A
Amaris
Guest
No, I didn't laugh. It didn't bother me as I was engrossed in the film, but the girl in front of our row called out "Ooh, he mad!" when she saw that, and THAT made me laugh. 

Now that I think about it, I'm pretty sure I heard laughter in the theater.
I hated it just as much at first, now I see it as a similar scene to the bit in Rise of the Planet of the Apes just before Ceaser yells noooo! and the cruel guard says 'get your hands off me you filthy ape'
It's just a homage, call back, easter egg, in-joke, call it what you will. I'd still rather they hadn't done it though.
I didn't like it. Actually I dint enjoy it because a woman in the theater was telling her companion how that scene was the same dialogue as the old movie and such.
gee, when people will learn to be quiet at movies?
But I dont like JJ SPock. Prime Spock was logical, stoic and above all, cool. That he felt emotions at all was a well-guarded secret. JJ Spock is having fits all the time.
I remember thinking, "What a powerful set of lungs, to be able to make himself heard through the solid rock and into space where you're not supposed to be able to hear anything."I think Shatner having a deep bass voice makes the scream a lot more epic. we even here the jokes of how Shatner can make sounds in space.
You can pay me right now. I haven't set foot in a theatre since December 1999. If I see the third Abrams movie, it'll either be because I've subscribed to the Space Channel for some other reason and it happens to be on, or it eventually comes to Canadian Netflix. The only reason I watched this stupid second movie was because I had a free "on demand" coupon and it was available.And I'll bet you a fiver you're still gonna go and see the next one in cinema's.I've said before, that Into Darkness is the Quantum of Solace of the Trek movies. A disappointing follow up to a successful reboot film. Maybe with the 50th anniversary coming up the new Trek film will be the Trek equivalent to Skyfall. But after Into Darkness I have no interest in seeing another Star Trek movie ever again.
I was entertained at only one point, where nuSpock uttered the line about displaying many attitudes simultaneously. That was a good line, and actually funny.Yep, I sometimes wonder whether compulsion with irrelevant minutiae is an impediment to just sitting down and enjoying a film on pure entertainment value.Because it is a God-damned movie and Yelchin is one of the secondary stars. It isn't the fucking real life military. I was able to figure out how movies work when I was watching as a kid in the 1970's.Which is why they should have more experienced officers in key positions, such as Lieutenant Kyle manning the transporters instead of some teenager who should still be an Academy freshman.
I didn't like it. Actually I dint enjoy it because a woman in the theater was telling her companion how that scene was the same dialogue as the old movie and such.
gee, when people will learn to be quiet at movies?
But I dont like JJ SPock. Prime Spock was logical, stoic and above all, cool. That he felt emotions at all was a well-guarded secret. JJ Spock is having fits all the time.
To the extent the story did borrow from TWOK, it was mostly Kirk's death scene (and using Khan, of course), and since it worked so well with Kirk's character arc in the movie, I didn't have a problem with it. In effect, the whole movie was building to that point.
To the extent the story did borrow from TWOK, it was mostly Kirk's death scene (and using Khan, of course), and since it worked so well with Kirk's character arc in the movie, I didn't have a problem with it. In effect, the whole movie was building to that point.
That is, I believe, one reason why I find the Khan scream so jarring. I really, really liked Kirk's arc a lot. I like how deliberate it was, how well-paced it was. He confused luck for skill. He didn't start taking the job seriously until it became personal. His dismissal of Scotty was fairly childish and kind of spoiled, but then I'd like to think that him asking Uhura and Spock to stop bickering as a step up over his previous cavalier attitude. And then once he realizes what he has to do to save his ship and crew, the arc becomes complete. Those gradual steps had me engrossed pretty deeply; and I don't even like the Kirk character (Prime/Nu/otherwise) that much anyway. if '09 was about his ascension, then XII was about his maturity. But that reference yanked me back, and pretty hard, like a bungee cord to remind me that I was watching a movie after all. Spock yelling out "No" or just in general would've been entirely consistent and heart-wrenching, imo. Him yelling out Khan seemed really forced.
In TWOK, it's almost a cheat that Spock is the hero who sacrifices himself saving the ship instead of Kirk.
In TWOK, it's almost a cheat that Spock is the hero who sacrifices himself saving the ship instead of Kirk.
In TWOK, it's almost a cheat that Spock is the hero who sacrifices himself saving the ship instead of Kirk.
It's more plausible that a science officer would even know what to do to fix the warp-drive rather than Kirk. Cinematically, having him just abandon the bridge at that moment for the turbolift would have looked weird. Instead you have the iconic moment of them turning to see Spock's empty chair (Spock having left when nobody was watching) and Spock rushing down to engineering. Kirk wasn't just going to leave without anyone noticing. Also, unless Trek II had immediately used the Genesis device to resurrect Kirk, by having him make the sacrifice would have pretty much ended the Trek franchise right then and there. While it's true that the cast and crew always produced each film as if it could be the last, there's no way they would have ended it with their hero dead. Losing Spock was as bold as they could be in the writing.
When you add it all up, all the plot elements in Wrath of Khan click together very nicely.
To which other character would it be "rational" to compare nuSpock, in your opinion?I didn't like it. Actually I dint enjoy it because a woman in the theater was telling her companion how that scene was the same dialogue as the old movie and such.
gee, when people will learn to be quiet at movies?
But I dont like JJ SPock. Prime Spock was logical, stoic and above all, cool. That he felt emotions at all was a well-guarded secret. JJ Spock is having fits all the time.
comparing JJ Spock who only has been in 2 films to tos spock who has been in 79 episodes and 6 films is a bit irrational. don't you think?
In TWOK, it's almost a cheat that Spock is the hero who sacrifices himself saving the ship instead of Kirk.
It's more plausible that a science officer would even know what to do to fix the warp-drive rather than Kirk. Cinematically, having him just abandon the bridge at that moment for the turbolift would have looked weird. Instead you have the iconic moment of them turning to see Spock's empty chair (Spock having left when nobody was watching) and Spock rushing down to engineering. Kirk wasn't just going to leave without anyone noticing. Also, unless Trek II had immediately used the Genesis device to resurrect Kirk, by having him make the sacrifice would have pretty much ended the Trek franchise right then and there. While it's true that the cast and crew always produced each film as if it could be the last, there's no way they would have ended it with their hero dead. Losing Spock was as bold as they could be in the writing.
When you add it all up, all the plot elements in Wrath of Khan click together very nicely.
The only person who should know as much about how his starship runs than the captain is his chief engineer. I'd be surprised (and disappointed) if Spock knew more about how the Enterprise worked than Kirk did. He may know as much (which not all science officers would have to know), but not more. Kirk should've known what needed to be done, too. But he seemed paralyzed. He couldn't "corbomite" himself out of this one. Spock knew what he had to do before Kirk did, and he acted.
And of course they could've killed off Kirk. The next movie would've been about his resurrection, not Spock's.
By the way, they "lost Spock" not because it was the boldest thing they could write, but because Nimoy agreed to be in the movie only after Jack Sowards promised him a death scene. Spock wasn't even in Bennett's first treatment of the story because Bennett was sure Nimoy wouldn't do it. The original death scene was supposed to occur early in the story, but it kept getting pushed farther and farther into the story until Spock was basically in the entire movie.
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