...are the textbook on how to do movie car chases right. I think The Seven-Ups chase is still my favorite.The French Connection (1971)
Gene Hackman
The Seven-Ups (1973)
Roy Scheider
You do."What's Up , Doc?" has a heck of a chase scene if I recall correctly.
The obvious choices have already been mentioned, so I'll try and add some unconventional ones:
Dirty Harry vs. an RC Car filled with plastic explosive in The Dead Pool.
The Bandit and Stringfellow Hawk as stuntmen driving through an earthquake movie set in Hooper.
The obvious choices have already been mentioned, so I'll try and add some unconventional ones:
Dirty Harry vs. an RC Car filled with plastic explosive in The Dead Pool.
Even though scale cars can run that fast, back in the day I thought that chase scene was ridiculous and to this day I think it is.
The obvious choices have already been mentioned, so I'll try and add some unconventional ones:
Dirty Harry vs. an RC Car filled with plastic explosive in The Dead Pool.
Even though scale cars can run that fast, back in the day I thought that chase scene was ridiculous and to this day I think it is.
Ridiculously awesome.
Of course it's ridiculous, it's redoing classic San Francisco chase scenes with an explosive filled RC car that can fly over manholes and jump boxes with no ramps while its controller also expertly drives his own car. But it should get points for creativity.
Which was sort of the whole point of the shot, seeing as Hooper was about stuntmen.IIRC, what we see was so well planned that they only had *one* shot at it, and they got it on that very take.The Bandit and Stringfellow Hawk as stuntmen driving through an earthquake movie set in Hooper.
That's the part of the chase where I award it a great bigEven though it's a movie, I'd like *some* bit of believability (and no, don't start with the Iron Man, Spiderman, and other sci-fi slams).
Which was sort of the whole point of the shot, seeing as Hooper was about stuntmen.IIRC, what we see was so well planned that they only had *one* shot at it, and they got it on that very take.The Bandit and Stringfellow Hawk as stuntmen driving through an earthquake movie set in Hooper.
Director Hal Needham started off as a stuntman (Gary Lockwood's double in WNMHGB, for one) and later stunt coordinator specializing in car stunts, and that whole sequence was a stunt-within-a-stunt showoff piece.
That's the part of the chase where I award it a great bigEven though it's a movie, I'd like *some* bit of believability (and no, don't start with the Iron Man, Spiderman, and other sci-fi slams).
Harry Callahan personally killed about 135 people in the line of duty and kept his job. Believability has no business here.
That's the part of the chase where I award it a great bigEven though it's a movie, I'd like *some* bit of believability (and no, don't start with the Iron Man, Spiderman, and other sci-fi slams).
Harry Callahan personally killed about 135 people in the line of duty and kept his job. Believability has no business here.
Um, yeah. It went right over your head, but never mind. Congrats on making my ignore list.
Right. I know.Which was sort of the whole point of the shot, seeing as Hooper was about stuntmen.IIRC, what we see was so well planned that they only had *one* shot at it, and they got it on that very take.The Bandit and Stringfellow Hawk as stuntmen driving through an earthquake movie set in Hooper.
Director Hal Needham started off as a stuntman (Gary Lockwood's double in WNMHGB, for one) and later stunt coordinator specializing in car stunts, and that whole sequence was a stunt-within-a-stunt showoff piece.
Yes, but it's the fact that for the actual movie, the entire stunt was pulled off in *one take*.
Right. I know.Which was sort of the whole point of the shot, seeing as Hooper was about stuntmen.
Director Hal Needham started off as a stuntman (Gary Lockwood's double in WNMHGB, for one) and later stunt coordinator specializing in car stunts, and that whole sequence was a stunt-within-a-stunt showoff piece.
Yes, but it's the fact that for the actual movie, the entire stunt was pulled off in *one take*.
That was Needham showing off that he could do it. Which was the point of doing this completely over-the-top stunt sequence.
Which was the... oh, never mind.
Realistic? The French Connection. A lot of it shot without permit or clearance, BTW.
--Ted
I just recently re-watched the Bourne trilogy, and I was reminded of just how good the car chases were in all three movies.
I'll add my vote for The Matrix Reloaded as well. It may be mostly CGI, but it looks damned impressive.
The obvious choices have already been mentioned
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