Isn't that "I'm everyone" routine growing old already?
Everything you posted above was just a personal, subjective opinion, from the generalizations down to the technological minutiae (and everybody knows it).
No, it isn't, and everyone knows it.
Every single bit of material you quoted could be interpreted the exact opposite way (and that's a fact because it is).
No, it can't. Willfully fantasizing things completely different from what's on screen, does not interpretation make.
So why on Earth do you strive to interpret it in the way that makes the least possible sense in the wider context, causing undue anguish instead of happy harmony (are you having problems)?
I'm hardly interpreting anything at all, that's the point, and I'm certainly not fantasizing things to be contrary to what's on screen. Also, anything that brings that pile of junk that is Enterprise into continuity is the opposite of happy harmony. Happy harmony would be everyone finally disavowing the pile of junk.
You could easily pour your considerable creative powers into making it all jibe perfectly (and if you don't see that, you are an idiot

).
Oh, I can see that, I just don't do fantasy, I do science fiction.
Some examples: "She's too spacious" vs. "She's built for a bigger crew but is too primitive to support it on the deep space missions she suddenly finds herself in"
:bwahahaha: You have got to be kidding me. You call that harmony? The whole point of what Spock is saying is that the ships of the 22nd century are primitive, barely functional ships, but really they build magnificent fully functional vessels that worked better than the ship Spock is flying in and future vessels, but they couldn't staff them!?!?!? That makes no bloody sense.
or "There are no present day atomic weapons" vs. "Since 'atomic' is a long-retired term in scientific-military parlance and thus free for scifi use, let's apply it on weapons that interact on the atomic level as opposed to nuclear or molecular - say, phasers or antimatter annihilation devices".
Which do NOT work on the atomic level, they work on the SUB-atomic level. Therefor photon(ic) torpedoes would be SUB-atomic weapons, and the weapons used by Enterprise would be SUB-atomic weapons and NOT atomic weapons. They are thus too advanced.
Like I said, I'm not not into fantasy.
Uh, would you please explain how those three episodes contradict each other? Because I'm trying and trying, and for the life of me, I can't remember a damn thing in there that contradicts the others. Especially considering you could name actual contradicting episodes.
But the latter would defeat the spirit of the argument. What I'm referring to is not "gross" contradictions like different maximum speeds for the ship in different eps, or different names for Kirk's employer, or timepoints for Kirk's adventures that vary by several centuries between episodes. What I mean is that the episodes were written to depict conceptually different fictional realms. In one, we meet a Starfleet worried about an interstellar war with a rather petty old enemy, with everybody amazed by standard scifi cliches and alien ways of life as if they met those for the first time. In another, a cosmopolitan Starfleet bears the responsibility for the past and future of the entire universe, as it apparently hinges on what happens on Earth. In yet another, humans concentrate on battling themselves, as if the galaxy were just their own personal sandbox and the villains and technologies of the 1990s would present a worthy challenge to our heroes of the what-was-about-2190s-back-then.
The three episodes aren't supposed to exemplify the farthest outliers in this respect, either. Going through TOS episode by episode, one can find a different conceptual milieu behind basically each one.
No such things happen.
The "gross minutiae" can be explained away as long as there is a general feel of connectivity between the stories. The different scifi realms only merge into a whole thanks to the weight of material - the airhours, the repetition, the times the actors try to convince us that their appearances in different dramatic frameworks on different weeks are part of the same story, and the times we strive to accept this.
The ARE part of the same story, and there's no different dramatic frameworks; it's a ship flying about.
TNG basically took place in an almost completely different scifi universe from TOS, with only gratutious name-dropping ("warp drive", "Starfleet") to keep the two elements connected. It didn't take us long to accept it as part of the "Star Trek universe". DS9 presented another challenge which we took on, perhaps milder than the TOS->TNG one, but perhaps in some ways more severe.
Nope, there's nothing different about it. It's the same universe, just a century later, and through the eyes and coloration of the Enterprise crew. DS9 is no different either; in fact, the tone is much closer to TOS than TNG.
ENT is just another such challenge, and we enjoy all the same advantages and privileges as with TNG: a century of in-universe temporal separation, a different zeitgeist driving the writers in the real world, a different cast of actors, a deliberately different visual feel.
Nope, not at all. Enterprise is a pile of junk, heavy handedly mucked with by the Paramount suits, so instead of new stuff the creators said they were going to do, we got a carbon copy of Voyager, right down to the same battle scenes, only a few terms were slightly changed here and there. They're even still in Starfleet with the same icongraphy for gods' sakes! The creators didn't give a damn enough to stand up to the suits, they cared even less when what they wanted to do was no longer being done, and the result is the apathic pile of junk we got.
And as long as we're trying to marry it to the good Star Trek that came before, as long as we're happy campers about it, the Paramount suits will go: "See, we got it rightl! The idiots will lap up everything." And they'll happily keep on going the way they were going, meaning that we'll only get more of the same junk we got with Nemesis and Enterprise. They're all "very pleased" indeed.
You want that to change, the only chance you got, is if all the Star Trek fans, or at least 90% of them, all go; this is an inconsisten, continuity breaking pile of junk. Toss it out the window, and forget it ever happened.
It just puts a damper on things when the writing is so poor and the acting doesn't improve the experience any.
The acting is so poor, because the writing was so poor. The writing was so poor, because they didn't give a damn. They didn't give a damn because they'd be doing the same thing 15 years straight, and the suits changed what they wanted to do to more of the same, so they did something they didn't really wanted to do, making their apathy greater. And why, because they didn't care enough to stand up to the suits, unlike Ira Steven Behr and Ronald Moore with Dragonriders.
And as long as we keep lapping this stuff up, and going as if it was a-ok and it really did fit, the suits will think they were right, and keep doing what they've been doing.
It needs to end, the only chance to end it, is to start tossing the discontinuous junk we got with Enterprise out the window across the Star Trek fandom board.