There's even a radio or broadcast program overheard in Pershing's apartment right before he finds the box of biscuits. You can hear them say that several planets in the galaxy are an ecumenopolis.
Yes, yes it is but it cuts against the grain of the idea in the OT that the heroes lived "happily ever after."But isn't it knd of a continuity with how that society has been going on all along?
It's basically the same lot we saw on Cantonica 30 years later too.Interesting how the rich socialites seemed to have been the same between Andor and "now" (Mandalorian).
Keep in mind that at this point Coruscant isn't the capital anymore. I think it's still Chandrilla, but it's meant to change every few years. So what you're seeing is mostly just an overworked bureaucracy trying to do five impossible things at once.The New Republic is clearly on the road to the dysfunction and ineffectiveness it has in the Sequel Trilogy and just beforehand. While it's once again a democracy the system just feels bloated and too full of itself. Defeating the Empire and restoring freedom to the galaxy were great goals but Coruscant just feels like it's in the Roaring Twenties, and we know how that decade of history ended.
Pretty sure that was just him scrolling through space wikipedia, because that's how weirdly sheltered the guy is. He needs to dutifully read though a travel brochure after he moves to a new planet, even though everyone in the galaxy likely knows exactly what Coruscant is all about.There's even a radio or broadcast program overheard in Pershing's apartment right before he finds the box of biscuits. You can hear them say that several planets in the galaxy are an ecumenopolis.
That's just how storytelling works. The hero can ride off into the sunset, and that may be the end of that story . . . but at some point that horse is going to fall over dead, and the hero is going to have other things to deal with, albeit rather more banal than whatever the grand adventurous narrative was all about. He'll make mistakes, maybe bad ones, and perhaps die forgotten and alone.Yes, yes it is but it cuts against the grain of the idea in the OT that the heroes lived "happily ever after."
Indeed.That's just how storytelling works. The hero can ride off into the sunset, and that may be the end of that story . . . but at some point that horse is going to fall over dead, and the hero is going to have other things to deal with, albeit rather more banal than whatever the grand adventurous narrative was all about. He'll make mistakes, maybe bad ones, and perhaps die forgotten and alone.
This kind of thing is all through mythical storytelling (just go read the Epic of Gilgamesh or Beowulf), and 100% has a place in Star Wars.
It's still early, give the Republic time.It's basically the same shitty top-down bureaucracy, only this time you can vote for your leaders and speak your mind without spending six years in a prison making parts for a battle station.
At the risk of sounding flippant I believe many om the audience expect that. As you note, more mythological style storytelling doesn't have the happily ever after, but it has become the expectation, so anything outside of that nowadays is regarded as abnormal.I mean seriously though; did anyone expect a utopia to just magically appear just by tearing down a few statues?
Unfortunately, that's probably closer to the truth. The Rebel Alliance was made up of a lot of different people, but many were fighting for an organization not necessarily remembered by the entire populace. As @Reverend notes a dictatorship had been around for one generation, and much of the "order and security" promises of the Empire had taken root. It's why that Imperial officer was closer to the truth that when disorder and less fear grip the populace they'll come running back to a dictatorship.Russia post-1991 was a lot more democratic but it was also prone to serious corruption and kleptocracy that allowed another authoritarian to take advantage of the fears of the people, eventually claim sweeping power and sabotage the new freedoms that citizens had been enjoying. The New Republic just reminds me of a wealthier, more advanced Russian Federation from the 1990s.
I don't know, after how things had been run over the last two or three decades; "how about not fascist?" probably counts as a new and refreshing concept.
Yeah I wonder if some of the seemingly odd stuff about the amnesty program--giving them numbers instead of names, making them wear uniforms and badges to mark them--isn't intended to be punitive, but designed specifically to transition them into normal society, and actually prevent culture shock and alienation.Perhaps you're on to something there. Perhaps the Rebel Alliance should have gone at it from a new idea rather than assuming the newer generation would accept their ideas rather quickly.
So, I'm guessing when filming this season they had to work around Pedro Pascal's schedule for The Last of Us?
I don’t think Pedro’s schedule on last of us matters since the majority of scenes you see are with a body double.
I'm curious what the end will mean for Pershing, it definitely didn't look good. I'm not sure if she killed him or was just making him loyal to the Empire again.
Or the heroes discovering that restoring freedom and democracy is not easy.Definitely another example of the New Republic not really being as different from the Empire as a lot of people had probably hoped.
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