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Alien 5: An Open Message About Newt, Hicks, and Bishop

Dear Mr. Blomkamp,

Despite your reassurances that Alien 5 will not retcon Alien 3 and 4, let me emphatically say – we WANT you to erase Alien 3 and 4, and I feel safe in generalizing the “we.” The reassurances you have made that Alien 5 will NOT retcon 3 and 4 is NO reassurance. I can’t imagine ANYONE except the studio who does not want the egregious snuffing of Newt, Hicks and Bishop eradicated from canon. The opening of Alien 3 was not simply a mismanaged mistake, it was a fundamental betrayal of the finale of Aliens. Power up the decanonizer!

I completely agree.
Not that 3 and 4 are bad films (I happen to like 4 quite a bit) but I can't get over the fact that 3 simply killed Newt and Hicks off screen. It's makes the awesome finale of Aliens nearly pointless.

"They mostly fuck up sequels... mostly."
 
Nightowl - Sorry but wrong - that Ripley is about 200 years in the future, remember? A:R was deliberately set a couple of centuries after 3 to distance itself from the stench of that AWFUL debacle.

Ripley snoozed for 57 years in a cryotube, remember? And the Engineer in Prometheus was in one for about 2000 years. Find a good excuse to stick Hicks in one for about 170 years (allowing time to age him up), and we're good to go.
 
The story was completely under a writer's control - or in the case of Alien 3, several confused writers, pieces of each each script tossed into the air to see where they land, and a mismanaged and inept production. Let's not confuse fiction that is entirely under the control of those responsible for the "debacle" with reality.
It's clear they wanted Ripley to be alone...
This is true from the point of view that the poorly written script which was haphazardly pieced together from several scripts, one of which originally had Hicks as the survivor and star, was the only one possible, where filming began before the script was finished. Ripley could have been isolated by any number of means available to the writer's imagination in a way that left Newt, Hicks and Bishop alive off screen without being in the movie. And that's just for this plot. There could have been a different story told that did not murder the characters and waste the far superior Aliens.

It's clear you're not interested in real debate but just throwing your bias around.

I have nothing more to say to you in this thread then.
 
The Assembly Cut of Alien3 is at least as good as Aliens. It's relentlessly pessimistic but not cynical, and I adore it as a conclusion to Ripley's character arc -- I think the ending of Aliens is a little too happy for the character / series to end on. Two encounters with the scariest and deadliest creature in cinema and her life ends up way better than if the Nostromo just went straight home: A new start-over daughter to replace the one she never saw / had time for (who by the way lived happily to 98 or whatever) and she gets a husband! The suicide downbeat ending of 3 is much more satisfying to me. Her life is over but she gets to go out with her middle finger up to the company, making sure this thing never gets to terrorize anyone ever again.

Elliot Goldenthal's score is nothing short of amazing, too.
 
Alien3 was quite an interesting film, and the director's cut made it a lot better for me still.
David Fincher left the movie even before editing was complete, so thoroughly disgusted was he that the studio finished the film for him. As Timby references, you are perhaps thinking of the "Assembly Cut." Fincher would have nothing to do with the film since he left the debacle, even for the Alien Quadrilogy release. The Assembly Cut is indeed generally liked better by those who appreciate Alien 3.
 
The Assembly Cut of Alien3 is at least as good as Aliens. It's relentlessly pessimistic but not cynical, and I adore it as a conclusion to Ripley's character arc -- I think the ending of Aliens is a little too happy for the character / series to end on. Two encounters with the scariest and deadliest creature in cinema and her life ends up way better than if the Nostromo just went straight home: A new start-over daughter to replace the one she never saw / had time for (who by the way lived happily to 98 or whatever) and she gets a husband! The suicide downbeat ending of 3 is much more satisfying to me. Her life is over but she gets to go out with her middle finger up to the company, making sure this thing never gets to terrorize anyone ever again.

Elliot Goldenthal's score is nothing short of amazing, too.

After the events in Alien and Aliens Ripley deserved something good thrown her way.

The ending to 3 is good in itself, but that story is tainted, for me, by the way in which Ellen's possible happy ending was smashed.
 
The Assembly Cut of Alien3 is at least as good as Aliens. It's relentlessly pessimistic but not cynical, and I adore it as a conclusion to Ripley's character arc -- I think the ending of Aliens is a little too happy for the character / series to end on. Two encounters with the scariest and deadliest creature in cinema and her life ends up way better than if the Nostromo just went straight home: A new start-over daughter to replace the one she never saw / had time for (who by the way lived happily to 98 or whatever) and she gets a husband! The suicide downbeat ending of 3 is much more satisfying to me. Her life is over but she gets to go out with her middle finger up to the company, making sure this thing never gets to terrorize anyone ever again.

Elliot Goldenthal's score is nothing short of amazing, too.

After the events in Alien and Aliens Ripley deserved something good thrown her way.

The ending to 3 is good in itself, but that story is tainted, for me, by the way in which Ellen's possible happy ending was smashed.

Bad things happen to good people. That's just a fact of life. No one gets exactly what they deserve or want, and the beginning of the film reflects the style of film that Alien3 is -- Alien is basically the greatest horror film ever made and it arguably has the best execution of a slow burn in cinematic history. Aliens is an action movie. Alien3 is essentially a Gothic drama.
 
Bad things happen to good people. That's just a fact of life.

This wasn't just bad things, this was a convoluted ridiculous set of circumstances that only make sense if an evil God had it out for Ripley.

Seriously our heroes have to be dumb enough not to check for more aliens before going into hyper sleep, the egg has to decide to open with no one near it (something they've never done before) instead of just getting some poor bastard on Earth when they get there so they can wreck the ship and kill off three characters just because, and somehow the face hugger can navigate from the egg's hiding place to the hyper sleep chambers, and then survive implanting Ripley long enough to implant a dog/cow instead of dying like they usually do just so they can have a alien run around (a bit after Ripley should logically be dead) and still give Ripley a reason to commit suicide.

It just comes off a putting everyone into a corner just to surve the plot.
 
Ripley isn't dead because the queen takes longer to gestate. That isn't just subtext, that's literally text.
 
Alien is basically the greatest horror film ever made and it arguably has the best execution of a slow burn in cinematic history. Aliens is an action movie. Alien3 is essentially a Gothic drama.

And Alien Resurrection tried to be all three in one film and only ended up as a rough first draft of Firefly. :lol:
 
I just want him to make it good, and add something to the mythos, not just be a cash-in. Other than that, I don't give a shit one way or the other about canonicity of 3 and 4.

That said, 3 completed a trio of casting Ripley as the female archetypes of maiden, mother, and crone, while 4 failed by a) there not being a fourth archetype after crone, and b) being a "greatest hits" album.

If 5 is to succeed, it needs to either find that fourth archetype for Ripley, or focus in a new direction in the same universe.
 
Seriously our heroes have to be dumb enough not to check for more aliens before going into hyper sleep,

It happens.

the egg has to decide to open with no one near it (something they've never done before)

It's movement and vibrations that open the eggs. The vibrations of the machinery and engines on the Sulaco would do it. Plus it was a Superfacehugger, it's different.

somehow the face hugger can navigate from the egg's hiding place to the hyper sleep chambers,

It has to have some kind of sensory organ, so it tracked people it could infect to the chambers.

and then survive implanting Ripley long enough to implant a dog/cow instead of dying like they usually do

Superfacehugger.
 
It has to have some kind of sensory organ, so it tracked people it could infect to the chambers.

Seriously. The Facehuggers are shown to have some sort of sensory / tracking ability at the very least, if not some level of intelligence, when they're locked in the medical room with Ripley and Newt.
 
Ripley isn't dead because the queen takes longer to gestate. That isn't just subtext, that's literally text.

So this was said in the movie? And no I don't give a fuck what the books said.

Seriously our heroes have to be dumb enough not to check for more aliens before going into hyper sleep,

It happens.

in other words yeah they were that stupid, since it wasn't like there would even be a huge ass area to search seeing as the queen is a huge ass alien that needs to be able to fit in an area to get to it.

the egg has to decide to open with no one near it (something they've never done before)

It's movement and vibrations that open the eggs. The vibrations of the machinery and engines on the Sulaco would do it. Plus it was a Superfacehugger, it's different.

So a combination of stuff not mentioned in the movie ever and bullshit asspulling.

somehow the face hugger can navigate from the egg's hiding place to the hyper sleep chambers,

It has to have some kind of sensory organ, so it tracked people it could infect to the chambers.

How they're freaking popsicles at that point somewhere on a giant freaking space ship.

and then survive implanting Ripley long enough to implant a dog/cow instead of dying like they usually do

Superfacehugger.

Aka bullshit asspull.
 
Ripley isn't dead because the queen takes longer to gestate. That isn't just subtext, that's literally text.

So this was said in the movie? And no I don't give a fuck what the books said.

As I recall, in the Assembly Cut, that's explicitly said when Ripley gets her ultrasound or whatever -- she's shocked that she isn't dead when she's had an embryo inside her for so long and then Charles Dance's character suggests that because it's a queen (which is when Ripley really develops her death wish), it hasn't matured yet.
 
in other words yeah they were that stupid, since it wasn't like there would even be a huge ass area to search seeing as the queen is a huge ass alien that needs to be able to fit in an area to get to it.

The ship's sensors never warned them about some unknown bio-organism when they were going back to the Sulaco. So their methods of detection aren't that great.

So a combination of stuff not mentioned in the movie ever and bullshit asspulling.
Do you need this explanation? It's people moving that got the egg to open before, and we've never seen one on a ship full of moving machinery before. So machine vibrations do the trick.

How they're freaking popsicles at that point somewhere on a giant freaking space ship.
Their body functions aren't stopped, just slowed down. Enough that a Superfacehugger could still detect them eventually.

Aka bullshit asspull.
The Superfacehugger can do twice. A Queen and a normal alien to burst first to protect the Queen until she's born. Perfect sense.

As for the Queen, there are two reasons why it took longer:

1) It's a Queen, needs more development time in a host.

2) Ripley's body was messed up from coming out of Cryo wrong, so it messed up the Queen too.
 
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