me will have a contrasting data point to identify, and hopefully more pluralism in the variety of Star Trek on offer results from it.The franchise doesn't owe you anything. They produce various television shows. You either enjoy them, or you don't.
I'd liken it to fans of a sports franchise with bad management wanting the ship to be righted.those people need help.
Assuming you're asking a question in good faith, no. But, for the past decade, I've mostly interacted with people online I'd already met in real life, so for all practical purposes this is my first time really posting on a "faceless" BBS over contentious issues over a period of weeks and weeks. Maybe I treat it too much like work email? Maybe I've opened myself up to sea lioning, or being bullied in other areas of the BBS? Well just hit the ignore button and move on.are you new to the internet?
I have soundtracks on repeat all the time. I can't think of anything from the Abramsverse that stood out to me. And not everything in season 3 is a rehash either.By rehashing music from the 80's and 90's? Plus Michael Giacchino would like a word...
But if you move it too far away from being Star Trek, it's no longer Star Trek. And people have the right to be unhappy if the structural foundations of the franchise are being destabilized.However, in my opinion, nothing in Trek should be sacred. In broad strokes it has the capacity to be many different things and I welcome that, even if it isn't for me.
Having seen 12 MONKEYS, I can see where many things went wrong.The elements were not that great to begin with. Respecting the lore doesn't make a good story.
Season 3 was overcompensating for the lack of nostalgia in earlier PICARD seasons. I'd imagine Legacy would be more even handed while "feeling like Star Trek". Just look at the post-NEM Star Trek novel line. So much new was done rooted in prior continuity.This is what people are failing to grasp at any level. That this popularity will not lead to new; it will in fact lead to old, familiar, repetitive, derivative, going back to the well again and again to rather than doing anything new.
Jack was conceived after NEM. So aside from having to buy he's early 20's, it doesn't mess with canon. And I'd rather he have aged quickly than be cast with a less capable actor.But it ruins the canon which you claim is the issue with other series and the other seasons. So it's okay to you for them to throw out 35 years of history and canon to make Jack work? But it's not okay to bend and set aside canon in any other spot?
Nothing misfires with her character. She has nuance. She has positive energy. Makes a good initial impression that you want to see more with the character, and hopes she's part of a realized Legacy.I like Sidney too. She's one of my favorites of the TNG kids. Great casting for sure. But what is amazing about her? What great characterization? We know....nothing about her! Other than she flies fast and is in a fight with Geordi. Oh that she's nice to Seven. Tell us what's amazing about Sidney.
&So basically everything good he gets credit for, but anything bad that happened was totally out of his hands or he had nothing to do with. Got it. Everything past episode 1 he had no hand in, knowledge of, or any input on I suppose.
He did have input at the beginning of the season, but not the final say. I'm not saying Terry's completely blameless for season 2. Just that he was never the ranking showrunner for the compete season. For DISCOVERY season 1, Bryan Fuller can be blamed for redesigning the Klingons etc, but not the spore drive.S2 was Akiva's vision (and Chris and to work under that as a staff writer) and S3 was Terry's vision, and that Terry always wanted the show to be a ship-based TNG adventure.
I'm so glad I didn't watch season 1 during the depths of the pandemic, and had the safety valve of knowing a good season 3 was coming soon when I finally tackled that one.There's room to argue that many elements of S1 (and Discovery) are quite nihilistic, the brutal murders, the eye torture, romulan witches ripping their skin off, all the characters being emotionally scarred by trauma (even Rios.. which was totally unnecessary, his Captain killed himself?) etc. Seven had a very broken, hopeless, nihilistic attitude in S1,and I found that rather disappointing compared to where Voyager left her off. I agree there are some existentialist elements as well. Ultimately Snyder is another one who had lofty artistic ambitions, but ultimately didn't know how to make a product that was satisfying, popular and successful for majority mass audiences. There's gotta be the right balance.
The only way I got through season 1 was taking notes and trying to process everything I was viewing. 15 pages... if you want themYeah no. There's no rules saying that's how it works here. This isn't the court. I'm not going to waste time defending that when there's plenty of well-expressed criticism for that season out there, which I'm sure you've watched.
Besides, in all honestly... the list would be too long.![]()
Yeah several weeks back I gave up on trying to relitigate season 1. Michael Chabon is highly likely not coming back, and seasons 2 and 3 have now closed off what they could.If I'm in agreement with RLM for example on Picard S1's failings, it's fine. It's not going to convince any of you few otherwise. That's why I'm not wasting time on it. Picard S1 is done, it's written. It did what it did and was received the divisive way it was.
Let's move forward.
Moreover, I get the feeling that some are more concerned about what liking this season means. Most of the negative comments about season 3 are more that people seem threatened by its popularity and what that might mean for their favorite version of Star Trek in the future, and the implications for the decisions that have been made on the other shows than just enjoying a TV show for being a TV show. Reading between the lines, I get the feeling that some think to like season 3, or to support what Matalas wants to do going forward, is a tacit admission that all of those people who complained about ship designs not matching or looking close to what they did 30 years ago were right. And that engenders a lot of the "concern" about the excitement of season 3.
This misses every single point of discourse. Unfortunate and disappointing.
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