That would be my fondest wish. The Borg are the biggest annoyance that Trek has ever conceived of and that they are here again just is a tough pill to swallow.Christ I do hope they are buried for good.
That would be my fondest wish. The Borg are the biggest annoyance that Trek has ever conceived of and that they are here again just is a tough pill to swallow.Christ I do hope they are buried for good.
Where in Star Trek was the biological modification and control concept of the Borg explored in anything more than a "DNA being rewritten" line by Crusher in one scene?
I've seen every single episode of Star Trek, multiple times, including every episode with the Borg or Borg related and at *no point whatsover* was that ever explored. The concept of down the line side effects from the "DNA being rewritten" was ignored after BOBW and like a lot of other plot points from shows..gets brushed aside for the monster/drama of the week episode.
If you want to scream about people pulling shit out of their ass for story points why don't you start with The Wrath of Khan and go from there.
I honestly don't think he's dead, but maybe that's just me expecting the easiest out given the writing. lolWell yeah. But I’m saying the character was killed off for no other reason than to make Seven the Captain.
don’t get me wrong, I love “fan service” or “memberberries” but it was just to get us to OMG it’s CAPTAIN SEVEN.
So Jack's a 'transmitter', which probably means that he'll end up transmitting a shut down command to all of the Borg, possibly via the Ent-D somehow, in the final 10 minutes of next weeks episode!
This plot doesn't work without at least one body and a meaningful farewell.He’s going to die, because ‘sleep’ didn’t work last time.
So, we can go back to TMP rather than TWOK if you like.
This plot doesn't work without at least one body and a meaningful farewell.
I’m okay with some TMP goodness. Disco McCoy to the rescue!
Seriously, I’ve come to appreciate TMP a lot more as I get older.
&I've never seen Avengers anything (don't want to either), but that sounds to me like a longer-than-normal runtime. Which is a good thing.
&So time travel?
I think the reference is in it having multiple epilogues. And there's a post-credit scene as well.So Picard won't end on Samwise getting married?
This is great to hear, especially if/when DS9/VGR finally get HD remasters.Eaglemoss (and Star Trek Online) are vitally important to Trek VFX from an archival reason. A lot of that 90s CGI was thought lost until it was recovered for Eaglemoss from long forgotten servers and hard drives as studios shut down, people got laid off, etc. As it stands right now, I believe the most comprehensive archive of 90s Trek - Enterprise CG is on the drives of the Sam Cockings of Trekyards, and the modelers (their names escape me for the moment) of the Eaglemoss Magazine. The thing about Eaglemoss is that they used the 90s-00s meshes as starting points, and gave a lot of that old CGI modern high-fidelity CG. A lot of the DS9/ Battle of Sector 001 ships, for example, were completely unsuitable for modern publication or CG, until Eaglemoss finances "modern gold master" (let's call it) versions of the ships that corrected old problems and answered long lignering questions as to size and function.
One major problem with the serialization model of taking a movie idea and stretching it out to ten episodes is you always seem to end up with a stretched/bloated "Act 2", while "Act 3" doesn't get 33% of the run time, let alone allow for the mystery box to fully breathe once its been fully opened.I do wish "Vox" had been last week's episode, to give us two uninterrupted hours of derring-do for the series finale. So, I do think the pacing overall of the season hasn't been the best, but man, does Matalas, et. al., know how to turn on the nostalgia waterworks.
Star Trek, especially Berman-era, was very good at squaring the circle of appealing to liberals, moderates, and conservatives at the same time. Allegory and nuance can be far more effective for verisimilitude and relative timelessness rather than being overtly partisan and "current day".But that has always been Trek in a nutshell — the perceived socialist utopia, that is also so American and Indvidualist that it bleeds Red White and Blue, whose enemies always manage to be Communist allegories, even when they are introduced as ultra-capitalist. Apart from maybe the Ferengi, but there’s an argument even there. And it has never been subtle. Nor has it been subtle that Starfleet and the Federation are *also* extremely progressive — so where does the allegory go?
Prime essentially restricts you when traveling abroad to watching content that you could both watch at home and also in the country of your current location. Probably an attempt to combat the VPN game.Back after taking last week off from reviewing. To make a long story short, I was on vacation in the UK, and found I couldn't access Paramount Plus there - nor could I find Picard for free on Amazon Prime, despite being told it was a standard part of service there. I guess P+ thought I was a UK viewer, but Amazon still thought I was in the U.S. Regardless, didn't get to see the previous episode until Sunday, at which time my two cents would have been pointless.
Same here. I was really hoping for some kind of "origin of the Borg" take coupled with third parties taking advantage of the remnant. If they still had $10 million an episode, some kind of flashback expansive take would have been possible.Don't get me wrong, thematically speaking, using the Borg makes great sense. TNG had lots to do with the Borg, and nothing to do with the Changelings. It's bound up in the personal trauma of Picard as well. My issue is just this is a well we've gone to in both Seasons 1 and 2. It's not Matalas's fault with the first season, but he was involved in Season 2 to some extent, so I don't understand why he told two Borg stories in a row, with this one even undoing a good deal of last season. I pretty much knew that the Borg were somehow involved, but I had hoped the Changelings and some third party (whoever was behind The Face) were working together to exploit a Borg remnant in Jack. Instead we have Crusher just declare "the Borg and the Changelings have been working together all along!" and then the half-dead queen confirm it. Thus all nuance is pretty much gone, and it's down to defeat the bad guy...again. Only I don't think it works emotionally as well as with Vadic, because the motivations of this Queen haven't been established onscreen...she's an 11th hour antagonist. I guess she was The Face, and we'll never get it explained?
Check out 12 MONKEYS. Yes, that came from a film... but it started as an independent pilot that then swerved into a backwards adaptation to get green lit.Here's an existential question...if you gave Matalas a blank slate, new ship, new characters, new storyline would he be as successful? He has a lot of things to hide behind in this series, old characters, jokes, ships. Yes I enjoyed it, anyone who was a fan would but...maybe thats a question for another day and another series.
This is one reason I struggle with giving the episode anything more than 5/10. Part of it is 20/10 amazing, other parts are PICARD season 1 levels of horrible.Doesn't matter any longer I guess, given this episode seems to infer that...everyone over 25 in Starfleet is now dead? Or at least anyone onboard a ship?
This is such a WTF moment for me I don't know what to say. Even when Picard & company defeat this, you're talking about a complete decapitation of the entire officer corps.
As one advance reviewers has said, it isn't a retcon, it "pluses canon".I like how the revelation of the Borg fixes the issue in First Contact in that Picard can still "hear" The Borg. That didn't make any sense until now.
No, no, no. You will eat your vegetables with gruel and like it! Or just go die off already.Respectfully, there is plenty of nuTrek for new fans, can't classic Trek fans like me get 1 season of 10 episodes? I don't think that is too much to ask.
You really need to have older fans introducing it to their kids. Even Star Wars is running into this problem.The era of rapid Franchise Expansion is done. Star Trek isn't on TV anymore, you can't just tune into TNG/DS9/VOY on TV anymore for free, you have to go out of your way to seek it down and buy subscription services.
Just an in continuity series that feels like an organic follow up that doesn't zero sum game the audience.But more Terry-Trek would not mean more Trek that is just a send-off to classic Trek. PIC S3 is a special case. Not all Terry-Tek would be the same as S3. I am sure Terry Matalas could do new Trek that appeals to new fans.
I'm rewatching it now, and its crazy to see just how much was set up in season 1 and planned out from the beginning.I really enjoyed 12 Monkeys, but I binged it and I'm also not sure a lot of it truly makes sense if you were to stop and think about it.
&I think this sort of highlights the problem with modern serialized Trek, in that the real strength of Trek as a concept is that it could be a little bit of everything: Junky space opera, deep character study, comedic farce, high-concept SF. But once you commit to a serialized plot for a single season (and given modern short seasons), you're pretty much locked into one mode the whole way through. You can't just say "fuck it, we're going to have a lighthearted casino heist on the holodeck" in the middle of deep heavy shit.
Even more so limited to 10 episodes compared to 13-15.I really want to have Trek shift more to what Enterprise Season 4 did. Just have mini-arcs/miniseries length stories. Don't start out saying you need to fill up 10 episodes and work from there, come up with a story, and then write until it's done. Maybe stagger releases too, so you could have say a 5-episode arc, a pause, then a three parter, then a pause, two standalones, etc.
There was so much world building during the Berman-era, that was hampered by the reset button and structural need of procedural syndication. That change alone opens the dam floodgates of possibilities.Picard, and particularly this series of Picard, is the first time a Trek TV series has directly followed from another. It’s more like the TOS movies in that regard particularly. (Which is why it’s like TMP, TWOK and TSFS had a TUC like baby)
This seasons is much bigger on emotion than logic. The story works in some ways, but it is set up to move from been feel moment to big feel moment. And that's OK, because that is the purpose of this season. So, I won't expect Picard to die. I don't expect Jack to die but if he dies (Big IF) then I would imagine it will be a fond good bye to his new family.I do wonder if it really will be Picard this time mind you. It won’t be. But it would be more logical.
It would be nice if this wasn't a qualifier. It appeals to all people rather than those others of the (other political part that I don't agree with those evil people!). Shouldn't fun Trek appeal to many people, not just one stripe?Star Trek, especially Berman-era, was very good at squaring the circle of appealing to liberals, moderates, and conservatives at the same time. Allegory and nuance can be far more effective for verisimilitude and relative timelessness rather than being overtly partisan and "current day".
What irritates me so much about the Data thing was that it was SO easy to handle. Should have never killed off the character. All they had to do was just have Data create an aging program and enhance his "body" with more organic augmentation. They could have just had him look like Brent Spiner in the future. Data was always growing/changing anyway. It was the obvious solution. Would have given them a route to do something with the character and shut up Brent Spiner, too, who always complained that there was nowhere else to go with the character. They could have had so much more fun with that than the atrocity we ended up with. The whole thing is just a big mess.
I’m okay with some TMP goodness. Disco McCoy to the rescue!
Seriously, I’ve come to appreciate TMP a lot more as I get older.
That they moved past Nemesis is the biggest credit to this series no matter what.They started making new Trek shows, they didn’t invent time travel. Just be happy they finally found a way out of Nemesis now.
You really need to have older fans introducing it to their kids. Even Star Wars is running into this problem.
.
That they moved past Nemesis is the biggest credit to this series no matter what.
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