no, but the fact that his psyche was so caught up with Padme and the slight but clear oedipal complex that went with it that it did become a powerful motivator. he lost his mother twice and I think Lucas did show that his feelings about both women were entangled. it IS a powerful dramatic irony -- any kind of parental motivator. it has been, in almost every mythic story. like any writer worth his salt, GL is aware of that. the problem is (at least one that is apparent to me) that most of the fans aren't.
the reason I like ROTS over every other SW movie is because, despite its obvious flaws, it's an adult, and complex, story.
No. It is not. Even the two early, good Star Wars movies are fairy tales that borrow certain mythic themes and tropes, mix them with the pulp serial sci-fi stylistics, in order to create a fun romp through a fantasy universe. Touching on mythic themes does not adult or complex make. The claim that Anakin had some sort of Oedipal thing going on with Padme is thin. I won't say it's not there, but if it is it's as clumsy and contrived as the rest of the PT. You could claim Obi-Wan is the father Anakin wants to kill - but why does Anakin rebel against Obi-Wan except that the story requires him to so that he and Obi-Wan can eventually have a big fight? Anakin suddenly feeling driven to defeat death and sell his soul to the dark side over a couple of indistinct dreams does not suddenly become more compelling because there was one scene in TPM where Padme happened to be around when Anakin left his mother, and because she's a little bit older than he is. There's nothing maternal about her relationship with him in AotC or RotS, so calling her Jocasta to his Oedipus is a bit of a stretch.
If you want an adult, complex story, read Salman Rushdie, Margaret Atwood or Cormac McCarthy. It's these attempts to make Star Wars something it's not that have undercut what fun there is in the movies. They are pulp, FX extravaganzas for the kid in all of us, and they borrow some solid, old themes because those themes make for good, entertaining stories, and they don't take much effort to write.
I've read all those writers. I am a writer as well, so you're preaching to the choir here.
but yes, I do believe that ROTS -- for all its flaws -- is a much more adult and complex take on Star Wars than any of the other SW films. it shows an intimate relationship that is constructed along the lines of Mythic Pathos. and no matter how clumsily it was portrayed (bad dialogue for one, although that was more in evidence in AOTC), there was definitely an attempt on GL's part to reach beyond the sillier Han and Leia romance or the stupider Luke and Leia flirtation on the OT. the Oedipal theme is not obvious and thank god. but it's there and the handling of it is pretty deft. so you can take it or leave it as a viewer and that's the way it should be.
this is NOT an ancient myth. it doesn't need an anvil to drive home its points. all modern constructs of the myths need to do is wield the lightest touch. anything more is overkill. I believe that ROTS did a good job in displaying a few of those mythic points. for instance, the theme of the triangle -- and there is MORE than a hint of it throughout AOTC and ROTS, no matter what YOU think you saw -- is driven home by plenty of scenes and frames and nuances between the players starting from AOTC.
in terms of political complexity, ROTS held a LOT more of my attention than anything that had gone before in SW. I was never a SW fan despite having seen ALL of the OT films. the PT held my attention despite fits and starts. and ROTS is a virtual cauldron of political maneuverings, some of it laughable but all of it absorbing, including the various personal dynamics.
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