Paid shills earning those extra bucks.
A senior critic from Rolling Stone is hardly in the same tier as a gushing, wannabe social media influencer trying to secure another premiere invite.
Paid shills earning those extra bucks.
My thoughts about casting characters for adaptations, especially iconic ones, is that they should get them as close a physical match as possible so I can just look at them and think 'yeah, that's the character'.
That depends if your reference is the movies or the novels. In the novels, Bond is not supposed to be an extremely handsome man. IIRC he has a distinguished scar on his face and his face also reflects the damage he's taken over the years. If you are going with how Bond is supposed to look based on the source material then Dalton and Craig are probably the closest. Moore and Brosnan are the furthest from. And Lazenby is probably passable, although he had one movie. Connery is my movie Bond and brought his own distinct take to the character.
Harrumph. In my day the Huntress was Helena Wayne, not some retcon Mafia princess.So not Huntress.
This is marvelous.Mike Ryan (Uproxx) posted on bsky:
"I’m going to get in trouble for this. But that “leaked review,” good god I couldn’t disagree more."
followed by -
"Seems I’m already in enough trouble, “but whatever this mystery movie is,” it’s the happiest I’ve walked out of a movie since Top Gun Maverick. Again, I will never reveal the movie I’m talking about."Then, Brian Hiatt (Rolling Stone) quoted Mike -
"Without saying anything else, Mike's right here."-------------------
Embargo? What embargo?
NoPaid shills earning those extra bucks.
Ah yes, purple hair, that immutable physical characteristic...My thoughts about casting characters for adaptations, especially iconic ones, is that they should get them as close a physical match as possible so I can just look at them and think 'yeah, that's the character'.
Pom Klementieff literally had comic-book-purple hair at one point, so that's good enough for me!
Leeches.I've already started to see YouTube videos popping up saying Superman is a "disaster", "box office failure", etc, from no name wannabes trying to get clicks on their YouTube pages.
I'm sure the pool of potential actors is big enough that they can tick all the boxes they want to, talent, chemistry, looks etc. and still have enough options left to go with someone called Chris. They won't ever need to hire a white guy to play Blade because he's got the best rapport.If they were only casting models, sure, but with actors, capturing the character's personality should matter more than what they look like. And casting decisions also have to be based on an actor's rapport with the rest of the cast. There'd be no point casting a Reed Richards who was the spitting image of the comics character if he were a mediocre actor or had no romantic chemistry with the actress playing Sue. Embodying the character is not just about what's on the surface.
This is an actual problem.And of course, when you're adapting older materials where all the characters were white and most were male due to the prejudices of the era, adhering to that is just a way of excluding most of the pool of potential actors who could do a great job with their characters.
I'm sure the pool of potential actors is big enough that they can tick all the boxes they want to, talent, chemistry, looks etc. and still have enough options left to go with someone called Chris.
This is an actual problem.
One way they solve it is by keeping the most iconic characters the same and changing the Perry White-tier supporting cast, which has a side effect of making it so only the white characters are important. Fine for one movie, not something that'll work with a movie series.
Another way is to hire actors I'm personally fond of, like Samuel L. Jackson, Jason Momoa and Pom Klementieff so I have to throw up my hands and go 'okay fine, you win this time comic book movie people'. The flaw in with this one is this only works for people who like the actors as much as I do (and people who don't care at all, obviously).
But I think the most satisfying solution to this problem is to make a Static Shock movie, put Black Lightning in a film etc., get these heroes on the screen already. No one wants black Peter Parker, they want Miles Morales. We're actually getting Mr Terrific soon, as a major character in the most important DC movie, looking absolutely comic-perfect. I'm interested in seeing who they bring in next.
Comics have tried to diversify their casts in recent years, so we have a Black Batman right now. It's not Bruce Wayne. It's Jace Fox. A way to address this in the Gunnverse is to have Bruce Wayne appear in movies that are not exclusively Batman movies, like "Brave and the Bold" or The Outsiders or Justice League.
I fully expect lots of accusations of paid negative reviews.
Yep.The so-called "Snyder cult" has a serious vendetta against this movie...
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SnyderCut Subreddit Issues Statement After James Gunn Dismisses Fan Calling for Mass Superman Review Bomb Campaign - IGN
The mods looking after the SnyderCut subreddit have deleted a post calling on fans to review bomb the upcoming Superman movie and issued a statement to their community members.www.ign.com
Move on people, it's over.
Wow, they went all in! Not a direction I expected. Kudos to them.Someone had fun...
Okay, but this is a fan-made...Wow, they went all in! Not a direction I expected. Kudos to them.
I saw this opener when I was 12 years old and that is what inspired the passion to pursue motion graphics, now fast forward to this year and after so many trials and errors, I built this effect using compositing tricks in Adobe After Effects by doing different comps using 3d extrusion by changing text to shapes and so forth, a lot of techniques were used, while this effect is easy to do, it takes time to set it up, and as for the nebula and galaxy elements, they're from Envato Elements to composite with the sequence. Inspired by both Superman the Movie and Superman Returns, this is a tribute by mixing retro with modern.
all credits go to John Williams for composing the theme and John Ottman for arrangement of the theme...
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