I liked this one a lot -- and I usually don't like Trek's courtroom episodes. (I hated, or at least strongly disliked, most of the "main character gets accused of murder" episodes that popped up way too often... the only one I actually liked was "Dax," and that's more because of the interesting work it did delving into the nature of the Trill. "A Wolf in the Fold," "A Matter of Perspective," and "Ex Post Facto" were all pretty cringeworthy.)
This episode has lots of shades of "The Measure of a Man," usually regarded as one of early TNG's best. Yes, there were dramatic contrivances (the JAG officer in charge is going to have Pike's first officer prosecuted by someone who has a romantic relationship with Pike? Really?) ... but the whole "Riker has to advocate against Data, and he has to do his best because if he doesn't They Will Know" thing was even more contrived, and it didn't stop Stewart, Frakes and Spiner from doing some of their best acting in the series to date.
However, from the moment they chose to go this direction with the revelation of Una's genetically engineered nature, the writers painted themselves into a corner. They had to have the episode end with a victory for Una -- otherwise they'd have to write her out of the story -- but at the same time, we already know that the Federation's policy on genetic engineering will be unchanged 100 years later, so they couldn't do anything to change the status quo.
This episode has lots of shades of "The Measure of a Man," usually regarded as one of early TNG's best. Yes, there were dramatic contrivances (the JAG officer in charge is going to have Pike's first officer prosecuted by someone who has a romantic relationship with Pike? Really?) ... but the whole "Riker has to advocate against Data, and he has to do his best because if he doesn't They Will Know" thing was even more contrived, and it didn't stop Stewart, Frakes and Spiner from doing some of their best acting in the series to date.
However, from the moment they chose to go this direction with the revelation of Una's genetically engineered nature, the writers painted themselves into a corner. They had to have the episode end with a victory for Una -- otherwise they'd have to write her out of the story -- but at the same time, we already know that the Federation's policy on genetic engineering will be unchanged 100 years later, so they couldn't do anything to change the status quo.