They were probably repairing the damage from the Section-31 mine field from last episode.What was all the EVA activity shown around the Discovery at the beginning of the episode?

They were probably repairing the damage from the Section-31 mine field from last episode.What was all the EVA activity shown around the Discovery at the beginning of the episode?
Can someone explain how the colony of New Eden fits into the angel appearing only when Burnham is in mortal danger? As far as both we and the other characters know, she wasn't present during WWII...
Wouldn't Leland being dead give away Controls return?unless it was control using its mimickery.
but yeah my take was he’s alive, but infected with some kind of futuristic plot device.
I’m shipping Stanmets and Georgiou now.![]()
Well. First impressions: that was pretty bad.
First of all, the involvement of S31, and especially Georgiou, isn't getting any more tolerable as time goes by. In fact, Georgiou was at her most annoying in this episode. She sings the praises of totalitarianism, she gleefully enjoys making others personally uncomfortable ("what just happened," indeed?), and (in unexplained contrast to earlier in the season) she doesn't seem to be making the slightest attempt to hide the fact that she's from the Mirror Universe, even around people who didn't previously know it. Why isn't she safely locked away in a Federation penal colony at this point?
As for the rest of S31, the notion that Leland knew about the history of the Red Angel suit all along, yet never shared that information, renders him even less trustworthy than before, and compels the question of why Pike or anyone aboard Discovery would cooperate with his plan.
Second, the whole scenario reeks of "small universe syndrome." It's not bad enough that viewers were already expecting Burnham to be the Red Angel; now we're told that her parents were the inventors of the suit, and it was that project that led to their deaths. I've handwaved away earlier complaints from other fans that everything in this show is All About Burnham, since she is ostensibly the protagonist, after all, but this is really getting ridiculous.
Third, many of the emotional beats didn't ring true. In particular, Burnham's shockingly immature reaction to Leland's admission to her (which wasn't actually even the kind of plot-relevant information she was asking for, but never mind that) managed the impressive task of making me actually sympathize with Leland. The whole story isn't remotely the most reprehensible thing he's done; indeed it sounds like his motives at the time were good and the risk was unintentional, and yet this is the thing she goes off on him about? Hell, she should be grateful to know she's been blaming herself needlessly.
Beyond that, her rapprochement with Tyler was unconvincing, and had every bit as little chemistry as their relationship last season. Really the only sequence that worked was Spock's one-on-one with her... mostly due to Peck, whose take on Spock continues to evoke the original without imitating it. (The interlude with Culber talking to Cornwell was also almost a good moment, but on the whole it just came across as too pat. And the opening funeral for Airiam merely underscored all of the unearned emotion already discussed in re: the previous episode. Does every redshirt death get a full-crew funeral?)
Fourth—and this is the biggest and most multifaceted problem—the whole plot just made no damn sense. It makes no sense that the suit is a Federation time-travel experiment from nearly 20 years past; indeed, weren't we told in a recent episode that it was future tech? And of course it has quite a lot of abilities beyond time travel — including instant healing, as seen in this very episode. It also doubles down on the annoying Plot Devicium of "time crystals" from last season, making them something that's apparently been known and available for decades... which (logically) should have huge implications well beyond this story, and (in terms of continuity) completely undermines the new-ness of the Enterprise's pioneering time-travel discoveries in TOS.
Moreover, if the Red Angel really were Michael (as everyone was led to believe), the scheme to trap her was beyond stupid. It rests on the notion that she would protect her own existence in the past — but what does it assume about her future knowledge? Clearly the Red Angel is willing and able to intervene beyond just the "present" time frame of the seven signals (as demonstrated by the indirect rescue of adolescent Burnham on Vulcan), but just as clearly she doesn't always do that, as Burnham's life has been in danger multiple times (as recently as last season) without the Red Angel ever putting in an appearance. So there's no basis for assuming that putting her at risk now will necessarily do the trick. If her future self knows about the risk to her past life, then she would also know that the whole setup was a trap... but if her future self doesn't know about the risk, then she wouldn't come regardless. (And how does this explain her other appearances, including to Spock on some unnamed world for the mind-meld, when Michael was nowhere around?) Indeed, if they expect that her future self remembers this past, and has good intentions, then the most sensible thing to do would be simply to ask her to come back to that point in time and explain what the heck is going on. If her future self is unwilling or unable to do that for some reason, then, well... she has more information than they do, and the fate of intelligent life is at stake, so maybe capturing her and derailing her plans is kind of a foolhardy idea.
Meanwhile, In terms of precautions to "safeguard" Burnham, the whole scenario also made no sense. Why didn't her fellow officers in the watch chamber at least have their helmets on? Why didn't the ship have a transporter lock on her, before the tachyon radiation showed up?
Having the Angel then actually turn out to be Burnham's mother is piling nonsense on top of nonsense, just for the sake of a Shocking Twist (which has no impact for viewers, as we've never met the character before). Never mind the mystery of how she isn't dead... the reveal completely undermines information from earlier in the same episode about the "bio-neural match," which supposedly proved beyond any doubt that it was Michael in the suit. Mother and daughter would not be identical on that level.
On top of all that, there was never any basis for Leland's assumption that the future AI (which they're equivocating about now—is it a future version of Control, or only something that took over Control?) was hitchhiking through the Red Angel's wormholes; after all, obviously the threat existed even before the Angel undertook those trips, as it's what motivated them. Yet, regardless, that unwarranted assumption turned out to be correct—indeed, so correct that it happened before they could even act to prevent it, and it took over Leland's ship so effortlessly that one wonders why it had to use Airiam as a proxy before. (And why is the security eye-scanner on that ship in a different room off the bridge? And why does that scanner have a deadly pop-out blade built into it—unless we're to believe that hardware change was somehow made instantaneously by the AI's software upgrade?)
I think it's fair to say this was the worst episode of the season. Okay, it's not quite as hamfistedly awful as some of Braga's time-paradox plots from back in the day... but it's not far from it.
(And lastly , just as a side note... how does the timeline of all this backstory fit together? Leland says the time-trvel arms race with the Klingons began 20 years ago... so, say 2237 or '38. When were Burnham's parents killed? She herself was born c. 2226 (given that she entered Starfleet in '49)... and she doesn't appear to be more than 10 or 12 in the relevant childhood flashback scenes. In the schism with Spock, seen just a couple of episodes ago, she looks at most 13 and Spock is no more than eight or ten... so, say, c. 2239-40. Did the whole "arms race," including her parents' development of the miraculous time-travel suit, happen in the space of a single year?)
I like the Space Hipster Klingons
![]()
Hipster Klingon: Want to get overpriced Raktajino that has to be brewed in a copper still then listen to my vinyl collection of Klingon opera? We can get craft Blood Wine after.
I don't see how that's immature, to be honest. Punching the guy who caused your parents' death and wasn't even going to take responsibility seems like a pretty human and, possibly, merciful reaction. Leland certainly seemed to think so in that he took the punches and didn't fight back or lodge a formal complaint, etc.In particular, Burnham's shockingly immature reaction to Leland's admission to her (which wasn't actually even the kind of plot-relevant information she was asking for, but never mind that) managed the impressive task of making me actually sympathize with Leland.
Much like the probe that came back a squid, doesn't it seem probably that the suit came back from wherever it's been with added abilities? This seems like declaring that something doesn't make sense while the story is still telling itself.It makes no sense that the suit is a Federation time-travel experiment from nearly 20 years past; indeed, weren't we told in a recent episode that it was future tech? And of course it has quite a lot of abilities beyond time travel — including instant healing, as seen in this very episode.
It hardly seems like a shocking twist, especially since none of us knew who she was on sight, and so said, "Who is that?" rather than, "Oh god! Her!" A shocking twist would have been, say, Georgiou in the suit. Burnham's mother means that the story is putting the emphasis squarely on character rather than shock value, to my mind. As for the bio-neural match, does it really seem plausible that the writers erroneously wrote that line knowing who was in the suit? Isn't it much more likely that we're only seeing part of a bigger, as-yet-unrevealed picture?Having the Angel then actually turn out to be Burnham's mother is piling nonsense on top of nonsense, just for the sake of a Shocking Twist (which has no impact for viewers, as we've never met the character before). Never mind the mystery of how she isn't dead... the reveal completely undermines information from earlier in the same episode about the "bio-neural match," which supposedly proved beyond any doubt that it was Michael in the suit. Mother and daughter would not be identical on that level.
The basis was that the Red Angel came through a time rift, and a future AI came through that same time rift. And where exactly are they equivocating? Last week, they faintly suggested that the AI was Control. They never explicitly confirmed it beyond a doubt. This week seems to be in keeping with that.On top of all that, there was never any basis for Leland's assumption that the future AI (which they're equivocating about now—is it a future version of Control, or only something that took over Control?) was hitchhiking through the Red Angel's wormholes; after all, obviously the threat existed even before the Angel undertook those trips, as it's what motivated them.
Well. First impressions: that was pretty bad.
First of all, the involvement of S31, and especially Georgiou, isn't getting any more tolerable as time goes by. In fact, Georgiou was at her most annoying in this episode. She sings the praises of totalitarianism, she gleefully enjoys making others personally uncomfortable ("what just happened," indeed?), and (in unexplained contrast to earlier in the season) she doesn't seem to be making the slightest attempt to hide the fact that she's from the Mirror Universe, even around people who didn't previously know it. Why isn't she safely locked away in a Federation penal colony at this point?
As for the rest of S31, the notion that Leland knew about the history of the Red Angel suit all along, yet never shared that information, renders him even less trustworthy than before, and compels the question of why Pike or anyone aboard Discovery would cooperate with his plan.
Second, the whole scenario reeks of "small universe syndrome." It's not bad enough that viewers were already expecting Burnham to be the Red Angel; now we're told that her parents were the inventors of the suit, and it was that project that led to their deaths. I've handwaved away earlier complaints from other fans that everything in this show is All About Burnham, since she is ostensibly the protagonist, after all, but this is really getting ridiculous.
Third, many of the emotional beats didn't ring true. In particular, Burnham's shockingly immature reaction to Leland's admission to her (which wasn't actually even the kind of plot-relevant information she was asking for, but never mind that) managed the impressive task of making me actually sympathize with Leland. The whole story isn't remotely the most reprehensible thing he's done; indeed it sounds like his motives at the time were good and the risk was unintentional, and yet this is the thing she goes off on him about? Hell, she should be grateful to know she's been blaming herself needlessly.
Beyond that, her rapprochement with Tyler was unconvincing, and had every bit as little chemistry as their relationship last season. Really the only sequence that worked was Spock's one-on-one with her... mostly due to Peck, whose take on Spock continues to evoke the original without imitating it. (The interlude with Culber talking to Cornwell was also almost a good moment, but on the whole it just came across as too pat. And the opening funeral for Airiam merely underscored all of the unearned emotion already discussed in re: the previous episode. Does every redshirt death get a full-crew funeral?)
Fourth—and this is the biggest and most multifaceted problem—the whole plot just made no damn sense. It makes no sense that the suit is a Federation time-travel experiment from nearly 20 years past; indeed, weren't we told in a recent episode that it was future tech? And of course it has quite a lot of abilities beyond time travel — including instant healing, as seen in this very episode. It also doubles down on the annoying Plot Devicium of "time crystals" from last season, making them something that's apparently been known and available for decades... which (logically) should have huge implications well beyond this story, and (in terms of continuity) completely undermines the new-ness of the Enterprise's pioneering time-travel discoveries in TOS.
Moreover, if the Red Angel really were Michael (as everyone was led to believe), the scheme to trap her was beyond stupid. It rests on the notion that she would protect her own existence in the past — but what does it assume about her future knowledge? Clearly the Red Angel is willing and able to intervene beyond just the "present" time frame of the seven signals (as demonstrated by the indirect rescue of adolescent Burnham on Vulcan), but just as clearly she doesn't always do that, as Burnham's life has been in danger multiple times (as recently as last season) without the Red Angel ever putting in an appearance. So there's no basis for assuming that putting her at risk now will necessarily do the trick. If her future self knows about the risk to her past life, then she would also know that the whole setup was a trap... but if her future self doesn't know about the risk, then she wouldn't come regardless. (And how does this explain her other appearances, including to Spock on some unnamed world for the mind-meld, when Michael was nowhere around?) Indeed, if they expect that her future self remembers this past, and has good intentions, then the most sensible thing to do would be simply to ask her to come back to that point in time and explain what the heck is going on. If her future self is unwilling or unable to do that for some reason, then, well... she has more information than they do, and the fate of intelligent life is at stake, so maybe capturing her and derailing her plans is kind of a foolhardy idea.
Meanwhile, In terms of precautions to "safeguard" Burnham, the whole scenario also made no sense. Why didn't her fellow officers in the watch chamber at least have their helmets on? Why didn't the ship have a transporter lock on her, before the tachyon radiation showed up?
Having the Angel then actually turn out to be Burnham's mother is piling nonsense on top of nonsense, just for the sake of a Shocking Twist (which has no impact for viewers, as we've never met the character before). Never mind the mystery of how she isn't dead... the reveal completely undermines information from earlier in the same episode about the "bio-neural match," which supposedly proved beyond any doubt that it was Michael in the suit. Mother and daughter would not be identical on that level.
On top of all that, there was never any basis for Leland's assumption that the future AI (which they're equivocating about now—is it a future version of Control, or only something that took over Control?) was hitchhiking through the Red Angel's wormholes; after all, obviously the threat existed even before the Angel undertook those trips, as it's what motivated them. Yet, regardless, that unwarranted assumption turned out to be correct—indeed, so correct that it happened before they could even act to prevent it, and it took over Leland's ship so effortlessly that one wonders why it had to use Airiam as a proxy before. (And why is the security eye-scanner on that ship in a different room off the bridge? And why does that scanner have a deadly pop-out blade built into it—unless we're to believe that hardware change was somehow made instantaneously by the AI's software upgrade?)
I think it's fair to say this was the worst episode of the season. Okay, it's not quite as hamfistedly awful as some of Braga's time-paradox plots from back in the day... but it's not far from it.
(And lastly , just as a side note... how does the timeline of all this backstory fit together? Leland says the time-trvel arms race with the Klingons began 20 years ago... so, say 2237 or '38. When were Burnham's parents killed? She herself was born c. 2226 (given that she entered Starfleet in '49)... and she doesn't appear to be more than 10 or 12 in the relevant childhood flashback scenes. In the schism with Spock, seen just a couple of episodes ago, she looks at most 13 and Spock is no more than eight or ten... so, say, c. 2239-40. Did the whole "arms race," including her parents' development of the miraculous time-travel suit, happen in the space of a single year?)
Next episode, she'll probably get to choose which one to save. One has a series to star in...Now she has three mother figures running around the nearby universe, two of them on the same ship. It's a nightmare.
So, Control clipped Leland, mimicked his voice and gave the S31 ship enough power to close the wormhole. Could this plan have been manipulated into existence by Control to get RA out of the way? I get the feeling that, by doing what they did, they played right into Control’s hands, removing the move-anywhere-at-anytime Queen (RA) from the board. I don’t see this episode as a victory for the humans.
Next episode, she'll probably get to choose which one to save. One has a series to star in...
Um hmm. T’Pring, anyone?It's not a plot hole. It's totally Spock's character to not say a word about his family until absolutely forced to.
Me, I'm saving Georgiou.But honestly, which would you choose if you were Michael?
While I don't agree with everything you said, you do bring up some points that have been bugging me.Well. First impressions: that was pretty bad.
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