Head guy is cheaper than Linus, no CGI!meh! I prefer linus! classic aliens >>>>>>>> new aliens
Head guy is cheaper than Linus, no CGI!meh! I prefer linus! classic aliens >>>>>>>> new aliens
I haven't seen The Expanse, but I agree on the Spock/Michael dynamic. I hope they'll come to some kind of closure with each other, but we know Spock will continue to resent Sarek until much later.I don't know how many of you watch The Expanse, but there's a similar dynamic with a villainous character and his two daughters: one becomes defiant, the other obsessed about living up to dad's impossible standards. That kind of dysfunctional family depiction is something I personally find very compelling, as it makes for really good characterisation. One of the reasons I liked this new episode so much was how organic the conflict between Spock and Michael felt. They are both caught up in their decades-long resentment and unwilling to cede any ground. I think that at some point, they'll grow past this at least somewhat, but it's good to see a conflict that feels real and not like forced melodrama. At least that's how I see it.
Maybe "Control" is the reason the Federation/Starfleet had to downgrade their tech around Kirk's time. BSG comes to mind.
Some people must have crappy audio systems.Atrium
I think the chess scene was especially poignant because with others, emotional!Spock is much kinder. His bonding moment with Stamets was sweet. He didn't need to be that nice; he did it because he felt like it. That makes his argument with Michael all the more emotionally powerful. I too hope they'll find some kind of common ground over the course of the series.I haven't seen The Expanse, but I agree on the Spock/Michael dynamic. I hope they'll come to some kind of closure with each other, but we know Spock will continue to resent Sarek until much later.
It would be an interesting development to be sure.Gave it an 8. Maybe "Control" is the reason the Federation/Starfleet had to downgrade their tech around Kirk's time. BSG comes to mind. Sad to see Airiam go. Like others have said, secondary characters should be further developed before being killed off. Hope this ties in with the Calypso story.
Shakespeare did it 30% better.I don't know how many of you watch The Expanse, but there's a similar dynamic with a villainous character and his two daughters: one becomes defiant, the other obsessed about living up to dad's impossible standards.
25%. You know the drill.Shakespeare did it 30% better.
People are stuck on Mary Sue because it was rubbed in our face early in the show she was the BEST ever.
I have mixed feelings on the idea that ‘AI created by humans to solve problems decides to destroy all sentient life’ is this season’s big bad. On one hand it’s very TOSy and relevant to modern anxieties. On the other hand it’s a bit of a trope and it doesn’t track to me Starfleet would use that to begin with.
25%. You know the drill.
Sorry. I'd forgotten.
You who give it a 9 or 10, where do you go for the truly greatest episodes of Trek? Spinal Tap 11?
I gave last week's a 9 or 10, by the way. I think it's in the pantheon of all time best eps. But this? I mean, good, yeah.
People are stuck on Mary Sue because it was rubbed in our face early in the show she was the BEST ever.
Her perfor mance sin ce then is spotty, agreed. Hope she learns from the Atrium thing at the end. I! can fix this. Luckily someone pressed the button. would that be a Messiah complex? A "god thing"? Sorry. But even the family being threatened when she was little.
"It's because of ME, and I alone must do something big to fix it!"
Actually I'm liking her more, the more flawed she gets. But she really was presented as more perfecter in S1.
Guacamole. Think about it, people.
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