Can anyone remember if it was mentioned that the alternate future Anselm was a novel not a biography or did assume it was ?
They also didn't have interconnected computers that held tens of thousands of backups. We have a hard time eliminating or hiding data today, the meme ( the internet never forgets) is going to be doubly true over the next 1300 years.
The burn just does not seem like a force that can really harm digital information outside the ships that held it, But that is a small fraction of the computers and so on that held that data, that was nowhere near the burn.
Historian here: yes, we can.historians fucking up a family tree this badly is a bit of a stretch
the family tree was actually on set though, that wasn't added in post.
at this point it's time to take that bed to the ol' landfill.I will fully admit that the real reason is the VFX department shit the bed yet again.
I could see that there may have been actual confusion. The art department reads the script and maybe does a few internet searches, but really doesn't understand the complexities of Sisko's background. Perhaps they read guides written before season 7. Illa Dax off-handedly says that Benjamin Sisko was part prophet, not entirely human, which is not literally biologically true, but certainly descriptive. They go back to see that Sarah Sisko was the actual mother, that a non-corporeal being was involved in conception, and don't see any other named mother. Is it unreasonable to think they might mistaken Sarah for the human wife of Joseph but some other entity as the actual mother? And once the prop is on set ...It still fits with the general model where the VFX work isn't really coordinated with the writer's room, or arguably even the showrunners.
Or could it be that Jake wrote the book in a way that it could be easily interpolated into a hologram? Maybe Jake made his reputation providing holo-novels to Quark's franchisees.And if what SAM interacted with when she opened Anslem was some sort of program or hologram left by Jake, I submit that it may be very significant that the program referred to SAM as 'Sis'.
Avery's VO at the end of episode the subtitles say that Sisko speaking it. So I wonder if we're meant to interpret it as Sisko said those words in universe at some point?
Why would they deliberately leave off Ben's siblings? Why would they label the wrong wife of Joseph as Ben's mother? Why would they intentionally spell Kasidy incorrectly?I postulated in the thread over in the DS9 forum that the errors may be deliberate
Obviously, I can't answer those questions (and the fact that these questions are raised, again, may be deliberate). My theory is along the lines of providing safety and privacy for Sisko's descendants, particularly his child with Kasidy and their descendants.Why would they deliberately leave off Ben's siblings? Why would they label the wrong wife of Joseph as Ben's mother? Why would they intentionally spell Kasidy incorrectly?
If you're gonna do all that, why have a public family tree in the museum at all?
Then why the public tree at all?My theory is along the lines of providing safety and privacy for Sisko's descendants, particularly his child with Kasidy and their descendants.
Time might tell. 
But I'm just hoping it didn't drop your review from, say, an 8 to a 5, because it's also not that big of a deal overall.
Sarah is on there, just not as Sisko's mother. That's what makes the error extra confusing.and does not have Sarah’s name there at all!
20 years ago yes, though the technology keeps on getting better by leaps and bounds. I would expect the technology to keep progressing and getting better for the 800 or so years before the burn.Have you ever tried finding webpages from 20 years ago? Even Archive.org is missing a lot of them.
Regardless, while I admit historians fucking up a family tree this badly is a bit of a stretch, the most plausible possible reason is just the records got corrupted somewhere along the way.
I will fully admit that the real reason is the VFX department shit the bed yet again. One of the single worst aspects of modern Trek is the lack of coordination between the VFX and everyone else. Kinda feels like the directors do a semi-final cut, and then the graphic designers are given no direction more than "throw some shit in here!" But VFX is a notoriously overworked field now where folks are put on absurdly short deadlines, so I'm not surprised things slip (particularly when you don't do pre-vis like in the MCU, where they decide the VFX scenes prior to even having a script, and then build the story around them).
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