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"Broken Bow" --> About Earth's Starfleet. They understandably want to break from of the Vulcans who've had a stronghold on them for almost 90 years. What happens? They run into the Klingons! To boot, they don't even look like TOS Klingons! The opening scene has a Klingon running through a farmer's crops! The first episode with the first Warp 5 ship deals with the Klingons? Why do they need the Klingons? Why can't they just focus on the Suliban? Are the Suliban not interesting enough? And why do they come from the 26th Century? Can't the 22nd Century stand on its own? This is judging "Broken Bow" by the same standards you judge DSC by.

Star Trek Into Darkness --> Khan is white! We all know that Khan is an Indian played by a Mexican! Couldn't they have had a Mexican guy play Khan? And the Klingons! Look at them! They look nothing like in TOS! They don't even look anything like in TNG! Oh, and Section 31! Fanwank! Why do they have to have Section 31? Can't they come up with anything new? Fanwank! And Carol Marcus? What purpose does she serve? Can't Kirk chase after someone else? Carol Marcus is all about being Kirk's love interest! And then there's Admiral Marcus! Does he have to be the father of Carol Marcus? WTF?! He's a character tied to another character (Carol) who's already tied to yet another character! (Kirk) Double-Fanwank! Oh! And Kirk is revived by Khan blood. Khan blood? Did nine-year-olds write this? And they mentioned Harry Mudd! Harry Mudd is even more fanwank! What does it add to the story?! They couldn't have gotten another shuttle from somewhere else? Why can't this film stand on its own? Once again, judging STID by the standards you judge DSC.
I don't know what BillJ thinks, but both of those things are shit, and you adequately pointed out several of the reasons why. (Though that is still a tiny fraction of the reasons. But that is understandable, there are so many reasons.)
 
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I don't know about BillJ, but both of those things are shit, and you adequately pointed out several of the reasons why. (Though that is still a tiny fraction of the reasons, but that is understandable, there is so many reasons why ENT and ID suck.)

Yeah, I don't like them either. But I'm trying to apply BillJ's opinions of DSC to how they would translate to those.

I might as well dig up my own opinion of STID at the time. I don't have anything vintage for what I said about ENT.

Okay, this is what I said about Star Trek Into Darkness on May 22, 2013 on Jammer's Review Site...

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I liked the 2009 film. Not so much "Star Trek Into Darkness". It had too many plot holes.

These were the problems I had with STID:

1. Why would Admiral Marcus need to revive Khan to figure out how to fight the Klingons? It would be like someone today reviving Napoleon to figure out how to fight the North Koreans. Second of all, Starfleet has had 100 years to prepare for the Klingons by this point. The two sides have always been portrayed as powers of equal strength. The Klingons are a threat, but they're not an overwhelming one. Humanity also seems savage and primitive enough that they don't need Khan's insights. The humans in the Abrams films, unlike the Roddenberry series, would fit right into today's world.

2. Khan would never allow himself to become a pawn of Starfleet or Section 31. He'd never save Kirk from the Klingons. And he's not really that ruthless in this film. He should've killed Kirk right before beaming his corpse back to the Enterprise or fatally wounded him at least so he'd be dying and in as much pain as possible even as he intended to destroy the Enterprise. He does horrible things but he himself doesn't act villainous enough. The original Khan, as well as Kruge in "Star Trek III: The Search for Spock", were much more black-hatted, which is what Khan should be.

3. The movie was supposed to show Kirk becoming more mature and growing into an adult. When he's repeatedly punching Khan, he's acting like a 15-year-old. When he constantly turns his head whenever a woman walks by, he's acting like a 14-year-old. When he's having a threesome, it's like a teenage boy's fantasy. I see nothing in the film that shows he became more mature. All I see is a kid who had a bad experience and a rough mission, then made a good speech at the end. He's not an adult. He's still reckless. He's still immature. I don't think this is the type of Captain you want to send out on a five-year mission into the unknown. Is this who the Admiralty wants representing the Federation? The only rationale I can think of is to get Kirk out of the way. It would make more sense to have him in Federation space, thinking outside the box to solve unconventional local problems where he can be of help and they can keep an eye on him.

4. Spock is much too emotional. Spock shouldn't be yelling "KHAAAANNN!!!" and going crazy while fighting him. Spock shouldn't be jealous when Dr. Marcus is assigned as Science Officer and, yes, he was jealous. Spock wouldn't give Pike lip.

5. The treatment of Doctor Marcus is extremely sexist. She undresses while Kirk is in the same room and the only reason is to show a shot of her in her underwear. When she screams after Admiral Marcus is killed, it's like something from out of a '50s B-movie. They can't even stay away from the sex jokes while McCoy is down with her while they perform "surgery" on the torpedo.

6. Why would Khan's blood restore anything to life? They don't even try to explain it. It's just magic blood that can somehow reanimate every cell in your body. Does that mean Khan could be immortal? Not that the film is even smart enough or aware enough to pose the question.

7. While we're at it, there's an entire ethical dilemma that's not even touched upon. Now that the location of the Botany Bay is known, should these escaped supermen and superwomen stand trial? I'm surprised they were all just left in suspended animation but that could've been mitigated if there was at least a discussion about what should be done with them. But why ponder those types of questions when they'd take up too much time that would be better spent on chase scenes and explosions?

8. There's absolutely no comparison between the scene when Spock was dying in "Star Trek II: The Wrath of Khan" and the reverse scene in "Star Trek Into Darkness".

9. When Spock is fighting Khan on Earth, it feels more like "The Matrix" than "Star Trek". And why just beam down Uhura to let Spock know not to kill Khan? Maybe Uhura is the only one who can get through to Spock quickly enough but she's Communications Officer. There should be at least one Security Officer as well.

10. Why would that officer toward the beginning of "Into Darkness" blow up a building just because Khan/Harrison saved his daughter? Seems like an extreme thing to agree to.

11. Starfleet has sensors, ships in orbit have sensors, spacedock has sensors. Why did it take Kirk to figure out that "Harrison" was about to attack where the briefing was being held?

12. This is last because I realized as I was watching that this was the least of the film's problems: if you're going to cast someone to play Khan, it should either be a Hispanic actor, like Ricardo Montalban was, or an Indian. The fact that a 1967 episode and a 1982 film are more diverse than a 2013 film is inexcusable. This is not to slight Benedict Cumberbatch but I think he was miscast, unless they had him just be John Harrison. On that note: I understand that Khan went by a false identity but, if you're going to have the false identity, why not go the rest of the way and have McCoy or Khan himself mention that he was surgically altered?

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Some of my opinions and stances have probably changed. Not everything is going to be 100% the same after five years, but you guys can be the judge of Lord Garth 2013 vs. Lord Garth 2018 and if my criticisms of Into Darkness are unfair in light of how much I've defended Discovery.

I have no problem comparing my Past Self to my Present Self to see if I hold up to scrutiny or not, and will own up to where I don't.

If I had something of what I posted about ENT in the early-2000s, I'd post something like that too. Unfortunately, everything old on TrekBBS has been pruned and I didn't save files of any of what I said. So anything I'd say now would be filtered through a 2018 lens and not my pure, unadulterated 2001 opinion.

EDIT:

Summer and Fall of 2010 is the earliest I could find for anything I said about ENT. It’s not 2001, but it’ll have to do.
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I need a break from some things and I want to talk some major, hardcore Trek. I've barely seen ENT, so I'm thinking about giving it another chance.

[…]

I started with "Broken Bow". I got a kick out of seeing Mark Moses play Archer's father. All I could think of was Duck Phillips from Mad Men. I watched "Broken Bow" with the commentary on. I can see what Rick Berman and Brannon Braga were going for now. They even acknowledged ENT wasn't everyone's "cup of tea" but they were going for something different. Yes, I was one of the people who didn't think they made it different enough. It helps to understand the thought process behind what went into making ENT, so the commentary was insightful.

"Fight or Flight" made the best use of the 22nd Century timeframe between Hoshi's uneasiness with being in space and the lack of ability to communicate with with aliens. I enjoyed this episode in 2001 as well.

"Strange New Worlds" was a good episode as well. I don't have much to say about it.

If I recall, it was "The Andorian Incident" that turned me off of ENT. The ending rubbed me the wrong way at the time, I was burned out on Star Trek, I was working at night (and attending college during the day), so I set the VCR to record the series after making sure to be home for the first two episodes. Then I stopped even taping it.

I just got finished re-watching "The Andorian Incident" for the first time since it aired nine years ago. Good episode. What rubbed me the wrong way in '01 was Archer turning over the research data to the Andorians. It came across to me as biting the hand that fed them, but since humans aren't on the best terms with Vulcans and wouldn't like being things hidden from them, Archer having T'Pol hand over the tricorder makes sense. It was a tough call but the right one considering that Archer realized he had taken a series of beatings for nothing.

It seems clear to me now that I was burned out on Trek, being 22 at the time I was too easily influenced by what others were saying, and no one was persuading me about the quality of the series in the forum of old. In the heat a flame wars, which I wanted to avoid as much as possible, it's so easy to use a stick that people forget there are carrots out there too. In any case, I was way too close to be objective and now that there's been a distance in time and perspective, I can see the series for what it is.

I've now seen up through "Shuttlepod One". I remember a thread from way back when asking if "Stinky" was a reference to the TrekBBS poster Mr. Stinky Pants. I have a hard time believing the writers would read TrekBBS or, if they did, that they'd follow it closely enough to know who members are, but I'd be lying if I said it didn't give me a brief pause. "Shuttlepod One" was a very down-to-"space" episode. When Trip and Reed were talking about how to spend their final days, it reminded me a bit of the film Stranded (2001) when an Earth ship in the near-future crash-lands on Mars and the crew has to figure out how to survive long enough for help to arrive.

"Shadows of P'Jem" was an intriguing sequel to "The Andorian Incident" is actually what I thought "Breaking the Ice" was going to be.

My favorite episodes so far are "Silent Enemy", "Breaking the Ice", "Fight or Flight", and "Fortunate Son".

The weakest episode, which still wasn't a bad episode, is "Terra Nova".

I'm glad "Sleeping Dogs" made clear the Klingons in this series were not going to be the ones in TNG and beyond no matter what Archer would try to come up with to reason with them.

If Earth becomes closer to Andoria, following the events of "P'Jem" and TAI, I wonder how the Vulcans will react...

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After that first batch of episodes, I binged the rest around the week of Christmas 2010 on a defunct website called Watch Trek. So there. That's as early as I could get.

DOUBLE-EDIT: Two more old posts of mine and I’m done.

This is from May 11, 2011

ENT, which I've now seen most of, was somewhat interesting in the first season, very bland in the second, had some good episodes in the third but there are several parts I couldn't take seriously, and the fourth season was the series finally taking itself seriously as a prequel. I was interested in what happened, even if soemtimes it was like fitting a square peg into a circle. So this was an unjumping, but it was too little, too late.


And this is what I said on January 1, 2012 foreshadowing what I’d think of Discovery

This is something I would look foward to watching. A Star Trek on AMC would be great, and it would benefit from having a 13-episode season. Varied characters, more challenging material, and being able to take risks, either storywise or artistically, that a family show or expensive blockbusters couldn't.
 
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ENT is your third favorite series. STID is your favorite film behind TMP. But. If you judged them by the same criteria you judge DSC, you wouldn't like them at all.

Who said anything about "Broken Bow" being a favorite episode? There are 98 episodes of Enterprise. If one is a TNG fan, does that automatically make "Encounter at Farpoint" one of their favorite episodes?

As far as Into Darkness goes, the whole idea of a reboot is to re-examine the universe from a new perspective for new times. Even then, it doesn't mean every decision is something one would agree to. I would've been perfectly fine with John Harrison as the villain and if Section 31 never got a mention. Because neither change would undermine the story. If you like a movie, does that mean you agree with every decision made during its production?

It feels like you're trying to play some kind of game of "Gotcha!!!" over me liking something that may have superficial likeness to Discovery. Though anyone who has actually read my posts knows my biggest issue with the show is the writing, which I find dull and unimaginative.
 
I've always felt that exploring parallel universes and 'what might have been' is very interesting. Some of my favorite stories in Trek involve that sort of thing and that's all the more reason why I have liked the new movies. Could they have been handled better? Sure. But....that's just an opinion.

I would like Discovery better if they don't try to shoehorn it into 'prime'. I don't think it's necessary. For me, at the very least it's an uneven fit. But, if they insist on going that route, I guess I will look at it as an asymmetrical cut in clothing or hairstyles or whatever, and they are attractive in their own right. It is far, far from a deal-breaker. Debate is all well and fine, and applying this hypothetical to that situation over there for the purpose of interesting discussion, but, ultimately, talk should not become heated because that serves no good purpose. I don't feel that point has been reached here, but it certainly has elsewhere and that's unfortunate. One of the few things that gets me hot under the collar is when someone comes across as an all-knowing authority who needs to educate the stupid peons. Then a "Bitch, please" needs to be tossed in their path.

Anyhow....

How should we view Saru and his sensing of death? From the dialogue in the show, I would have thought that when they popped back into the regular universe after so many deaths in the war, he would have had an immediate and very strong reaction. Was the passage of time and the fact that it was not all close-by in time and space the reasons why he didn't? I think they need to get into the details more, so that we know how it compares to Spock and his reaction to the destruction of the Intrepid in TOS and all of those deaths that were not in close proximity to the Enterprise. In turn, maybe that could help further flesh out the long-range contact between Sarek and Michael?
 
I think the difference is that the other shows spent more time developing their own characters and narratives before jumping into the TOS pool.
TNG S1 (it's first 'regular' post pilot episode) aka "The Naked Now" would disagree with you. (And lets not forget SOMEHOW a 140+ year old 'Admiral McCoy' - played by DeForest Kelly) TRAVELED to the EDGE of Federation explored space - which was how Farpoint Station was described in the TNG Pilot "Encounter At Farpoint" - just to get a tour of the medical layout on the 1701-D.

Then EVERY TNG 24th century era series after TNG has had a 'handoff cameo' from popular characters of other 24th century era series; and even ENT had the 'recorded message' from Dr. Cochrane (role repriced from ST:FC by James Cromwell).

You need to take off those rose colored glasses my friend. ;)
 
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I've always felt that exploring parallel universes and 'what might have been' is very interesting. Some of my favorite stories in Trek involve that sort of thing and that's all the more reason why I have liked the new movies. Could they have been handled better? Sure. But....that's just an opinion.

I would like Discovery better if they don't try to shoehorn it into 'prime'. I don't think it's necessary. For me, at the very least it's an uneven fit. But, if they insist on going that route, I guess I will look at it as an asymmetrical cut in clothing or hairstyles or whatever, and they are attractive in their own right. It is far, far from a deal-breaker. Debate is all well and fine, and applying this hypothetical to that situation over there for the purpose of interesting discussion, but, ultimately, talk should not become heated because that serves no good purpose. I don't feel that point has been reached here, but it certainly has elsewhere and that's unfortunate. One of the few things that gets me hot under the collar is when someone comes across as an all-knowing authority who needs to educate the stupid peons. Then a "Bitch, please" needs to be tossed in their path.

Anyhow....

How should we view Saru and his sensing of death? From the dialogue in the show, I would have thought that when they popped back into the regular universe after so many deaths in the war, he would have had an immediate and very strong reaction. Was the passage of time and the fact that it was not all close-by in time and space the reasons why he didn't? I think they need to get into the details more, so that we know how it compares to Spock and his reaction to the destruction of the Intrepid in TOS and all of those deaths that were not in close proximity to the Enterprise. In turn, maybe that could help further flesh out the long-range contact between Sarek and Michael?

Saru only senses death when it’s coming. Apparently. He’s all meh when it’s been and gone and he’s not in the stir fry.
 
I've always felt that exploring parallel universes and 'what might have been' is very interesting. Some of my favorite stories in Trek involve that sort of thing and that's all the more reason why I have liked the new movies. Could they have been handled better? Sure. But....that's just an opinion.


I like the parallel universes concept, but hate the cheesiness of the Mirror universe, especially the way STD based half the season on it.

It worked as a one-off story in the 1960s, but if you really think about it scientifically the whole concept of the mirror universe falls apart fast.

There's no way exact genetic dopplegangers of those from the Prime Universe would exist in the Mirror Universe, given the MAJOR differences in history and events between the two realities.

The Mirror Universe stuff comes off really cartoony as a result. More in line with something like the CW teen superhero shows.
 
TNG S1 (it's first 'regular' post pilot episode) aka "The Naked Now" would disagree with you. (And lets not forget SOMEHOW a 140+ year old 'Admiral McCoy' - played by DeForest Kelly) TRAVELED to the EDGE of Federation explored space - which was how Farpoint Station was described in the TNG Pilot "Encounter At Farpoint" - just to get am tour of the medical layout on the 1701-D.

Then EVERY TNG 24th century era series after TNG has had a 'handoff cameo' from popular characters of other 24th century era series; and even ENT had the 'recorded message' from Dr. Cochrane (role repriced from ST:FC by James Cromwell).

You need to take off those rose colored glasses my friend. ;)

The naked now wasn’t dependent on TOS for its plot to happen. McCoy was just a cameo, not plot relevant. That’s the important distinction between a light touch and a heavy hand in this instance...Naked Now is the closest it gets in S1. And it’s not even close.
 
I like the parallel universes concept, but hate the cheesiness of the Mirror universe, especially the way STD based half the season on it.

It worked as a one-off story in the 1960s, but if you really think about it scientifically the whole concept of the mirror universe falls apart fast.

There's no way exact genetic dopplegangers of those from the Prime Universe would exist in the Mirror Universe, given the MAJOR differences in history and events between the two realities.

The Mirror Universe stuff comes off really cartoony as a result. More in line with something like the CW teen superhero shows.

That’s why it’s a mirror, not parallel universe. It’s clearly entangled with our own, reflecting it in some way.
 
That’s why it’s a mirror, not parallel universe. It’s clearly entangled with our own, reflecting it in some way.

Unless there's some intelligent being crafting the Mirror Universe to have exact genetic dopplegangers of the Prime universe, it doesn't make sense.

Personally, I've loved the idea in the past of the Mirror Universe simply being a devised creation of the Q Continuum to explore the savage potential of humanity. This is why they sent Q to judge them in Encounter at Farpoint.
 
Unless there's some intelligent being crafting the Mirror Universe to have exact genetic dopplegangers of the Prime universe, it doesn't make sense.

Personally, I've loved the idea in the past of the Mirror Universe simply being a devised creation of the Q Continuum to explore the savage potential of humanity. This is why they sent Q to judge them in Encounter at Farpoint.
Wait...
Worf's journey through several of a 'ba-jillion' different universes is ok, but having just one of them be a "mirror" type doesn't make sense????
:wtf:
 
I think of the mirror universe as not being "mirror" in the strictest, most technical sense. More of an alternate universe with *some* mirroring characteristics.

I feel that it could have been handled better, in some ways, from day one.

I would have preferred if Discovery used it at all, that they would have waited until later in the series.

But, oh well....
 
Wait...
Worf's journey through several of a 'ba-jillion' different universes is ok, but having just one of them be a "mirror" type doesn't make sense????
:wtf:

Depends how you regard that flawed Brannon Braga episode. It was definitely just as silly and stupid in that one no doubt. Borderline cartoon-y at times, especially when all the Enterprises were appearing.
 
The naked now wasn’t dependent on TOS for its plot to happen. McCoy was just a cameo, not plot relevant. That’s the important distinction between a light touch and a heavy hand in this instance...Naked Now is the closest it gets in S1. And it’s not even close.

Using the logic that's been applied against DSC: Worf's a Klingon. Klingons are from TOS. "Oh no!" Romulans in "The Neutral Zone". Romulans are from TOS. "Oh no!" I don't use that argument though when I'm talking about Star Trek, because the argument's ridiculous.

In DSC: Klingons are the main antagonists but what specific TOS episode does the story have to do with? None of them. The story in DSC has nothing to do with "Errand of Mercy", "The Trouble With Tribbles", or "Day of the Dove".

The Mirror Universe. The storyline in DSC has nothing to do with "Mirror, Mirror". The Mirror Universe is from TOS but that's also because it happened to be the first series to use it. It's used by other series but DSC is told by some fans "Hands Off!"? "Wait 'til later seasons!" No. The worst assumption is to assume there will be later seasons.

I think of the mirror universe as not being "mirror" in the strictest, most technical sense. More of an alternate universe with *some* mirroring characteristics.

I feel that it could have been handled better, in some ways, from day one.

I would have preferred if Discovery used it at all, that they would have waited until later in the series.

But, oh well....

A show, any show, should not just assume it's going to run seven seasons. Tell the story you want to tell now. They obviously wanted to tell the story of Lorca being from the Mirror Universe now. And, then, when there's another season, tell another story. Like they're doing.

The idea of "We're going to be around for _____ years so let's wait until the _th Season!" is an idea that belongs to another era. Unless you're told, "Guess what? We're renewing you for three more years!" Otherwise, they shouldn't hold back. They should tell everything they want to tell now. Not just Discovery, any series.

Enterprise acted like it would have seven seasons and it didn't get to tell all the stories it wanted to. When Discovery ends, they'll have told the stories they intended to tell because they didn't wait until the _th Season. It's a different mentality.
 
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Using the logic that's been applied against DSC: Worf's a Klingon. Klingons are from TOS. "Oh no!" Romulans in "The Neutral Zone". Romulans are from TOS. "Oh no!" I don't use that argument though when I'm talking about Star Trek, because the argument's ridiculous.

In DSC: Klingons are the main antagonists but what specific TOS episode does the story have to do with? None of them. The story in DSC has nothing to do with "Errand of Mercy", "The Trouble With Tribbles", or "Day of the Dove".

The Mirror Universe. The storyline in DSC has nothing to do with "Mirror, Mirror". The Mirror Universe is from TOS but that's also because it happened to be the first series to use it. It's used by other series but DSC is told by some fans "Hands Of!"? "Wait 'til later seasons!" The worst assumption is to assume there will be later seasons.



A show, any show, should not just assume it's going to run seven seasons. Tell the story you want to tell now. They obviously wanted to tell the story of Lorca being from the Mirror Universe now. And, then, when there's another season, tell another story. Like they're doing.

The idea of "We're going to be around for _____ years so let's wait until the _th Season!" is an idea that belongs to another era. Unless you're told, "Guess what? We're renewing you for three more years!" Otherwise, they shouldn't hold back. They should tell everything they want to tell now. Not just Discovery, any series.

Enterprise acted like it would have seven seasons and it didn't get to tell all the stories it wanted to. When Discovery ends, they'll have told the stories they intended to tell because they didn't wait until the _th Season. It's a different mentality.

If you notice, not once in my posts pointing out the over the top links in DSC have I mentioned Klingons or Romulans, or lions or tigers or bears oh my.
There is a difference between setting a thing in the same universe, and setting it in the same persons address book.
 
A show, any show, should not just assume it's going to run seven seasons. Tell the story you want to tell now. They obviously wanted to tell the story of Lorca being from the Mirror Universe now. And, then, when there's another season, tell another story. Like they're doing.

The idea of "We're going to be around for _____ years so let's wait until the _th Season!" is an idea that belongs to another era. Unless you're told, "Guess what? We're renewing you for three more years!" Otherwise, they shouldn't hold back. They should tell everything they want to tell now. Not just Discovery, any series.

Enterprise acted like it would have seven seasons and it didn't get to tell all the stories it wanted to. When Discovery ends, they'll have told the stories they intended to tell because they didn't wait until the _th Season. It's a different mentality.

This is actually an outstanding point, and one that I had not really thought about prior to reading this.

There was no guarantee that DSC would survive (hell, no guarantee CBSAA would survive!), and clearly they had a story they wanted to tell that was linked to TOS lore (for better or worse). So, they had to go for it. Even more foundational, the original DSC premise was "anthology," and I'm sure that led to the thought about what S1 was going to be like.

You don't have the luxury to wait or to have long, drawn-out build up to certain story arcs. You have to assume that each season is your last and just go for it, for better or worse. Again, tastes vary wildly, but that's the appeal of DSC (and hopefully the future series) to me...that they just say "fuck it" and charge ahead. The other series were so safe and static at times, it really was a slog to get through some of it. DSC may be admittedly up and down with considerable S1 flaws (despite my loving it overall), but it sure as hell wasn't fucking dull and safe. I mean, look at the discussions that have taken place here. We wouldn't be talking like this if it has just been the USS Whatever with the typical mixed crew of Starfleet / Star Trek stereotypes going anomoly-to-anomoly and planet-to-planet each week. It might not be as offensive or frustrating to some people, but in general it would also just be the same old shit.

Star Trek is like marriage. The worst thing that can happen is for it to just be dull, safe, passionless and unremarkable. See 30% of TNG, nearly all of VOY and 50% of ENT for examples. Man, even the first season or two of DS9 was a frigging dreadful slog through the same tired, episodic muck...and that series was easily the best of the modern era by my taste.

It's the same argument that helps Nemesis win the day over Insurrection every single time. At least DSC and Nemesis fucking tried to be something.
 
There is a difference between setting a thing in the same universe, and setting it in the same persons address book.

Winner!

And, lets be honest, we didn't know a whole lot about the Klingons in 1987.
 
There is a difference between setting a thing in the same universe, and setting it in the same persons address book.

They xeroxed it though. Wasn't a common complaint about first season TNG that they ripped off TOS a lot of the time?
 
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