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Old Star Trek fans: don't you sometimes get happy just because there are new series?

Frankly, I also find S3's message of, "once you become of a certain age, nostalgia is really all you have to look forward to" both unrealistic and somewhat disrespectful to older people. The show could have tried to send a message that just because one of the biggest adventures of your life is over doesn't mean you can't have more amazing adventures with new and different people, but instead it essentially went for the lowest common denominator and took the easy way out.
I struggle with a lot of Trek's aging messaging.
 
Frankly, I also find S3's message of, "once you become of a certain age, nostalgia is really all you have to look forward to" both unrealistic and somewhat disrespectful to older people. The show could have tried to send a message that just because one of the biggest adventures of your life is over doesn't mean you can't have more amazing adventures with new and different people, but instead it essentially went for the lowest common denominator and took the easy way out.
Interesting you mention that because that's basically the plot of the Disney Movie Up. Just because you are old doesn't mean you can't have newer adventures. They may be different, but that's life.
 
Just to clarify: you're saying that anyone who is unhappy with Abrams/Kurtz Trek is only unhappy because they're "old curmudgeons (corrected your spelling) with a stick up...and in a perpetual state of grumpiness?"

Putting aside the inherent ageism in that statement, it's also quite limiting in terms of recognizing that other people have different opinions and tastes that this doesn't make them whatever you decide to label them.

If I misread your post, please let me know so I can correct myself.

Nooooooooooooo. That's not really what I was trying to say. I meant there are some older fans and I'm talking about people I have met personally that don't want any kind of change from what they think works, and any attempt to make Trek more modern and feel more relatable is pure sacrilege, that's what I meant by sticks up their bum. There are those kind of fans who view any change as bad.
 
Please don't speak as though you speak for all fans. I was much happier with S1 of PIC than I was with S3. I understood what the premise would be and I was not clamoring to see the return of the entire ensemble. Doing so felt like TPTB admitting that the show was a fundamental failure, and I found it pretty disrespectful to the original cast of the series (barring the ones who were retained).

Frankly, I also find S3's message of, "once you become of a certain age, nostalgia is really all you have to look forward to" both unrealistic and somewhat disrespectful to older people. The show could have tried to send a message that just because one of the biggest adventures of your life is over doesn't mean you can't have more amazing adventures with new and different people, but instead it essentially went for the lowest common denominator and took the easy way out.
I guess that Trek is interpreted by fans in various different ways, and thats totally fine.

Pic S3, to me, was more like "never too old to have new adventures with the people you love". A very positive and uplifting message, as you get older.
 
If PIC was only going to be three seasons anyway (and only 30(?) episodes total at that), then I really wish TPTB could have gone to the effort of writing a cohesive narrative (at least in the broad strokes) to run through it. With that number of episodes they even could have had some 'filler'.

Absolutely this. If they knew they were writing to a 3 act structure, they could have planned that out. Instead we get a DSC type situation where each season is somehow a reaction to perceived ‘problems’ from the previous.

I don’t think it’s comparable to The Acolyte and its cancellation and I don’t think that cancellation was ever on the cards for PIC. It was a vehicle for a legit Hollywood star and a beloved character.

With a little thought, it could have been so much more. I don’t hate it, but it’s certainly a wasted opportunity on the whole.
 
Absolutely this. If they knew they were writing to a 3 act structure, they could have planned that out. Instead we get a DSC type situation where each season is somehow a reaction to perceived ‘problems’ from the previous.

It really points to having no vision, beyond “how can we come up with a bigger hook, next season?”

It ends up being paper thin and unsatisfying.
 
It really points to having no vision, beyond “how can we come up with a bigger hook, next season?”

It ends up being paper thin and unsatisfying.

Season 1 - As it was. There is a vision running through the first season.

Season 2 - Do Q. He’s a massive part of Picard’s experience aboard the Enterprise, so one final game, sans Borg, would have been sufficient.

Season 3 - The Reunion. Again, no Borg required. I think the reunion was inevitable, and I’m glad it happened, but so much else got thrown into the pot.

Season
 
Personally, I thought it was rather embarrassing to see a group of senior citizens back on their old set from the 1990s trying to act like the last thirty years hadn't happened.

Watch it again. You missed the whole point that the senior citizens were back on their old set acting like 30 years HAD happened. Every single character was completely different and shaped by the time between. Every.
 
Personally, I thought it was rather embarrassing to see a group of senior citizens back on their old set from the 1990s trying to act like the last thirty years hadn't happened.
Reminded me a little of this...
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I guess that Trek is interpreted by fans in various different ways, and thats totally fine.

Pic S3, to me, was more like "never too old to have new adventures with the people you love". A very positive and uplifting message, as you get older.
I commented elsewhere that I think that was the purpose but it unfortunately came across as "only on the Enterprise did their lives matter".
 
I commented elsewhere that I think that was the purpose but it unfortunately came across as "only on the Enterprise did their lives matter".
I don't think I got that impression, but it's like I said about interpretation.
Watch it again. You missed the whole point that the senior citizens were back on their old set acting like 30 years HAD happened. Every single character was completely different and shaped by the time between. Every.
I've now noticed that every single member of the main cast has had a kid, which is quite dramatic in terms of change. Even Data, and he's been dead! Quite the feat.
 
I don't think it was completely intentional, but with a repeat of the enemy, with the D being the only way to save the day, the lack of trust for anyone but the core, it was less than satisfying.
I suppose...but mainly in regards with repeating the enemy so soon. The impact of an "old foe" being defeated by an "old crew" would've had more value. It was unfortunate, let's just say.

I'm always maintained that S2 would've benefitted from only having a passing reference to the borg, and perhaps, simply using Borg technology to time travel. Apart from Soong, I feel that a better antagonist would've been a confederate crew travelling back to stop our heroes from correcting the timeline. Sort of like a reverse First Contact, with a touch of The Terminator.
 
I suppose...but mainly in regards with repeating the enemy so soon. The impact of an "old foe" being defeated by an "old crew" would've had more value. It was unfortunate, let's just say.

I'm always maintained that S2 would've benefitted from only having a passing reference to the borg, and perhaps, simply using Borg technology to time travel. Apart from Soong, I feel that a better antagonist would've been a confederate crew travelling back to stop our heroes from correcting the timeline. Sort of like a reverse First Contact, with a touch of The Terminator.
Again, I'll reiterate, Season 3 is not bad. It had some genuinely great moments with Worf and Riker, in particular, and Data's rebirth was a interesting approach that made me more invested in that character's history than any time before.

It also utilized Riker and Troi's arc from Season 1 very well and really expanded upon the idea that things are never just black and white.

But, yeah, the use of the Borg, the mystery box style storytelling, the negative reception by other Starfleet officers was completely frustrating a message of the ride off of into the sunset message.

And, yes, agree on S2. There needed to be more of a threat than just Soong.
 
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