i wonder whether the ba'ul (we haven't seen them yet) are ganglia-less kelpians and those they 'take' are not for the sunday roast but the next to evolve into ba'ul.
i don't remeber the words exactly but i think it was about they are taken to sustain the ba'ul. ba'ul might no longer be fertile ...
the empress just had them as roast because she believed that stuff.
Filler? I think this storyline will be the conclusion to one of the show's primary arcs, the spore drive.This thing with Tilly feels like a distraction from the main storyline at a time when the show doesn't have the luxury of telling such "filler"-type stories, and the "A" and "B" plots were things we've seen done - and done better - before
And that Talarian electro-rock from TNG "Suddenly Human."ID had a few songs especially made for the movie (versions of which played in the Scotty/Keener club scene in different markets). I think that's maybe our first look at music that's supposed to be current in the Trekverse.
Other than the Klingon metal in VOY: "Real Life"
I don't think "evil blob" is a good description since I highly doubt it is evil. It/they just don't like the fact that Discovery is hurting them and causing harm to their space with each jump....The evil blob is dumb as hell...
Indeed. Saru and Burnham weren't even speaking at the start of season 1, but "there will never be judgment between us"....
But the way they resolved the Saru plot was interesting, and tied the Short Trek into the episode nicely.
The hippies sang a 60s style protest song. Your modern ear is wrong because it’s a 21st century ear attempting to place a 23rd century sound and failing. Your enjoyment of Klingon opera is just opera with heavier gutterals. This is the music you want? Pastiches of current and past folk pop music with 23rd century labels? Seriously?! That’s the 23rd century alien sound you want?Your sound is off since I never said it or implied it.
I don't know how the TOS music came across to its audience in the 1960's but at least the writers made the effort to make something up (whether its good or bad). In the Eden episode, the Federation hippys did not go around singing Nat King Cole or whatever was popular back then in the real world. Uhura in Conscience of the King sang a song which in universe was probably very popular. To my modern ear it sounds old but at least they tried. Other fans would prefer they not bother and stick to what is in universe old stuff and what to us is in living memory, I prefer they make the effort e.g the VOY Klingon music scene with the doctor being an example of what I mean, that scene made sense in universe, and in real life, it sounded alien to me.
Tilly having Bowie (or any other 20th century artist) as a favourite song does not make sense to me. Stamet's Uncle Beatle's cover band, had my eyes rolling, the Prince comment had my eyes rolling down my face and on my lap.
In the Star Trek future the only music that survives is either jazz, European classical music, or the US/UK old top 40 hits ..yeah ok
I was thinking this as well...Or maybe the Baul are Kelpians who have managed to move past the loss of the Ganglia......I'm wondering if the ganglia aren't actually parts of the Kelpiens at all, but are instead some sort of parasite the Ba'ul implant on Kelpiens to make them docile.
Indeed. The TOS characters were quoting Shakespeare, TNG did the same (as well as have the works of Arthur Conan Doyle and 1940's Film Noir and pulp detective stories represented!)I have a feeling that anybody who still enjoys playing a piano even 200 years from now, is going to be very interested in Bach, Beethoven, and Schubert as well as Jerry Lee Lewis, Duke Ellington and Elton John.
Popular music doesn't die or fade away, it just waits for someone to come along to "reDiscover" it.
![]()
I definitely agree, I don't feel that the plot is hanging on Shocking Revelations (which are predicted months before) this year - I'm already much more sold on this year's plotlines.They've done a much better job planting seeds and letting them grow this season. Several small details have paid off nicely. It feels much more organic, and less like we're racing from plot twist to plot twist.
The humans in New Eden were not from Earth. Their ancestors 200 years ago were. They had in the interim build their own unique culture Telling them about the fate of Earth or even worse taking them their would destroy it. It would destroy their way of life, religion etc... That is precisely what the Prime Directive exists to prevent.But what happened to those humans wasn’t natural as well. They were taken from their planet by some alien force.
There is a Star Trek trope that I call the "Rule of Threes". Often times when a Star Trek character lists three things, this list goes as follows:All the talk about music reminded me that I didn't share my thoughts on Tilly and Stamets singing David Bowie's Space Oddity. I loved it, I've always been a bit annoyed that all of Trek's culture references were from 2 or 3 hundred years ago today, so it was nice to get some modern references for once.
You and Pike both! (spiders, I mean)I won't miss the fear ganglia. The sound they make as the emerge from Saru's head reminds me of watery fangs unfolding from giant spiders. Creeps the hell out of me!
Yup. The 'futurism" and "alienism" of it all is pretense: pretense that's completely unnecessary and I'm glad Disco people are dropping the pretense.The hippies sang a 60s style protest song. Your modern ear is wrong because it’s a 21st century ear attempting to place a 23rd century sound and failing. Your enjoyment of Klingon opera is just opera with heavier gutterals. This is the music you want? Pastiches of current and past folk pop music with 23rd century labels? Seriously?! That’s the 23rd century alien sound you want?
Well you’re welcome to it, but I would rather have an emotional connection with the people I’m watching here in the 21st century.
We use essential cookies to make this site work, and optional cookies to enhance your experience.