38 pages of discussion and debate and people are still having to carefully explain the concept of sexual fluidity and that characters have histories and experiences that happen off-screen.
Kahless, give me strength.
I'm inclined to agree that introducing character and relationship elements as organically as possible makes for better storytelling, but when it comes to LGBT inclusion, creatives are put in a tough spot because the subtle approach often fails. The average viewer is not fluent in queer coding, and many people have difficulty translating what would be obvious romantic indicators in a hetero pairing onto a same-sex pairing, so a lot will go over people's heads unless it's spelled out for them. That leaves the less elegant approach: overt references to the character's sexuality, deliberately drawing attention to it so audiences cannot miss that aspect of the character, which often feels clumsy, heavy-handed and unnatural.
For better or worse, Chabon and co. took the former approach for Picard, and predictably, it was too subtle for many viewers to pick up on. Had they gone the other way, I'm sure that would have drawn its share of complaints as well (though I don't think too many people would have minded some minor exposition for clarification, which would have mitigated a lot of confusion).
Based on some comments from Chabon and cast members on Instagram and in interviews, next season will take a more direct approach to sexuality in the 24th Century, among other things, which will hopefully bring an end to these circular arguments (though this is the internet, so I probably shouldn't hold my breath).
Kahless, give me strength.
This is more or less the same point Michael Chabon made in a recent interview with Variety.You say, "write it into the show", but that's not the right approach to take. That's making a sign with an arrow and saying "look here, look what we did!" THAT'S bad writing. The fact that it's understated to the point that it's just considered normal is a much better way to approach it.
I'm inclined to agree that introducing character and relationship elements as organically as possible makes for better storytelling, but when it comes to LGBT inclusion, creatives are put in a tough spot because the subtle approach often fails. The average viewer is not fluent in queer coding, and many people have difficulty translating what would be obvious romantic indicators in a hetero pairing onto a same-sex pairing, so a lot will go over people's heads unless it's spelled out for them. That leaves the less elegant approach: overt references to the character's sexuality, deliberately drawing attention to it so audiences cannot miss that aspect of the character, which often feels clumsy, heavy-handed and unnatural.
For better or worse, Chabon and co. took the former approach for Picard, and predictably, it was too subtle for many viewers to pick up on. Had they gone the other way, I'm sure that would have drawn its share of complaints as well (though I don't think too many people would have minded some minor exposition for clarification, which would have mitigated a lot of confusion).
Based on some comments from Chabon and cast members on Instagram and in interviews, next season will take a more direct approach to sexuality in the 24th Century, among other things, which will hopefully bring an end to these circular arguments (though this is the internet, so I probably shouldn't hold my breath).