Re: Spock's Conscience
Yes, in the hands of a weak, unimaginative writer, you're correct. There could be no development.
Of course, that's true with ANY story.
I think the philosophical questions ("Yes, he's not from our timeline, but we're still 'cheating fate', aren't we?") and a strongly developed cast of characters would make it interesting. Even with handholding from Spock.
Take Doomsday machine:
Old Spock tells them the path and how to destroy it. They create a weapon needed to make the sacrifice of a ship unnecessary, but of course they still have to deliver it. However (plot device) Klingon spies have also learned of this mission, and cut them off . . . because the Klingons want to harness this weapon. Discovering how to stop the Doomsday machine suddenly becomes secondary -- unlike the TOS episode, where that's the entirity of the plot. In the teaser of this new series episode, they already know how to stop it. How to get past the Klingons to stop it becomes the question, and you end up with a central conflict between the crew of the ship with teh weapon and the crew of the Klingon ship. Ramp up the tension by having them go into battle against the Klingons, but say the "super weapon" is unstable. Fly in, fire, fly out is dangerous enough. Fly in, DO BATTLE, fire, fly out . . . they run the risk of destroying themselves AND the Klingons.
Your B-plot is a mirros story, where the captain and his/her wife/husband are facing divorce, and the destructiveness of the uber-weapon and the battle with the Klingons mirrors the falling apart of their marriage/relationship.
That's just off the top of my head. A better writer than me could probably come up with better ways to ramp up tension in a scenario like this. In my comic book writing, in the time travel graphic novel series I've developed, I face these kind of problems all the time. How do you have tension when everyone KNOWS Ben Franklin can't die? You create tension elsewhere, nd wrap yoru story around that. Ben Franklin can't die, but the future characters can . . .
~ Ben
And i said new or Alternate crew, as in a either a New Crew on a new ship, or the new Kirk and co. And its irrelevant who the characters are, having Old Spock lead the way hinders there development.
Im all for a New ship with a New crew, even tackling the old crises of TOS, but they should do it on their own, with no handholding from Old Spock.
And anything may happen and go wrong, but who cares when you have the Uber experienced Spock on the other end of a Subspace channel to tell you what to do next.
Yes, in the hands of a weak, unimaginative writer, you're correct. There could be no development.
Of course, that's true with ANY story.
I think the philosophical questions ("Yes, he's not from our timeline, but we're still 'cheating fate', aren't we?") and a strongly developed cast of characters would make it interesting. Even with handholding from Spock.
Take Doomsday machine:
Old Spock tells them the path and how to destroy it. They create a weapon needed to make the sacrifice of a ship unnecessary, but of course they still have to deliver it. However (plot device) Klingon spies have also learned of this mission, and cut them off . . . because the Klingons want to harness this weapon. Discovering how to stop the Doomsday machine suddenly becomes secondary -- unlike the TOS episode, where that's the entirity of the plot. In the teaser of this new series episode, they already know how to stop it. How to get past the Klingons to stop it becomes the question, and you end up with a central conflict between the crew of the ship with teh weapon and the crew of the Klingon ship. Ramp up the tension by having them go into battle against the Klingons, but say the "super weapon" is unstable. Fly in, fire, fly out is dangerous enough. Fly in, DO BATTLE, fire, fly out . . . they run the risk of destroying themselves AND the Klingons.
Your B-plot is a mirros story, where the captain and his/her wife/husband are facing divorce, and the destructiveness of the uber-weapon and the battle with the Klingons mirrors the falling apart of their marriage/relationship.
That's just off the top of my head. A better writer than me could probably come up with better ways to ramp up tension in a scenario like this. In my comic book writing, in the time travel graphic novel series I've developed, I face these kind of problems all the time. How do you have tension when everyone KNOWS Ben Franklin can't die? You create tension elsewhere, nd wrap yoru story around that. Ben Franklin can't die, but the future characters can . . .
~ Ben
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