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DC Cinematic Universe ( The James Gunn era)

I confess that I don't get what Ayer is talking about.

It looks to me like he said something positive about Gunn's Superman film, and he got yelled at by the haters who are still mad about the whole reboot business and believe that saying anything remotely nice or encouraging about Gunn's film is somehow a betrayal of Cavill or Snyder or Ayer himself.
 
His earlier Twitter post is uptopic somewhere.

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Man, I love this teaser and everything Gunn is saying about it.

I'm so torn about Krypto specifically. Because I've never been a fan of the idea of a literal super-dog named Krypto even as a kid, despite generally loving the idea of companion animals in fiction. And I'm still not a huge fan of the cape (sorry!). And yet... despite it all, I really liked that moment at the start of the teaser? If I can be won over to like Krypto...? Wow, ha.

But dang, the look at Hoult's Lex, the other heroes, and most importantly Clark and Lois themselves and the general mood of hope and bright colors... bring it onnnnnnn.
 
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Does he mean "going in hard" or is he literally going in Heard because.... DON'T DO IT, MAN!!!!!!!
 
I remain is support of the idea of keeping the main John Williams themes simply because it is such a powerful theme. If the idea of the film fits that theme, why recreate the wheel, so to speak.
 
I remain is support of the idea of keeping the main John Williams themes simply because it is such a powerful theme. If the idea of the film fits that theme, why recreate the wheel, so to speak.
Exactly, at this stage it’s as associated with the character as the James Bond theme is with 007. It withstands reboots.

And, yes, I know certain people* will be along soon to give me chapter and verse from Wikipedia about how many themes there were before the 1978 film, but IDGAF, nobody wants to hear the soundtrack from the Barry Nelson version of Casino Royale on a Bond film.

*if they hadn’t muted me.
 
If the idea of the film fits that theme, why recreate the wheel, so to speak.

Because artists deserve to create their own art rather than just copying what people did decades before them. Williams himself was homaging Sammy Timberg's Superman cartoon/radio theme and Leon Klatzkin's Adventures of Superman TV theme. Those are just three entries in a rich tradition of Superman themes/marches that includes multiple other excellent, memorable themes such as Ron Jones's '88 cartoon theme, Kevin Kiner's syndicated Superboy theme (which he's revived for the different Superboy in Titans), Jay Gruska's Lois and Clark theme (a favorite of mine), Shirley Walker's S:TAS theme, Louis Febre's hero motif in later Smallville seasons, and Blake Neely's Superman motif from Supergirl.

If people stop trying to innovate and just copy the past over and over, then creativity dies and culture becomes stagnant. The way to honor the great creations of the past is to carry forward the spirit of innovation that created them. We wouldn't have the Williams theme if Williams had just quoted Sammy Timberg. He took the essence of the past and created something new from it, rather than just copying it. We shouldn't deprive today's composers of the chance to create the next great Superman theme.
 
Exactly, at this stage it’s as associated with the character as the James Bond theme is with 007. It withstands reboots.

And, yes, I know certain people* will be along soon to give me chapter and verse from Wikipedia about how many themes there were before the 1978 film, but IDGAF, nobody wants to hear the soundtrack from the Barry Nelson version of Casino Royale on a Bond film.

*if they hadn’t muted me.
You were saying ...? :ack:
 
Because artists deserve to create their own art rather than just copying what people did decades before them. Williams himself was homaging Sammy Timberg's Superman cartoon/radio theme and Leon Klatzkin's Adventures of Superman TV theme. Those are just three entries in a rich tradition of Superman themes/marches that includes multiple other excellent, memorable themes such as Ron Jones's '88 cartoon theme, Kevin Kiner's syndicated Superboy theme (which he's revived for the different Superboy in Titans), Jay Gruska's Lois and Clark theme (a favorite of mine), Shirley Walker's S:TAS theme, Louis Febre's hero motif in later Smallville seasons, and Blake Neely's Superman motif from Supergirl.

If people stop trying to innovate and just copy the past over and over, then creativity dies and culture becomes stagnant. The way to honor the great creations of the past is to carry forward the spirit of innovation that created them. We wouldn't have the Williams theme if Williams had just quoted Sammy Timberg. He took the essence of the past and created something new from it, rather than just copying it. We shouldn't deprive today's composers of the chance to create the next great Superman theme.
Taking that rationalization seriously would render negligable the importance of creative work done for any preexistng franchise property.

Even as a writer.
 
I assume he means that in the first image, Superman lost his trunks.
If I'm mistaken, don't bother trying to correct me. I'll only argue the point in the face of all reason.
 
So, when I see a YouTube video commenting on something like the Superman trailer, and the thumbnail has a shot of some young guy with a beard superimposed over the subject matter, it's always the same lame aggrieved shit. Those smirking visages are as reliable as the product warning on a pack of cigarettes - annoying but accurate.
 
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