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USS Enterprise (eventually) on Discovery?

^ Conversely, the novelization of ST V suggests that the only reason the Enterprise-A made it to the galactic center was due to Sybok helping enhance the warp drive.
IIRC, the fastest that the NCC-1701 ever went on TOS without getting enhanced by alien tech or malfunctioning under the influence of alien tech was warp 9 in "The Enterprise Incident." All the other times there was alien involvement, either to enhance the engines (e.g. as in "The Changeling" and "By Any Other Name") or that caused the ship to speed out of control ("That Which Survives"). So what you're suggesting is perfectly in-line with all that.

For those of us who want to take TAS along for the ride, there's "The Magicks of Megas-Tu" where the Enterprise also goes to the center of the galaxy, and pretty much dead-center actually. But IIRC they don't say how long it took to get there or even how they got there. Maybe Starfleet found a wormhole that was stable only temporarily, saw the opportunity to explore the center of the galaxy, and sent the Enterprise on that mission, to return before the wormhole collapsed.

Or maybe, in both cases, "Megas-Tu" and STV, magnetic storms provided fantastically favorable tail winds, kinda like how the Valiant got all the way out to the edge of the galaxy in "Where No Man Has Gone Before." Dangerous and certainly unreliable. But what are heroes for? Risk is their business.

Again, brain and brain!
 
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I thought he enhanced the shields? That is in the movie.
It's only mentioned in the novelization.

Although Captain Kirk insisted that the Enterprise would be destroyed attempting to penetrate the Barrier, Sybok was eventually vindicated when the ship was able to do so without incident, and discovered a planet on the other side. (The novelization stated that Sybok had discovered the shield modifications needed to pass through the barrier successfully and had given them to Montgomery Scott to perform).

http://villains.wikia.com/wiki/Sybok
 
It's only mentioned in the novelization.

Although Captain Kirk insisted that the Enterprise would be destroyed attempting to penetrate the Barrier, Sybok was eventually vindicated when the ship was able to do so without incident, and discovered a planet on the other side. (The novelization stated that Sybok had discovered the shield modifications needed to pass through the barrier successfully and had given them to Montgomery Scott to perform).

http://villains.wikia.com/wiki/Sybok

Thanks. Not a movie I've revisited often. Though in my youth I owned both the novelization and comic adaptation by DC.

Ah, the mistakes of youth. :lol:
 
Should Canon be ignored just to satisfy personal esthetics?

Depends. I'm anal about a lot of canon and depending on my mood but if I thought that showing a Starfleet hologram aboard a 2250s Constitution-class starship really added a lot to the story and drove home a particular plot point a lot better than getting a message on a desktop viewer then I'd do it. I wouldn't go bat guano insane with the pointless visual retcons just for the sake of "kewl" and pandering to the college kid who thinks anything older than a Playstation 3 is primitive and looks stupid, but if I could think of a really amazing way to depict a twist in an episode I'd bend canon to deliver the maximum dramatic impact.
 
It's only mentioned in the novelization.

Although Captain Kirk insisted that the Enterprise would be destroyed attempting to penetrate the Barrier, Sybok was eventually vindicated when the ship was able to do so without incident, and discovered a planet on the other side. (The novelization stated that Sybok had discovered the shield modifications needed to pass through the barrier successfully and had given them to Montgomery Scott to perform).

http://villains.wikia.com/wiki/Sybok

Apparently the warp engine modifications are also referred to in the novelization. You know, the stuff that Shatner should have taken a few moments to mention in the actual shooting script so an already-flawed and budget-constrained film would have seemed just a little less so. :p
 
IIRC, the fastest that the NCC-1701 ever went on TOS without getting enhanced by alien tech or malfunctioning under the influence of alien tech was warp 9 in "The Enterprise Incident." All the other times there was alien involvement, either to enhance the engines (e.g. as in "The Changeling" and "By Any Other Name") or that caused the ship to speed out of control ("That Which Survives"). So what you're suggesting is perfectly in-line with all that.

For those of us who want to take TAS along for the ride, there's "The Magicks of Megas-Tu" where the Enterprise also goes to the center of the galaxy, and pretty much dead-center actually. But IIRC they don't say how long it took to get there or even how they got there. Maybe Starfleet found a wormhole that was stable only temporarily, saw the opportunity to explore the center of the galaxy, and sent the Enterprise on that mission, to return before the wormhole collapsed.

Or maybe, in both cases, "Megas-Tu" and STV, magnetic storms provided fantastically favorable tail winds, kinda like how the Valiant got all the way out to the edge of the galaxy in "Where No Man Has Gone Before." Dangerous and certainly unreliable. But what are heroes for? Risk is their business.

Again, brain and brain!

Awww.. Crap! Now I need to boot up Netflix and watch that Megas-Tu episode!! Damn you!!! LOL.. Back in 45...:techman:
 
Linguistics....

Considering the apparent plight of certain posters around here, I think an additional entry for the Urban Dictionary definition of 'rebooty' is warranted:

When fans have been spending excessive amounts of time on message boards for the purpose of arguing about reboots, and neglecting everything else in their lives, they need to take a break and get some rebooty.

:hugegrin:
Is that like...the same booty all over again? Fascinating...:vulcan:

So, OK, wow, I'm finding it virtually—nay, literally—impossible to keep up with this thread! There are still posts from a hundred pages back that I've always meant to address specifically, but haven't been able to find the time, and probably never will. (If I quoted you in this post, my purpose is neither to single you out, nor to ignore others.)

My understanding is that "Prime" means the main, ongoing, current "home base" continuity, that which isn't considered to be an alternate timeline or parallel reality like the Mirror Universe or Kelvin Timeline. It doesn't mean no changes, no updates, no retcons, no redesigns, no recastings, no reevaluations of authorial intent, no errors, no contradictions...and it doesn't mean that any of those things are required to be explained, though they can and may be, whether explicitly or implicitly, within the narrative or behind the scenes.

Note that something can be canonical but not Prime (again, see MU and KT), or Prime but not canonical (see many comics, novels, games, etc.), and can even go from being considered either or both to being considered neither and then back again (see TAS). If a future canonical production decides to regard itself as Prime and DSC as a parallel universe or fever dream, then that is how it shall be...until the next fellow comes along, at which point it may all be reshuffled again.

But I don't believe there is any wholesale, whole cloth "reboot" going on here with respect to continuity, visual or otherwise, such as it be. As has been the case from the first pilot onward, they simply consider themselves free to add, remove, or otherwise alter whatever elements they so desire as they go along, on a rolling basis, which is more or less inevitable in any fictional continuity that runs long enough and changes custodianship enough times. In this, they may give consideration to the intent of previous custodians, but they won't consider themselves inviolably bound by it except where they want and choose to be, and even less so (i.e., not at all) by the assumptions and expectations of fandom. And why should they? None of this is qualitatively different from how serial fiction has always worked.

This show is an in-continuity prequel to TOS and what followed, both informed by and informing what is depicted therein. One can certainly say it functions as a sort of "reboot" in the sense that it provides a relaunch of and reintroduction to the Prime continuity following the still-ongoing-in-parallel diversion of the Kelvin films. It is a kind of restart, a new beginning and jumping-on/off point, with a new vision and interpretation of things. But no more so than TMP or TNG or ENT or the framing story of ST'09 in turn were. Not in principle, and not in practice.

Because the creators of Discovery have uttered the magical words: "it is a visual reboot". A visual reboot can't be the same as the Prime timeline.
So one cannot use the excuse that DSC is a 'visual reboot' (i.e. the new Enterprise design) while at the same time directly referencing an ENT episode where we clearly see a Constitution class ship looking like it does in TOS.
I could have missed something, and stand to be corrected, but so far as I know, no one involved in the production of DSC has ever used this phrase. It seems to me it was devised and is being propagated by fans, either as an indictment or a defense, depending on the fan. Some such as Ted Sullivan and Akiva Goldsman have indeed spoken of "updating" the look and compared it to what was done with the remastered TOS and TNG, yes. But neither those efforts nor DSC were ever intended to set up some separate continuity divorced from previous incarnations. They were just tweaks, refinements. And despite the fact that I myself personally prefer to watch the originals, it would be silly to claim them as some sort of deal-breaking transgression that compromises the sacrosanct integrity of the fictional world or whatever. That would be some serious drama queen shit. (And no, the irony is not lost on me that it's entirely possible I may have said plenty of equally ridiculous things in times past.)

Okay, then let's not discuss scale. Let's discuss the inherent and fundamental differences between the interior of the TOS Enterprise and the interior of the DSC Enterprise. Well, actually, we haven't seen the interior of the DSC Enterprise, but no doubt we will. And how much do you want to bet it will look nothing like what we see in TOS? So again, there will be a difference in chronology between the interior of the Cage-era E, the DSC-era E, and the TOS-era E, which undoubtedly cannot be reconciled.
I don't follow. The interiors changed entirely with the TMP refit, too. And then the A's interiors changed with every film she was in, even reverting from having TNG-style touchscreen controls and carpeting (yet also revealing innards highly reminiscent of TOS) in STV back to physical knobs and buttons (and now with a more TOS-like paintjob to the exterior) for STVI. What is so fundamentally different about this?

-MMoM:D
 
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Is that like...the same booty all over again? Fascinating...:vulcan:

So, OK, wow, I'm finding it virtually—nay, literally—impossible to keep up with this thread! There are still posts from a hundred pages back that I've always meant to address specifically, but haven't been able to find the time, and probably never will. (If I quoted you in this post, my purpose is neither to single you out, nor to ignore others.)

My understanding is that "Prime" means the main, ongoing, current "home base" continuity, that which isn't considered to be an alternate timeline or parallel reality like the Mirror Universe or Kelvin Timeline. It doesn't mean no changes, no updates, no retcons, no redesigns, no recastings, no reevaluations of authorial intent, no errors, no contradictions...and it doesn't mean that any of those things are required to be explained, though they can and may be, whether explicitly or implicitly, within the narrative or behind the scenes.

Note that something can be canonical but not Prime (again, see MU and KT), or Prime but not canonical (see many comics, novels, games, etc.), and can even go from being considered either or both to being considered neither and then back again (see TAS). If a future canonical production decides to regard itself as Prime and DSC as a parallel universe or fever dream, then that is how it shall be...until the next fellow comes along, at which point it may all be reshuffled again.

But I don't believe there is any wholesale, whole cloth "reboot" going on here with respect to continuity, visual or otherwise, such as it be. As has been the case from the first pilot onward, they simply consider themselves free to add, remove, or otherwise alter whatever elements they so desire as they go along, on a rolling basis, which is more or less inevitable in any fictional continuity that runs long enough and changes custodianship enough times. In this, they may give consideration to the intent of previous custodians, but they won't consider themselves inviolably bound by it except where they want and choose to be, and even less so (i.e., not at all) by the assumptions and expectations of fandom. And why should they? None of this is qualitatively different from how serial fiction has always worked.

This show is an in-continuity prequel to TOS and what followed, both informed by and informing what is depicted therein. One can certainly say it functions as a sort of "reboot" in the sense that it provides a relaunch of and reintroduction to the Prime continuity following the still-ongoing-in-parallel diversion of the Kelvin films. It is a kind of restart, a new beginning and jumping-on/off point, with a new vision and interpretation of things. But no more so than TMP or TNG or ENT or the framing story of ST'09 in turn were. Not in principle, and not in practice.



I could have missed something, and stand to be corrected, but so far as I know, no one involved in the production of DSC has ever used this phrase. It seems to me it was devised and is being propagated by fans, either as an indictment or a defense, depending on the fan. Some such as Ted Sullivan and Akiva Goldsman have indeed spoken of "updating" the look and compared it to what was done with the remastered TOS and TNG, yes. But neither those efforts nor DSC were ever intended to set up some separate continuity divorced from previous incarnations. They were just tweaks, refinements. And despite the fact that I myself personally prefer to watch the originals, it would be silly to claim them as some sort of deal-breaking transgression that compromises the sacrosanct integrity of the fictional world or whatever. That would be some serious drama queen shit. (And no, the irony is not lost on me that it's entirely possible I may have said plenty of equally ridiculous things in times past.)


I don't follow. The interiors changed entirely with the TMP refit, too. And then the A's interiors changed with every film she was in, even reverting from having TNG-style touchscreen controls and carpeting (yet also revealing innards highly reminiscent of TOS) in STV back to physical knobs and buttons (and now with a more TOS-like paintjob to the exterior) for STVI. What is so fundamentally different about this?

-MMoM:D
It's NEW and we're tired of bitchin' about the old stuff?
;)
 
Why is it when people who absolutely love this New STD design, always describe and refer to the TOS as looking something like this.. Complete with womanizing Captain in a pseudo 60s style Penthouse...
MMDy0Px.jpg

When in actuality it was really like this...
98Akv2a.jpg

Pretty comforting for some reason. I love the look. Now, take the Sick bay of the NX Prometheus, and it looks like it could also be from that ship (say if you weren't familiar with the classic sick bay-with fresh eyes).. the computer on the desk, on the wall, it's standard Starfleet even if slightly more stylized.
fjscRGS.jpg

UEfF64e.jpg


All I am saying is the classic TOS may seem dated, but it's not THAT outdated in terms of design. If updated correctly, which had been done from time to time under the convenient term "Refit" it's been made to look more advanced each new iteration. If the STD designers could capture the bridge from the TOS with some updates and straddle the line on it pretty good, then the exterior, with it's god awful logo lights and slit flat hull to accommodate that crap, then fine I guess I could become somewhat a fan of the new ship.. maybe they refit it before Kirk and it shows up after the season 2 ends and Pike's New series begins, and it looks more like the original without that flattened front section and scale down the thickness of the nacelles a bit.. and maybe a lighter hull gray, as they move towards the eventual white color of NCC-1701 A.

Here's hoping.. Maybe this Enterprise gets torn up by series end, and just as the finale runs, there's a refit and it looks even more like the TOS in some ways, bright gray and beautiful.. . I would watch.
 
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This show is an in-continuity prequel to TOS and what followed, both informed by and informing what is depicted therein. One can certainly say it functions as a sort of "reboot" in the sense that it provides a relaunch of and reintroduction to the Prime continuity following the still-ongoing-in-parallel diversion of the Kelvin films. It is a kind of restart, a new beginning and jumping-on/off point, with a new vision and interpretation of things. But no more so than TMP or TNG or ENT or the framing story of ST'09 in turn were. Not in principle, and not in practice.
Well done. I agree and this is how I regard DSC. I get that people would prefer a more 1-to-1 visual adherence, but I'll free admit to the fact that I think the idea that the TOS is the only aesthetic that an intergalactic organization would employ is difficult for me to accept.
 
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