Though, if the short story was already published, that’s not necessarily a problem. There are certainly other sf authors whose later work kinda retroactively made previous stories nominally set in the same universe inconsistent with them (Vernor Vinge, Andre Norton, John Shirley, etc), whose response was to just shrug and go on, or to not especially care in the first place, letting each work just speak for itself. It’s consistency within a single work that matters the most.Just last night, I was checking an internal continuity point in my novel, only to find that it was a non-issue. But in the process, I found a potential continuity issue with a short story set in the same milieu.![]()
(Which is why I’ve come to hate stories/series that end with “The plot’s gotten a bit tangled — oh hey, postmodernism! The end! Clever, huh?” I could deal with it in The Prisoner, where you could at least try to interpret it; but I’ve gotten old and cranky and probably wouldn’t today.)
EDIT: So, that rather sank the ending of the recent Hulu show
Interior Chinatown
The Big O
Dispatches from Elsewhere

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