Come on no fan nowadays expects to suddenly see a show about Picard Riker and the lads flyingSure they did. No weirder than the expectations fans today tend to have.
Oh wait
Come on no fan nowadays expects to suddenly see a show about Picard Riker and the lads flyingSure they did. No weirder than the expectations fans today tend to have.
I read somewhere that some fans really believed that the end of Star Trek 4, when our heroes received the Enterprise-A, would be the prelude to a new television series. Obviously they were hopes with no basis.Also it makes me wonder...did people really expect the cast of TOS to return for a new TV show?
Must be a universe somewhere that Saavik is the Captain of the Enterprise and David Marcus is her Science Officer.I gather that the original plan (or at least hope), and the reason that characters like Saavik and David were introduced, was to gradually phase out the aging TOS crew in favor of a more literal "next generation" who would carry the series forward. Instead, the sequels reversed course, wrote out or killed off the new characters, and doubled down on keeping the old guard together. I suppose it's conceivable that if they had gone forward with the original plan, the younger replacement cast might eventually have been brought to TV.
The source is this article from the New York Times. The date is November 2, 1986 so it's perfectly possibile people read it and believed that it would be the format of the new showEarly proposals for the series included one in which some of the original series cast might appear as "elder statesmen"
The fans quoted in the article claimed their comments were taken out of context.We should look up Shirley Milewski of International Trek Fans and see how she feels about TNG in retrospect
SourceSlowly, comments turned from Star Trek V to ST: TNG. In February, I said, "I suspect it may be one of the highest-rated syndicated programs ever." Starting in June, there was a minor uproar over a report in the tabloid The Globe, which claimed that many fans already hated ST:TNG and were organizing a letter campaign to put a stop to it. Shirley Maiewski, Ruth Breisinger, and I were quoted. All of us, however, were quoted out of context. Shirley and I supported The Next Generation from the beginning announcement; the reporter completely ignored our positive comments and ran only quotes from us saying that we knew of some fans who were upset about it. Ruth Breisinger said she was not opposed to the show itself; she was opposed only to calling it Star Trek. In Interstat as well as in The Official Star Trek Fan Club Newsletter, fan mail in support of The Next Generation was overwhelming, even before the first show aired.
I dunno "might appear as elder statesmen" sounds more like "some of them might appear in an episode or two as politians/leaders/admirals", as McCoy and, eventually, Spock did, rather than "a more active role"It seems that early proposals for the new show had the old cast in a more active role (From Wikipedia).
Now I really want to read that article, but unfortunately is behind a pay wall. Do anyone here have a subscription to New York Times...?I dunno "might appear as elder statesmen" sounds more like "some of them might appear in an episode or two as politians/leaders/admirals", as McCoy and, eventually, Spock did, rather than "a more active role"
It's really kinda like expecting Season 2 of Picard involving the whole Enterprise D crew to get back together and go exploring again full-time.
Just not happening and, imho, not really even desirable.
TNG was a soap opera right from the get-go. The first season hadn't even finished before one of my friends started writing a TNG soap opera parody, chronicling the lives and loves and idiocies of Captain Jacquard and Commander Bill Biker. The whole thing had a "Mary Hartman" kind of vibe to it, with cliffhangers that left her readers wanting the next installment now.Agreed.
Another think i like about S1-2 is the moodier lighting. The later seasons are so overlit (which I assume makes production quicker/cheaper if the crew isn't spending time settting up complex lighting schemes) that it gives the show a soap operish, shot-on-video look.
My first reaction on seeing the cast list was, "Oh, I recognize LeVar Burton, I saw him in Roots" and then I tried to reconcile the idea of Lucius Aelius Sejanus/Gurney Halleck/Henry Grey, Duke of Suffolk (I, Claudius/Dune/Lady Jane) as a starship captain. I was used to seeing Patrick Stewart in historical and literary roles, not Star Trek. Eventually I concluded that I still liked Patrick Stewart but wasn't so fond of the overly-preachy, sanctimonious Captain Picard. I'd never heard of any of the rest of them.That was 10 years earlier. I think I recognized him as the guy from Reading Rainbow but not too much of a household name like other actors at the time.
I'd imagine that none of those actors were really familiar with general audiences. At least not enough to be draws on their own. I watched Night Court as a kid and I didn't even make the connection to Data until AFTER TNG came out and I later saw Night Court reruns.
Expectations can be a hindrance sometimes. The main reason I watched TNG was because we didn't have cable and nothing else was on besides news, tabloid shows, and adult dramas. I didn't think much of Star Trek as a concept at the time, yet I secretly enjoyed the show in spite of myself.
Syndication and lack of options strangely enough helped me appreciate the show. Funny enough, the shows that I chose to watch and was excited about at the time, I watch now and think they're crap.
Unless you're into historical drama in settings and eras that don't involve the U.S.I remember that the early reporting about TNG mentioned him heavily, because he was certainly the best-known cast member in the US.
It's funny, how so many Star Trek actors were also on Bonanza. There's a UK equivalent between actors who were both in I, Claudius and Doctor Who. In fact, one of the I, Claudius actresses appeared in Doctor Who in different roles, 25 years apart.Ummmm... Who cares? None of the TOS cast members were huge names. Shatner was an up-and-coming actor in whom many saw star potential, but he hadn't had a huge hit yet. The rest were working actors who'd been seen in various places but weren't breakout stars. The collective fame of the TNG cast at the start of the series was greater than that of the TOS cast at the start of theirs, largely thanks to Burton.
If you want to get technical, the holodeck was introduced in the TAS episode "The Practical Joker". As for money not existing... I interpret this to mean cash doesn't exist in the 23rd century (at least not on Earth), which is why Kirk can't pay for the pizza. His bank doesn't exist yet, never mind his Federation credits.It's bad enough that money doesn't exist in the future of TOS films, and TNG is already doing away with conflict and materialism in the Federation, but having a fantasy world too?
I guess to people who aren't into historical drama or Shakespeare...Patrick Stewart unknown![]()
Good luck with that. She died years ago.We should look up Shirley Milewski of International Trek Fans and see how she feels about TNG in retrospect
If I recall correctly, David Gerrold claimed that Gene wanted David's title on TNG to be "Head Writer" around the time that they were collaborating on the series bible. Of course, that status and situation changed for the worse once production of the show actually began, as it did for D.C. Fontana and others who had worked on TOS.The ironic thing is that he did have complete creative control and approval over the animated series, more so than he ever had over TOS or TNG, yet that's the series he later chose to dismiss as "not real." (Although I've come to suspect that his campaign to declare TAS non-canonical was part of his battle to deny D.C. Fontana co-creator credit to TNG. He was advancing the narrative that nobody was an authentic Trek creator except himself. If so, that was damned hypocritical, since he was the one who'd entrusted TAS to Fontana in the first place.)
To me the comment about Stewart in the article reeked of that old US snobbery towards non Hollywood actors. They could have easily said respected UK actor and not been knobs about it. At least Harry Potter changed that attitude a little sinceI guess to people who aren't into historical drama or Shakespeare...
The old "bait and switch."Gene wanted David's title on TNG to be "Head Writer"
To me the comment about Stewart in the article reeked of that old US snobbery towards non Hollywood actors. They could have easily said respected UK actor and not been knobs about it. At least Harry Potter changed that attitude a little since
I think there was plenty of respect for accomplished British Shakespearean actors in the US long before Harry Potter. Keep in mind that the article is evidently from a sensationalist tabloid, prone to to emphasizing the most extreme negative reactions rather than giving a balanced report. So its reporting can't be presumed to represent the actual mainstream opinions of the era.
It's a pretty recurring theme with TV and movies that actors are unknown or havnt made it until they are big in the US. Bit like how they can't handle a movie or TV show without a North American lead so have to recreate shows with American accents
Evaporated decades ago was my point as Harry Potter was 19yrs ago nowThere are countless American shows whose lead actors are British or Australian, e.g. Fringe's Anna Torv and John Noble, Batwoman's Ruby Rose, all three of Without a Trace's lead actors, etc. If there ever was any institutional resistance to using non-North American leads in US productions, it evaporated decades ago.
And insofar as any such resistance may have existed, it was just doubt that they'd be popular enough with American audiences, not any sort of snobbery about their talent, which would be absurd with respect to a 20-year RSC veteran like Stewart was at the time. Again, don't mistake the tabloid's inflammatory reporting for the actual attitudes of the public or the institution.
Evaporated decades ago was my point as Harry Potter was 19yrs ago now
Bit like how they can't handle a movie or TV show without a North American lead so have to recreate shows with American accents
To me that's pretty perplexing I'm Irish and like everyone else here the majority of the TV we watch is British or American and we can understand them fine. USA is unusual in the sense that it can't seem to handle shows from other culturesNo, it's really that Americans just prefer to watch TV shows about Americans. A British cop show, for example, travels really badly in terms of audience draw here because of cultural differences. Same's true for medical dramas and particularly situation comedies.
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