Some of those writers are also on Academy, to bring it back around to the topic of the thread.
There's no Saint Terry!
Some of those writers are also on Academy, to bring it back around to the topic of the thread.
Remember, Kurtzman's the same guy who continues to work on Star Trek despite having been fired a dozen times already.
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There's no Saint Terry!
LMAO I forgot about that claim.I heard he also broke a flat screen TV
The fact that the people behind them have given a bunch of interviews.And you evidence for this is…?
Yup.I think there’s some serious misunderstanding as to how television production works.
Personally I just thought Picard season three was incredibly dull, stupid, uninteresting and — worst of all — boring.
Just an odd thought. Can Alex Kurtzman really be fired from his own company? I'm talking about the traditional pink slip. There are contractual agreements in place between Secret Hideout and Paramount (or whoever they are this week) to make Star Trek. Paramount can choose to discontinue the relationship at the end of the contract. Or they could buy themselves out of it. I'm sure escape clauses exist.
The fact that Kurtzman's company continues to produce Trek for the foreseeable future means they have to be happy to some degree with the reception/viewer totals of the current output.
This is the most ridiculous thing I read this week. Star Trek: Picard was literally made by the production company founded by Alex Kurtzman, but you want to make it sound like he had nothing to do with it. Matalas had creative control and handled day-to-day production, sure, but the guy at the top was still Alex Kurtzman. I don’t understand what the obsession is with wanting Kurtzman to have nothing to do with it. But also, I’m not sure why I bother asking, but what’s the metric for Picard season three being “the most popular season of Trek”? Not that it would change even one bit how I personally thought it was one of the worst seasons of the franchise ever, but I’m curious.
That isn't proof.The fact that the people behind them have given a bunch of interviews.
This is the word for the euphoric sensation one feels when a Worf action figure is smashed into a Borg Drone action figureMatalasm
It also doesn't mean show runners have carte blanche either. There's some level of oversight in productions.Berman technically oversaw both DS9 and Voyager but it has been stated that his attention switched to Voyager when it premiered onward so DS9 was more free to do "it's own thing" On paper Kurtzman has overseen most of modern trek. Doesn't mean at the same level in practically or reality in some cases.
Berman technically oversaw both DS9 and Voyager but it has been stated that his attention switched to Voyager when it premiered onward so DS9 was more free to do "it's own thing" On paper Kurtzman has overseen most of modern trek. Doesn't mean at the same level in practically or reality in some cases.
Yes it is, it's just not proof you're willing to accept.That isn't proof.
Because at the end of the day, it’s not canon or treknology that theyre selling, it’s subscriptions to Paramount+.
Still, we know Berman had some input on DS9. Behr had to get Berman's consent to promote Sisko to Captain at the end of the third season, which reportedly took some convincing. Then later, Behr wanted to make Sisko an Admiral during the Dominion War, which Berman would allow saying "Star Trek is about the Captains. That's the line you used on me when you wanted him promoted to Captain a few years ago."
Yes.Yes it is, it's just not proof you're willing to accept.
You’re goddamn delusional
Kurtzman did the same thing on Season 3 as he did on all the shows under his purview
Season 3 was also a terrible season
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