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Re-Watching VOY

I really like Blood Fever until the last act, where it all falls to pieces. B'Elanna being psyched up is funny and the middle section where Paris insists she's unable to consent is genuinely progressive and important for 90s genre TV, even if it all reads as cringeworthy today.

Then the last act basically torpedoes all that, erodes its own message, and ends in a fist fight. But still, the first two thirds aren't bad at all!
 
I don't really get why I like "Coda". It's such a crazy conglomeration of "Groundhog Day" in space, "Ghost", assorted horror episodes (especially the Doctor turning into a cold blooded murderer), and some sappy sentiment at Janeway's not-funeral. But strangely, I enjoy it. 7/10

"Blood Fever" is interesting, but the overall product is kind of icky. Plus, the denoument seems a bit too convenient. But still, not a bad fight scene at the end. 5/10.
 
If it weren't for Mulgrew's acting, I'd call "CODA" one of the worst of the series. But because of her acting, it gets raised to about a mid episode.

It was such a mess.
 
In the DS9 Forum, I made a separate thread listing my Top 10 Episodes from the first half of the series. That sprung off of my also looking at how DS9 and B5 compared to each other when I was exactly half-way through both.

With VOY, I'll be doing something different because splitting it exactly in half doesn't work. With this show, the right way to divide it is pretty clearly Pre-"Scorpion" and Post-"Scorpion". So, when I get to the end of the third season, I'll be doing a list of my Top 10 Favorite Voyager Episodes from the Pre-Seven of Nine Era, along with Honorable Mentions. I'll even throw in a Bottom 5.
 
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"The Darkling"

I went into this episode expecting it to be bad. Instead, I came out of it thinking of it as mid. Unlike Odo and Narissa in DS9's "A Simple Investigation", the last episode I watched over there, Kes and Zahir don't do anything for me. I can certainly understand Kes being interested in someone living a life of excitement and someone who's as different from the crew of Voyager as possible, but this wasn't the guy.

For the first 20 minutes, it seemed like this would be a very bland episode, the Doctor trying to incorporate figures from history into his program notwithstanding. Then, at the 20-minute mark, things take a dark, dark turn. The darkness from all of historical personalities in the Doctor completely take over and try to suppress the Doctor himself. It's like TOS's "The Enemy Within" except on steroids. Instead of one dark side of a personality, the Doctor has several.

A huge credit to Bob Picardo's acting performance. But it's more than just the acting and the constant scowl. The messed up hair. And the eyes. Those beady looking eyes. I don't know how they did it. Did they have Bob Picardo wear contact lenses? Because those didn't look like normal beady eyes. Either way, they were very effective at showing how dangerous whatever took over the Doctor was.

It truly felt scary when the Dark Doctor (that's what I'm calling him) was in the turbolift with that Ensign and Tom Paris. I seriously thought something was going to happen.

Before the darkness fully took over, Lord Byron made me cringe. The Doctor unintentionally channeling Lord Byron made me cringe even more.

Back to the Dark Doctor. No one can figure out who's behind several acts of violence until it's figured out that the Doctor has been taken over by all the dark personalities. The Dark Doctor takes Kes hostage but the real Doctor seeps through and tries to protect Kes even while Kes is a hostage. The Dark Doctor tries his hardest to deny and takes Kes with him over a ledge, falling to what would've been their deaths... if the transporter hadn't rescued them in time!

I love it when Star Trek has the transporter do unusual things. And beaming two people mid-falling qualifies.

This episode continues with the idea of Kes growing and changing. Her wardrobe, her outlook, realizing she's lived a third of her life, and questioning if where she is how she wants to live it. I have to wondering if this was around the time when they were thinking of writing Kes out of the show next season? But I can't be sure. That might be what I know is coming influencing my thoughts. They did set up Kim to be written off the show at the end of the season (even though he wasn't), so maybe I am getting ahead of myself.

Regardless, I appreciate what they were trying to do with Kes, even though they didn't get very far with it. And I do like the Easter Eggs of so many historical figures. Then there's the Dark Doctor. I think those things are what save the episode. I give it a 6.

Additional Highlights:

  • Torres threatening to punch the Byron-influenced Doctor into the middle of the next millennium. I'm with you there!

  • The holograms who were maimed by the Dark Doctor. That's some black humor right there.



"Rise"

This is an episode that has been almost three seasons in the making. Right from their first scene together when Tuvok escorted Neelix from the Transporter Room in "Caretaker". We're thrown right into the tick of things with Voyager destroying two asteroids on course for a planet that sent a distress signal pre-episode. A fragment is on the way to the surface and has to be stopped. Technobabble, technobabble, three shuttles are sent out, naturally Tuvok and Neelix are on the same one. With them are people from the Planet of the Week. The shuttle crashes, they can't communicate with Voyager or the other shuttles, and it become Tuvok vs. Neelix while figure out way out of the jam they're in.

I'm not going to lie, I think Janeway likes taunting Tuvok by assigning Neelix to him. She won't admit it, she'll come up with an official reason, but that has to be why she's really doing it. It's her way of pulling a prank on a friend. There can be other reasons too, but you can't tell me that's not in there.

So we have Sklar (the Nezu Ambassador's Assistant), Dr. Vatm (the guy with the beard and the shaved head), Hanjuan (a working-stiff miner), and Lillias (a woman taking shelter and who fears the bombardments). I'm listing all of these out so I can keep their names straight. Otherwise, I'm not going to remember them.

Lillian is discovered on the planet's surface and holds Neelix at knife-point when they first encounter her. But that was just them getting off on the wrong foot. After that rocky start, Neelix and Lillian become fast friends. Tuvok wants Neelix to stop socializing and get back to work on figuring out how they can find a way to contact Voyager.

I have to say that I agree with Tuvok. NOT because of "I like Tuvok better!" (even though I do) but because in a Survival Situation, survival is what takes priority. In an Emergency Situation, making contact with those who can help is what takes priority. Although I will say Tuvok could've handled it better. It's illogical and inefficient to make Neelix feel resistant towards everything Tuvok says.

On the other end, Neelix should be thinking about how if he wants to propose an idea or a solution to Tuvok, then he should also be thinking about why it's logical and how it works to their advantage to do what Neelix is suggesting over something else. Neelix manages to convince Tuvok they should to go on a lift to reach an altitude where they can communicate with Voyager rather than wait in a shuttle, hoping Voyager will be able to find them. But, on the way up, he doesn't explain why it's logical to go on top of the lift to see what Dr. Vatm thought was so important to get to before he died. "I just have a gut feeling"? No. How about, "Vatm was a Doctor, what was up there must have been of some type of scientific importance. Would it not be logical to examine the possibility?" Tuvok is Security Chief, isn't it his job to be thorough? Isn't it his job to figure out intent?

But, no. Tuvok is so determined to disregard everything Neelix says that becomes hiddenly emotional. Tuvok doesn't even want to consider that anything Neelix says might make even a little bit of sense. Lillias has Neelix's back. And Neelix stops the lift, forcing Tuvok to investigate. Which is what Tuvok should've been doing anyway.

That's when Sklar shows his true colors and tries to kill Tuvok. On top of the lift, while they're in the clouds. For something made in the late-'90s on a TV budget, it doesn't look bad. Not great, but not bad. Watching Tuvok barely hanging on, after Sklar tries to fling him off the lift had me caught up in the moment. Then Neelix letting Tuvok back in and Tuvok stopping Sklar. Teamwork makes the dreamwork!

Turns out Sklar was a traitor who was collaborating with an enemy race who wanted to use the asteroids as a cover to drive the Nezu off their colony so they could swoop in.

There were so many new characters and so many moving pieces that I can see why "Rise" through us right into things at the beginning. To set things up the way Star Trek normally would would've taken two full episodes and this isn't a two-parter type episode.

Tuvok vs. Neelix continues to be reminiscent of Spock vs. McCoy, even though I think McCoy was much better at holding up his end of the argument. That having been said, I got a kick out of Tuvok and Neelix battling it out over who has the last word of the episode.

Rarely do I comment on what other reviewers think (my review of Season 2 of Voyager as a whole being the exception), but I don't get why Jammer only gave this episode one-and-a-half stars out of four. It's not a bad episode. In fact, I actually really liked it. It's as good as it gets when it comes to Tuvok vs. Neelix. On Jammer's scale, I give it three stars. On mine, I give it an 8.



For the Hell of it, here's a link to the re-mastered trailer for my first film, which I also just re-mastered. I was the writer, director, and editor. Enjoy!

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I consolidated "The Darkling" and "Rise" into a single post. Now we have...

"Favorite Son"

This episode feels like what I'd think of when I think of '50s Sci-Fi B-Movies, except it's Star Trek and was made in the '90s. I'm currently following a few YouTube Reactors who are watching Voyager. I'm ahead of them, but I can't to see their reactions when they get up to "Favorite Son" and Kim fires on the Nasari!

:eek: :eek: :eek:

Forget about Ensign Kim. If those Nasari hadn't been charging weapons, he would've been Prisoner Kim!

Then the '50s-style Sci-Fi kicks in. Kim is really an alien, supposedly, a Taresian. And on Taresia there are hardly any men, so Kim will be mating with three different women in order to help continue their species! Kim is both curious about the idea and resistant. Which is why it feels more '50s than '60s or '70s!

The Nasari are enemies of the Taresians and they tell Janeway that Kim won't ever be returning and that they'll be firing on Voyager if he does. Typical hard-headed Voyager Aliens. "If you do this one thing, all bets are off!" Eventually Kim figures out that the Taresians want to kill him after they've taken his DNA, Voyager finds a way to rescue him, he's beamed out the nick of time, and the Taresians and Nasari fight each other while Voyager escapes.

After the shocker of a beginning, this is all very much just playing to the stereotypes of what people think of as bad science-fiction, like I said earlier. What elevates it are the set designs, the costuming, and how unafraid the creators were to just dive into this concept unapologetically.

I didn't mind the episode, although my attention ended up wandering at one point and I had to hit rewind. I feel bad for the other Token Male the Taresians lured in, and I'm glad that -- with Voyager's help -- Kim managed to avoid that fate.

Strangely, with Kim having temporarily having Taresian DNA, Janeway and Chakotay are more interested in his input than they've ever been or ever will be again. He had all the insight!

There's nothing else to say. The episode isn't great, but it knows what it is. It's not a bad episode, it's a mid episode that I still like, despite it being so silly. Or maybe it's a bad episode that I just so happen to like. Either way, I give it a 6.

NEXT UP:
A review of "Spock's Brain", like I promised before. Another ridiculous, stupid episode that's more the stereotype of bad science-fiction than anything else... but I still liked it anyway. Also in a B-Movie kind of way.

EDITED TO ADD: After reviewing "Spock's Brain", give me a different perspective. So, I'm changing the rating of "Favorite Son" to a 4.

Like with "Spock's Brain", I can't pretend it isn't a bad episode. But "Favorite Son" is slightly less ridiculous, so I accordingly rate it slightly higher.
 
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The worst aspect of Favorite Son is that it was the episode where the writers actively made the decision to not develop Harry's character, and instead have the character stagnate for years.

Though not a horrible episode per se, and one with some good bits, this one receives a sizable point reduction.

Final score: 3/10.
 
The worst aspect of Favorite Son is that it was the episode where the writers actively made the decision to not develop Harry's character, and instead have the character stagnate for years.

Though not a horrible episode per se, and one with some good bits, this one receives a sizable point reduction.

Final score: 3/10.
"I've never trusted the Voyager writers, and I never will. I can never forgive them for the death of Harry Kim's character development." -- Jim Kirk, probably.
 
The worst aspect of Favorite Son is that it was the episode where the writers actively made the decision to not develop Harry's character, and instead have the character stagnate for years.

Though not a horrible episode per se, and one with some good bits, this one receives a sizable point reduction.

Final score: 3/10.
The thing is, I'm not expecting character development in a story as wacky as this. This is ridiculous '50s-style sci-fi. "Harry Kim on a planet filled with women who want mate with him... and then kill him!!!" dun-dun-dunnnn!!!!! If anything, if they had serious character development in this episode, I would've thought the goofy main plot would be too distracting from the character stuff, and I'd actually become annoyed with the story because (in theory) the character material would've/should've been solid (or at least better). I would've wished all the character stuff was in a different episode.

In my mind, they could've done one or the other, but not both.
 
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The thing is, I'm not expecting character development in a story as wacky as this.

"Favorite Son" was originally supposed to be Harry's equivalent to Nog's "Heart of Stone" or Bashir's "Dr. Bashir, I Presume", the episode where a foundering character took a hard right turn to make them interesting and relevant. Nog joined Starfleet, Bashir was revealed to be genetically modified, and Harry was supposed to be revealed to be an alien. In the latter case, the higher-ups quashed it. They made a deliberate commitment to making Harry the character we got, a man who spent seven years basically stagnating.
 
"Favorite Son" was originally supposed to be Harry's equivalent to Nog's "Heart of Stone" or Bashir's "Dr. Bashir, I Presume", the episode where a foundering character took a hard right turn to make them interesting and relevant. Nog joined Starfleet, Bashir was revealed to be genetically modified, and Harry was supposed to be revealed to be an alien. In the latter case, the higher-ups quashed it. They made a deliberate commitment to making Harry the character we got, a man who spent seven years basically stagnating.
Nog's storyline in "Heart of Stone" was the B-Plot, which was completely unconnected to Odo and Kira's storyline in the A-Plot. So that analogy doesn't work.

The analogy to "Dr. Bashir, I Presume", however, is more apt. So, I can see what you're saying there, but this is still one of those times where I'm siding with the higher-ups. Harry Kim really being an alien from the Delta Quadrant sounds dumb, IMO. Two wrongs don't make a right. It sounds gimmicky. It sounds like jumping the shark. "And they couldn't really do anything with Harry Kim, so they turned him into a space alien!"

I agree with those who say Kim didn't get to progress as much as he should've. But making him really be from a Planet Of the Week in the Delta Quadrant isn't the answer. Also, in this type of show, Kim really being an alien never would've been brought up again. Once they left that planet, it no longer would've been relevant, unless Kim had some new special type of ability. Which brings us back to its own type of silliness.

And at the end of the day, this isn't the type of episode that I'd want to be brought up again. I enjoyed it (to a degree) for what it was, but I wouldn't want to keep being reminded of it.
 
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I agree, having Harry be a Delta Quadrant alien was questionable... better to have it turn out that he was indeed affected by a Taresian retrovirus... but the Doctor couldn't cure it. This way, he unlocks new abilities and chatacter aspects, and maybe has to outrun or outwit the Taresians as well.
 
"Hi, I'm a man-eating parasite, who believes that the most cunning way to lower your guard, is to convince you that I am your cousin, your sister, or your mother and then wait for you to beg me to have sex with you."
 
Yeah...the thing that really worked about Nog's developmental pivot point was that it made total sense in the context of the character and everything we'd seen in the series to that point. It initially seems to come out of the blue, but when Sisko gets him to explain why he wants to join Starfleet, it's not just reasonable but moving. Like, it's hard for me to imagine this kid being forced to tell an authority figure that his father is a failure and he doesn't want to be like him, because as much tension as I've had with my dad, undercutting him like that to someone who wasn't a close friend would be...really painful.

(As usual...) The VOY team tried to do something similar to what DS9 did but apparently couldn't find it within them, because there's no build-up or logic to Kim turning out to be an alien; he'd just suddenly be one.It would have been more interesting, at least, but also kind of an excuse to have him save the day through the manifestation of a hitherto-unknown superpower. "Oh hey, it turns out I can shoot laser beams out of my eyes!"
 
This has been insightful. I stopped watching VOY in 1999, then finished in 2008. I rarely talked about the show much on TrekBBS before I started this thread. And I never bought the VOY Companion or anything like that. So, by definition, I'm not a Hardcore Voyager Fan, and don't know as much about the behind-the-scenes information. Besides the stuff that everyone knows, like why Tom Paris isn't Nick Locarno, the Genevieve Bujold situation, Kim almost got written off until it was Kes, Kate Mulgrew not getting along with Jeri Ryan, Robert Beltran phoning it in after a while, and the drama that went on during Ron Moore's three-episode stint. And them wanting "Year of Hell" to be a whole season, before it was scaled back.

Everything else behind the scenes? This is all new information to me! So, I appreciate finding out about things like this.

It doesn't change my review, because I'm only looking at the finished product, but it's interesting to see what's gone on behind it. And yeah, I'd rather Voyager be Voyager than have it try to be DS9 and do it badly.
 
Yeah...the thing that really worked about Nog's developmental pivot point was that it made total sense in the context of the character and everything we'd seen in the series to that point. It initially seems to come out of the blue, but when Sisko gets him to explain why he wants to join Starfleet, it's not just reasonable but moving. Like, it's hard for me to imagine this kid being forced to tell an authority figure that his father is a failure and he doesn't want to be like him, because as much tension as I've had with my dad, undercutting him like that to someone who wasn't a close friend would be...really painful.

My head canon was that after being unwittingly part responsible for those kids dying in "Sanctuary", he decided to seriously re-think his life.

The VOY team tried to do something similar to what DS9 did but apparently couldn't find it within them, because there's no build-up or logic to Kim turning out to be an alien; he'd just suddenly be one.It would have been more interesting, at least, but also kind of an excuse to have him save the day through the manifestation of a hitherto-unknown superpower. "Oh hey, it turns out I can shoot laser beams out of my eyes!"

One of Voyager's worst aspects: overuse of that Big Red Reset Button. :(
 
Honestly, given what we've learned about Jennifer Lien since the show ended, I'm not even sure whether it was ever going to be Kim, or whether they said that to try to (understandably) protect Lien a bit.
 
Hard to say. The decision to not develop Harry suggests that he was indeed targeted. But the existence of the "Before and After" episode suggests that it was Kes (because they condensed what they were intending to do with her into one episode.

Either way, what they did with Harry was deplorable. Say what you want about the ill-fated "Starfleet Academy" series, at least it gave the "forever ensign" crowd a good, hard slap across the face.
 
"Spock's Brain" (TOS)

That was a stupid episode. For decades I said it was "so bad, it's good." I said it for so long that I took this opinion for granted. When I was a teenager, and even in my 20s, I still had fun with it anyway. Now, in my 40s, I just think: that killed some time.

The Eyemorg Mistress kidnaps Spock's brain and takes it to her planet where Spock's brain runs the entire underground complex. To quote McCoy, "Where in this whole galaxy are you going to look for Spock's brain? How are you going to find it?!" I feel bad for DeForest Kelley having to deliver lines like that.

How is Kirk going to find Spock's brain? Through an ion trail. First the landing party has a run-in with cavemen, a.k.a. the Morg, and then they tell them about the "givers of pain and delight". Eventually Kirk and the Landing Party find the women, a.k.a. the Eyemorg who are underground. They have Spock's body in tow. So, it's kind of like Remote Control Zombie Spock.

The sets underground look appropriately exotic. The Eyemorg are literally empty-headed dominatrixes with great costumes. Kirk, McCoy, and Scotty are controlled by belts they're wearing until they can break free by using Zombie Spock. All as Spock's disembodied brain -- Spock's Brain! -- guides them to his location.

The Main Dominatrix can't restore Spock's Brain to his body because that was the Old Knowledge. So, McCoy steps into the Hair Salon and gains The Knowledge himself. "A child could do it!" He tries to restore Spock's Brain until he starts to forget how, and then Spock has to guide him the rest of the way. "I could've made a ton of mistakes!" but we'll never hear about it again. Spock's Brain functions the way it normally would, he has no surgical scars, and his hair looks perfect.

Then, to top it all off, Spock tries to explain the situation on the planet, then everyone starts laughing. Have to feel bad for Spock. It's like he's a teacher or guide trying to explain everything and all the students or tourists start laughing. On a meta level, though, I think the actors were laughing about the episode they just shot.

Like with "Favorite Son", I have to believe that something got lost in the translation. I think the third season of TOS is better than its reputation suggests, but this episode doesn't help matters at all. I get the idea of wanting to start the new season with a Spock Episode. They did it last season too, with "Amok Time". But I think a much better Spock Episode to start the season off with would've been "The Enterprise Incident".

Overall, there's no way around it. This is a bad episode. I enjoy it, but there's nothing "mid" about it. As such, I give it a 3. Still, even though I give it a 3, numbers don't tell the whole story. I'd rather watch this episode over a ton of other bad episodes. But I can't pretend it's not bad.



By the way, I'm glad I did this because it gives me some new perspective. I'm changing my rating for "Favorite Son" to a 4.
 
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Spock's Brain is one of those "Kirk wipes out a civilization and then moves on" episodes. Because realistically, if you take a group of women who have relied on modern technology all their lives and tell them they have to live like stone-age cave dwellers now, their chances of survival are negligible.
 
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