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Spoilers Star Trek: Picard 3x09 - "Võx"

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What an amazing episode. Maybe the best hour of Trek TV since the franchise returned to regular TV (well, streaming, but you get what I mean). The Borg's plan was ingenious, I'd have never predicted using the transporter like that but its a very interesting plan that definitely worked well. Seeing Shelby was unexpected but cool, although she didn't last very long. Obviously the big moment was the return of the Enterprise-D. I'd been spoiled to it since an online article wqhere someone (either Buitron or McFadden, I think) mentioned having filmed on "The old bridge", but it didn't weaken the power of the moment at all. Picard and his crew, on the bridge of the Enterprise, flying out to save the Federation. Its what I've wanted from the show since it was first announced, and they're really giving it to us.

Also, RIP Shaw. I didn't really like him, but he got better as time went on. I really hope we get a Seven spin off from all of this.
 
Where in Star Trek was the biological modification and control concept of the Borg explored in anything more than a "DNA being rewritten" line by Crusher in one scene?

I've seen every single episode of Star Trek, multiple times, including every episode with the Borg or Borg related and at *no point whatsover* was that ever explored. The concept of down the line side effects from the "DNA being rewritten" was ignored after BOBW and like a lot of other plot points from shows..gets brushed aside for the monster/drama of the week episode.

If you want to scream about people pulling shit out of their ass for story points why don't you start with The Wrath of Khan and go from there.

I was thinking how much of the Data bit this season is in some ways a Spock-in-the-movies buried in its story.
Then I remembered this post and wanted to say:
In TMP, alone of all Vulcans, Spock hears V’Ger. Which is how we get him back on Enterprise of course.
So, we can go back to TMP rather than TWOK if you like.
(I like how much of modern Trek looks to the movies tbh. Especially the visual side of things.)
 
Well yeah. But I’m saying the character was killed off for no other reason than to make Seven the Captain.

don’t get me wrong, I love “fan service” or “memberberries” but it was just to get us to OMG it’s CAPTAIN SEVEN.
I honestly don't think he's dead, but maybe that's just me expecting the easiest out given the writing. lol
 
For what it's worth, the resolution of the best of both worlds was utterly stupid. Yeah that's some great security/computer tech you've got there, Borg. You have a low security access sleep mode that, when activated, somehow randomly makes you self destruct. Great security there. Really advanced species. Whatever.

The borg blew in 1990 and the borg blows in 2023. It was NEVER that great. That crap wouldn't even make my top 10 of TNG episodes yet somehow has become the focal point of the ENTIRE FRANCHISE. It's insanity.
 
So Jack's a 'transmitter', which probably means that he'll end up transmitting a shut down command to all of the Borg, possibly via the Ent-D somehow, in the final 10 minutes of next weeks episode!

He’s going to die, because ‘sleep’ didn’t work last time.
 
What irritates me so much about the Data thing was that it was SO easy to handle. Should have never killed off the character. All they had to do was just have Data create an aging program and enhance his "body" with more organic augmentation. They could have just had him look like Brent Spiner in the future. Data was always growing/changing anyway. It was the obvious solution. Would have given them a route to do something with the character and shut up Brent Spiner, too, who always complained that there was nowhere else to go with the character. They could have had so much more fun with that than the atrocity we ended up with. The whole thing is just a big mess.
 
I’m okay with some TMP goodness. Disco McCoy to the rescue!

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Seriously, I’ve come to appreciate TMP a lot more as I get older.

Is it too late to get Pulaski in with a beard?
(Or the EMH… didn’t Picardo say he had been approached for Picard?)
 
Ahh much more fun to talk about a new episode than relitigate season 1... might save that thread for after this season ends.:brickwall:

Advance reviewer Dave Cullin has confirmed [implicit 310 spoilers]
Shaw is dead
Shelby is "presumed dead"

And earlier in this thread, it was confirmed the Face
is the Borg Queen
. Was hoping for an additional layer of involvement there.

On the generational divide... This season is pretty "Generation X"... and Terry Matalas is very much an "80s kid". So instead of the oversampling what the marketing department thinks Gen Z likes with DISCOVERY, this season is much more a home for Gen Xers and older Millennials.

I've never seen Avengers anything (don't want to either), but that sounds to me like a longer-than-normal runtime. Which is a good thing.
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So time travel?
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So Picard won't end on Samwise getting married?
I think the reference is in it having multiple epilogues. And there's a post-credit scene as well.

Eaglemoss (and Star Trek Online) are vitally important to Trek VFX from an archival reason. A lot of that 90s CGI was thought lost until it was recovered for Eaglemoss from long forgotten servers and hard drives as studios shut down, people got laid off, etc. As it stands right now, I believe the most comprehensive archive of 90s Trek - Enterprise CG is on the drives of the Sam Cockings of Trekyards, and the modelers (their names escape me for the moment) of the Eaglemoss Magazine. The thing about Eaglemoss is that they used the 90s-00s meshes as starting points, and gave a lot of that old CGI modern high-fidelity CG. A lot of the DS9/ Battle of Sector 001 ships, for example, were completely unsuitable for modern publication or CG, until Eaglemoss finances "modern gold master" (let's call it) versions of the ships that corrected old problems and answered long lignering questions as to size and function.
This is great to hear, especially if/when DS9/VGR finally get HD remasters.

I do wish "Vox" had been last week's episode, to give us two uninterrupted hours of derring-do for the series finale. So, I do think the pacing overall of the season hasn't been the best, but man, does Matalas, et. al., know how to turn on the nostalgia waterworks.
One major problem with the serialization model of taking a movie idea and stretching it out to ten episodes is you always seem to end up with a stretched/bloated "Act 2", while "Act 3" doesn't get 33% of the run time, let alone allow for the mystery box to fully breathe once its been fully opened.

The Red Door dragged for about 3 episode too long, but you can only do so much with the Borg as the big bad once revealed, so maybe that plot needed one extra component, like another group of antagonists in between the rogue Changelings and the Borg. Likely some of season 3's "Act 2" got cut for budget, and 307 and 308 should have been one consolidated episode. So we're effectively missing one whole episode of plot content.

But that has always been Trek in a nutshell — the perceived socialist utopia, that is also so American and Indvidualist that it bleeds Red White and Blue, whose enemies always manage to be Communist allegories, even when they are introduced as ultra-capitalist. Apart from maybe the Ferengi, but there’s an argument even there. And it has never been subtle. Nor has it been subtle that Starfleet and the Federation are *also* extremely progressive — so where does the allegory go?
Star Trek, especially Berman-era, was very good at squaring the circle of appealing to liberals, moderates, and conservatives at the same time. Allegory and nuance can be far more effective for verisimilitude and relative timelessness rather than being overtly partisan and "current day".

Back after taking last week off from reviewing. To make a long story short, I was on vacation in the UK, and found I couldn't access Paramount Plus there - nor could I find Picard for free on Amazon Prime, despite being told it was a standard part of service there. I guess P+ thought I was a UK viewer, but Amazon still thought I was in the U.S. Regardless, didn't get to see the previous episode until Sunday, at which time my two cents would have been pointless.
Prime essentially restricts you when traveling abroad to watching content that you could both watch at home and also in the country of your current location. Probably an attempt to combat the VPN game.

Don't get me wrong, thematically speaking, using the Borg makes great sense. TNG had lots to do with the Borg, and nothing to do with the Changelings. It's bound up in the personal trauma of Picard as well. My issue is just this is a well we've gone to in both Seasons 1 and 2. It's not Matalas's fault with the first season, but he was involved in Season 2 to some extent, so I don't understand why he told two Borg stories in a row, with this one even undoing a good deal of last season. I pretty much knew that the Borg were somehow involved, but I had hoped the Changelings and some third party (whoever was behind The Face) were working together to exploit a Borg remnant in Jack. Instead we have Crusher just declare "the Borg and the Changelings have been working together all along!" and then the half-dead queen confirm it. Thus all nuance is pretty much gone, and it's down to defeat the bad guy...again. Only I don't think it works emotionally as well as with Vadic, because the motivations of this Queen haven't been established onscreen...she's an 11th hour antagonist. I guess she was The Face, and we'll never get it explained?
Same here. I was really hoping for some kind of "origin of the Borg" take coupled with third parties taking advantage of the remnant. If they still had $10 million an episode, some kind of flashback expansive take would have been possible.

Here's an existential question...if you gave Matalas a blank slate, new ship, new characters, new storyline would he be as successful? He has a lot of things to hide behind in this series, old characters, jokes, ships. Yes I enjoyed it, anyone who was a fan would but...maybe thats a question for another day and another series.
Check out 12 MONKEYS. Yes, that came from a film... but it started as an independent pilot that then swerved into a backwards adaptation to get green lit.

Doesn't matter any longer I guess, given this episode seems to infer that...everyone over 25 in Starfleet is now dead? Or at least anyone onboard a ship?

This is such a WTF moment for me I don't know what to say. Even when Picard & company defeat this, you're talking about a complete decapitation of the entire officer corps.
This is one reason I struggle with giving the episode anything more than 5/10. Part of it is 20/10 amazing, other parts are PICARD season 1 levels of horrible.

I like how the revelation of the Borg fixes the issue in First Contact in that Picard can still "hear" The Borg. That didn't make any sense until now.
As one advance reviewers has said, it isn't a retcon, it "pluses canon".

Respectfully, there is plenty of nuTrek for new fans, can't classic Trek fans like me get 1 season of 10 episodes? I don't think that is too much to ask.
No, no, no. You will eat your vegetables with gruel and like it! Or just go die off already. :D We need to change Star Trek into something it wasn't to appeal to the mythical new younger audience. :evil::evil::evil:

The era of rapid Franchise Expansion is done. Star Trek isn't on TV anymore, you can't just tune into TNG/DS9/VOY on TV anymore for free, you have to go out of your way to seek it down and buy subscription services.
You really need to have older fans introducing it to their kids. Even Star Wars is running into this problem.

But more Terry-Trek would not mean more Trek that is just a send-off to classic Trek. PIC S3 is a special case. Not all Terry-Tek would be the same as S3. I am sure Terry Matalas could do new Trek that appeals to new fans.
Just an in continuity series that feels like an organic follow up that doesn't zero sum game the audience.

I really enjoyed 12 Monkeys, but I binged it and I'm also not sure a lot of it truly makes sense if you were to stop and think about it.
I'm rewatching it now, and its crazy to see just how much was set up in season 1 and planned out from the beginning.

I think this sort of highlights the problem with modern serialized Trek, in that the real strength of Trek as a concept is that it could be a little bit of everything: Junky space opera, deep character study, comedic farce, high-concept SF. But once you commit to a serialized plot for a single season (and given modern short seasons), you're pretty much locked into one mode the whole way through. You can't just say "fuck it, we're going to have a lighthearted casino heist on the holodeck" in the middle of deep heavy shit.
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I really want to have Trek shift more to what Enterprise Season 4 did. Just have mini-arcs/miniseries length stories. Don't start out saying you need to fill up 10 episodes and work from there, come up with a story, and then write until it's done. Maybe stagger releases too, so you could have say a 5-episode arc, a pause, then a three parter, then a pause, two standalones, etc.
Even more so limited to 10 episodes compared to 13-15.

Picard, and particularly this series of Picard, is the first time a Trek TV series has directly followed from another. It’s more like the TOS movies in that regard particularly. (Which is why it’s like TMP, TWOK and TSFS had a TUC like baby)
There was so much world building during the Berman-era, that was hampered by the reset button and structural need of procedural syndication. That change alone opens the dam floodgates of possibilities.
 
I do wonder if it really will be Picard this time mind you. It won’t be. But it would be more logical.
This seasons is much bigger on emotion than logic. The story works in some ways, but it is set up to move from been feel moment to big feel moment. And that's OK, because that is the purpose of this season. So, I won't expect Picard to die. I don't expect Jack to die but if he dies (Big IF) then I would imagine it will be a fond good bye to his new family.
Star Trek, especially Berman-era, was very good at squaring the circle of appealing to liberals, moderates, and conservatives at the same time. Allegory and nuance can be far more effective for verisimilitude and relative timelessness rather than being overtly partisan and "current day".
It would be nice if this wasn't a qualifier. It appeals to all people rather than those others of the (other political part that I don't agree with those evil people!). Shouldn't fun Trek appeal to many people, not just one stripe?
 
What irritates me so much about the Data thing was that it was SO easy to handle. Should have never killed off the character. All they had to do was just have Data create an aging program and enhance his "body" with more organic augmentation. They could have just had him look like Brent Spiner in the future. Data was always growing/changing anyway. It was the obvious solution. Would have given them a route to do something with the character and shut up Brent Spiner, too, who always complained that there was nowhere else to go with the character. They could have had so much more fun with that than the atrocity we ended up with. The whole thing is just a big mess.

They started making new Trek shows, they didn’t invent time travel. Just be happy they finally found a way out of Nemesis now.
 
I’m okay with some TMP goodness. Disco McCoy to the rescue!

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Seriously, I’ve come to appreciate TMP a lot more as I get older.

TMP is good sci-fi with all the normal good sci-fi tropes. The magical crewman, the robot seeking to understand humanity, deus ex machina, daddy issues, etc.

Its a very predictable story but it doesn't make it bad.
 
You really need to have older fans introducing it to their kids. Even Star Wars is running into this problem.


.

At least Star Wars has the advantage of being a Disney brand now and is on D+ so already more accesible to kids
 
THE BEST EPISODE EVER!
Naggers can pull a Burnham and cry all night. I will now get completely wasted, so i can forget everything that happened in the episode and experience it all over again…
 
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