I have Hazel eyes. Yet people often think they're blue or brown. It's all a trick of the light.
Well, any color is going to be affected by how the light is hitting it. But using that as a rationalization for how Pine's bright blue eyes could be confused with Shatner's dark hazel eyes is just...pushing it. At least for me.
If having two actors who look different with different eye color playing the same character doesn't bother you, great. Unfortunately it bothers me. For me, it's like seeing a character who's flying through the air and I can see the wires holding him up. It's like a giant neon flashing sign announcing that this is all fake and it takes me out of the story. But that's me.
My real rationalization is it's just a movie and it shouldn't matter. Just as the discrepancy between Quinto and Nimoy's earlobs, Saldana and Nichol's builds or Pegg and Doohan's hair lines should't matter.
You might want to avoid watching the James Bond series. They've had six different actors playing him over the course of the series and none of them look alike! Also Roots, LeVar Burton and John Amos, who play Kunte Kinte at various ages, look nothing alike. Ever notice that Kirstie Alley has green eyes and Robin Curtis has brown eyes?
We all have different ideas about where that line is. For me, seeing two actors who obviously look (and sound) very different -- but I'm supposed to believe they are clones, or the same character at a different age -- crosses that line.
Nah, F. Murray Abraham or Ben Kingsley.Heck, I never found Jeremy Kemp convincing as Picard's brother. He just didn't look like he could be related to Patrick Stewart. In an ideal world, I would've liked to see Sean Connery in the role. .
We all have different ideas about where that line is. For me, seeing two actors who obviously look (and sound) very different -- but I'm supposed to believe they are clones, or the same character at a different age -- crosses that line.
But, again, what's the alternative? There's only so much you can do to alter an actor's appearance, and it should be a given that you choose the best performer for a role regardless of what they look like. Sure, it's nice when the resemblance is convincing, but there's no way to guarantee that.
Heck, I never found Jeremy Kemp convincing as Picard's brother. He just didn't look like he could be related to Patrick Stewart. In an ideal world, I would've liked to see Sean Connery in the role. But I know there was no way they could've possibly afforded him. They made the best casting choice they could, and though it was difficult for me to suspend disbelief, I understand the realities of the situation and I don't condemn the episode for failing to achieve the impossible. Yes, I find Hardy's lack of resemblance to Stewart distracting, but I accept that getting the right performance and the best chemistry between the actors was a higher priority, and rightly so, than just what the actor looked like or sounded like. There's a reason it's called willing suspension of disbelief. Sometimes, even when it's hard to believe, you just have to choose to play along for the sake of the story.
Nah, F. Murray Abraham or Ben Kingsley.Heck, I never found Jeremy Kemp convincing as Picard's brother. He just didn't look like he could be related to Patrick Stewart. In an ideal world, I would've liked to see Sean Connery in the role. .
The alternative is to not write a clone story in the first place unless it can be done convincingly.
Part of the screenwriter's job is not only to write a story that is dramatically compelling (not that Nemesis was) but also to write a story that can be put on film in a convincing way -- using the tools that the filmmaker has on hand at the time. I wouldn't write a Picard clone story for the same reason I wouldn't write a story where the gravity on the Enterprise goes out and the characters spend the entire two hours floating around: it's just too difficult to put on film and make it look believable.
Or it might be that a point was just never made of it in TOS (no one calling him a whiz-kid). Otherwise, Chekov did seem able to fill in for Spock at the sciences station when he wasn't on the bridge (even though he was in Command, he also might have had a background in Sciences).Except Chekov is the one we know is a different age, about 4 years older in nuTrek... but since his birth is after the timeline change, that's allowed. But that means nuTrek Chekov is not actually oldTrek Chekov. A different kid with the same name born to the same parents but at a different time.
Either that, or he was lying about his age in "Who Mourns for Adonais" for some reason. Or he was using some other planet's years rather than Earth years.
Although I'm inclined to agree with the "cross-temporal older brother" theory, because Chekov Prime never seemed to be anywhere near as much of a genius as his counterpart.
Or it might be that a point was just never made of it in TOS (no one calling him a whiz-kid). Otherwise, Chekov did seem able to fill in for Spock at the sciences station when he wasn't on the bridge (even though he was in Command, he also might have had a background in Sciences).
Still, Chekov Prime never struck me as more than a competent science officer -- hardly a Wesley Crusheresque child prodigy.
Sulu's probably a different age too, given than John was nearly twice the age as Anton was at the time of the first film. And eight years older than George was when he first played Sulu.Yes. They are the same person.
Everyone in the nuTrek universe is the exact same person as in the oldTrek universe and looks identical to them, including Chekov.
Except Chekov is the one we know is a different age, about 4 years older in nuTrek... but since his birth is after the timeline change, that's allowed. But that means nuTrek Chekov is not actually oldTrek Chekov. A different kid with the same name born to the same parents but at a different time.
And I also agree about Patrick Stewart and Tom Hardy, which was one of my problems with that film. It's like they got an actor who was about the same height and build as Patrick, then shaved his head and figured: Hey, they're practically twins! Forget the fact that the two men's faces were completely different and their voices sounded completely different too.
We all have our little pet peeves and things that take us out of the story. This is one of mine.
Stewart and Kingsley are both from Northern England and members of the Royal Shakespeare Company. York is from Southern England was part of the National Theatre. I think all three are of the generation where regional accents were looked down on and actors were encouraged to lose them.Nah, F. Murray Abraham or Ben Kingsley.Heck, I never found Jeremy Kemp convincing as Picard's brother. He just didn't look like he could be related to Patrick Stewart. In an ideal world, I would've liked to see Sean Connery in the role. .
Yeah, there is a certain resemblance between Stewart and Kingsley too, not just in appearance but in speech mannerisms and delivery. And at least then Robert wouldn't have had a Scottish accent.
I have a good ear for speech rhythms, and I've noticed that a number of English actors seem to have almost identical rhythms and performance styles to Patrick Stewart's, including Kingsley and Michael York. It makes me wonder if they all were trained by the same acting teacher, and if so, just how meticulous the training is.
As an aside, there's another TWOK plot-hole for you, Christopher. Why would Reliant allow both her captain and first-officer to beam to the surface of Ceti Alpha V? I know the plot reason, but wouldn't Beach have been a better choice?
In light of the original series, which featured Kirk and Spock going on landing parties all the time, it is hardly inconsistent.
As an aside, there's another TWOK plot-hole for you, Christopher. Why would Reliant allow both her captain and first-officer to beam to the surface of Ceti Alpha V? I know the plot reason, but wouldn't Beach have been a better choice?
Sulu's probably a different age too, given than John was nearly twice the age as Anton was at the time of the first film. And eight years older than George was when he first played Sulu.
The alternative is to not write a clone story in the first place unless it can be done convincingly.
I find that a distasteful answer. I don't like the attitude that a given kind of story "shouldn't" be told at all. It smacks of censorship at worst, a failure of imagination and ambition at best. Everything is worth trying, even with no guarantee of success. If it's difficult to pull off, then that makes it a challenge even more worth attempting.
Yes, using what's on hand at the time. Which means it doesn't have to be perfect, it just has to be the best available approximation -- trusting that the audience has engaged, non-atrophied imaginations and will actually make the effort to meet them halfway. For generations, filmmakers did the best they could to create images that were beyond the state of the art -- and that's the only way the state of the art could ever advance! If people had thought the way you do, that if something couldn't be achieved perfectly it shouldn't even be tried, then filmmakers would never have challenged themselves to push their limits and discover new ways of doing things. And actors can't improve as actors if they aren't willing to tackle difficult challenges -- like giving a good enough performance to convince an audience to accept that they're the same person as someone they don't look or sound like. Would Tom Hardy be as respected an actor as he is today if he hadn't been willing to tackle challenges like pretending to be Patrick Stewart's clone? Whether he succeeded or not, the challenge itself, the attempt to surmount it, was how he refined his craft and gained experience. Your attitude is one of surrender and avoidance, and that's not what makes creativity work. It's not what enables anyone to succeed at anything in life.Part of the screenwriter's job is not only to write a story that is dramatically compelling (not that Nemesis was) but also to write a story that can be put on film in a convincing way -- using the tools that the filmmaker has on hand at the time. I wouldn't write a Picard clone story for the same reason I wouldn't write a story where the gravity on the Enterprise goes out and the characters spend the entire two hours floating around: it's just too difficult to put on film and make it look believable.
So why would I want to do all the mental gymnastics required to believe two different-looking actors are playing the same character when the story is lousy to begin with?
I'd say Tom Hardy is doing well today in spite of his turn as Shinzon -- not because of it. Yes, actors have to set challenges for themselves, but those challenges should be interesting and well thought-out.
I don't think even nuChekov is quite up there with The Chosen One Wesley, but Chekov Prime could still have been considered a bright kid in his own right, although his impulsive youthful demeanor may be what comes across the most, perhaps.^In production order, Chekov started out as a junior science officer and only later became the navigator. Not to mention, why would they bring a navigator on so many landing parties? A science officer would be more useful.
Still, Chekov Prime never struck me as more than a competent science officer -- hardly a Wesley Crusheresque child prodigy.
That's pretty much what I was thinking.Or it might be that a point was just never made of it in TOS (no one calling him a whiz-kid). Otherwise, Chekov did seem able to fill in for Spock at the sciences station when he wasn't on the bridge (even though he was in Command, he also might have had a background in Sciences).
Without knowing precisely how the Academy teaches its students, it would seem that every cadet is exposed to a certain number of core disciplines as part of becoming a Starfleet officer, in much the same way that medical students must rotate through most or all medical specialties before finally choosing one for themselves. It's certainly plausible that a cadet could have a primary area of expertise (navigation) and a secondary area with which he's familiar (exobiology). That Spock was willing to let Chekov work under him speaks volumes about how highly regarded Chekov must have been by his peers.
Depending on what you think his uniform was in Star Trek II, Chekov may have been the exec and chief sciences officer on the Reliant.Why would Reliant allow both her captain and first-officer to beam to the surface of Ceti Alpha V?
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