I like Yarnak's hand gestures. They don't always make sense with what he's saying, but it makes him more alien.
So there's this one and Arena. Which one am I forgetting?
He might be thinking of "The Gamesters of Triskelion."So there's this one and Arena. Which one am I forgetting?
I like Yarnak's hand gestures. They don't always make sense with what he's saying, but it makes him more alien.
H&I said:Kirk and Spock meet Abraham Lincoln and Surak of Vulcan and must do battle with some of history's most terrible villains.
Indeed. People are more sensitive about words today than they ever have been.Uhura's comments about stripping words of their power to offend remains a pertinent message today .
If we return to dueling over slights and insults, I’ll agree with you.Indeed. People are more sensitive about words today than they ever have been.
So there's this one and Arena. Which one am I forgetting?
I believe the real Lincoln was a great deal more racist than shown in that episode. His reason for ending slavery wasn't out of concern for the African-Americans that he despised almost as much as the southern slave owners did.
C'mon.In season one SPOILERS
The neighbour turns out to be a former mobster and tortures a soldier to find out why his sick wife was forcibly relocated to a military hospital. They argue about whether they should kill him but the 'hero' releases him. He later comes back and shoots not his torturer but the man's daughter, who was actually kind to him, thus proving he was a wrong un so torturing him was obviously justified with hindsight.
They then unleash a horde of zombies on the hospital so they can sneak in and release their family members while all the other patients end up dead and not a single character frets about the mass murders they've committed.
Soz. I genuinely did not know that you could do that. Or how.C'mon.
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You can also type out the spoiler tags manually:Code:[SPOILER]spoiler-y stuff[/SPOILER]
spoiler-y stuff
Going by Carl Sandburg's biography, he was very much for abolition, which after all is what started the war, the South's reaction to the election of an abolitionist... but he didn't see them as equals either. He was against intermarrying. His solution for slavery was to send them all overseas someplace. Sure, now, there's ample evidence of equality, but it was harder to tell when most were restricted from learning.
There was a meeting between him and freed black Union soldiers, where they overflowed with gratitude, and it really overwhelmed him, bringing tears to his eyes, Sandberg says.
Star Trek
"The Savage Curtain"
Originally aired March 7, 1969
Stardate 5906.4
What was going on the week the episode aired.
Our final three episodes happen to fall in production order, for what it's worth.
I want to like this one for its bits of world building, like Surak and Kahless, but the premise of bringing together great historical figures seems wasted when they're rumbling with sticks and stones. Which ancient leader can wrassle better says nothing about good vs. evil...and it's a bit simplistic to so neatly divide the figures between the two values. Still, you gotta love Abe Lincoln vs. Kahless and Genghis Khan. Not that Kahless was very impressive here. I have to wonder if his gift for mimicry is an official part of Klingon lore.
Anyone else notice that slo-mo Lincoln reaction when Surak first cries out? That always stuck out at me.
Indeed. People are more sensitive about words today than they ever have been.
Next week, the show's last new Friday night episode, after which we go on mini-hiatus until June:
"Curtain" in the title comes from Roddenberry's original concept and refers to the theater. Here's what he said in his pitch outline (May 9, 1968):Like "The Omega Glory," the title "The Savage Curtain" doesn't make a whole lot of sense in terms of what's actually happening. It suggests something like "Theatrical Play about Savagery," or maybe on the other hand "The Savagely Staged Play," which isn't the same thing at all. The Excalbians aren't testing civilization vs savagery anyway, it's good vs evil, dude.If it were to have meant "The Savagery That Occurs Behind the Curtain," then I presume we'd've had a totally different story.
Yes.There's a line in the Blish adaptation where Uhura says she finds her color more attractive than Kirk's or Lincoln's. Was that in the script?
I guess you could argue that just as the Lincoln wasn't the real one but the one pictured in Kirk's mind, the Kahless wasn't the true one either but one also coming from the same source.
On a rewatch, I was surprised at how much of the episode takes place with Lincoln on the ship. That part of the episode is quite TNGesque.Slight flaw in the logic there is that if Kirk knew about Kahless the Impressionist, he wouldn't have so easily fallen for the ruse.
This one's an episode of two halves, the first half with the mystery of Floating Space Abe and the Instantly Terraforming Planet starts of somewhat promising, it's not boring, it's got some nice bits of discussion on encountering new life forms and the logic of beaming down in an unknown and possibly trap like conditions, and then in the second half when the mystery is revealed and it turns into a stick throwing fight because some omnipotent rocks want a WWE fight to understand good and evil it falls completely apart.
It's nice how Kirk, Uhura and Lincoln talk about racism as being a thing of the past, but it would have been even nicer if then in the group of baddies the two not-white guys and a woman didn't just automatically follow the One White Guy as their default leader, but I guess a challenge for leadership is not something we could have expected from Kahless the Utterly Forgettable...
Apparently Mark Lenard was supposed to play Lincoln originally but couldn't due to scheduling conflicts.
It would have been even more confusing if he was to play Surak...![]()
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