Both, and that's ok. It's what they do with those elements and build upon the lore that counts.The A plot has a wanna-be Jedi student training with a master in exile who is initially reluctant to train them, while the B plot is a space chase with the other protagonists continually running from the bad guys because they can't escape by going to hyperspace. Which movie am I talking about?
Nope.Does anyone go to the movies anymore to just enjoy the experience?
When you boil it down to that level, yes there are parallels, but when you expand it out, they quickly evaporate and the differences are clear. At the same time, when you boil TFA and ANH down to that level, there is no similarity. The similarities only appear when you look at the larger details. An interesting oddity to ponder.The A plot has a wanna-be Jedi student training with a master in exile who is initially reluctant to train them, while the B plot is a space chase with the other protagonists continually running from the bad guys because they can't escape by going to hyperspace. Which movie am I talking about?
TESB actually has three plot threads.Also TLJ has a C-plot that ESB lacks, for better or worse.
I've always seen it more like this as well.I tend to think of it more as having the plot involving Han/Leia/etc. and the plot involving Luke/Yoda. Han and Leia's romance is just an element of the first. The Vader material isn't in and of itself a separate plot thread IMO.
@DigificWriter doesn't know. It just sounded good. People start throwing around the word "facts" as a supposed trump card to an argument, even though they have none.
I've already explained what the facts are in this instance, and see no reason to repeat myself.
^ JJ Abrams and Lawrence Kasdan making The Force Awakens specifically to recapture their own personal feelings upon walking out of a theater in May 1977 is not an opinion; it is a fact based on their own statements regarding both TFA in particular and Star Wars in general.
I can’t find quotes where they suggested that, but I admittedly haven’t tried too hard at 5am today. So I’ll give you the benefit of the doubt and suggest they did say something akin to that. However, has it occurred to you that what they felt in 1977 is probably about what most people in 1977 felt when they went to see Star Wars? Not just theirs?
But perhaps it’s less the plot elements they borrowed (which are far more Campbellian in the way of the hero’s journey than they are Lucasian, mind you) but instead the emotion that they’re talking about? That excitement and adventure that we all felt the first time we saw that Star Destroyer chasing this Princess’ blockade runner? The joy and wonder as we joined Luke on his first journey? The hilarious interactions of our three heroes? The fun of seeing two droids and a walking carpet as actual characters? The pure escapism of being in a galaxy far, far away?
That's exactly what I'm talking about... and the problem isn't that they tried to do this, it's that they tried to do it at the expense of coherent and quality narrative.
And I tried to find Abrams and Kasdan's comments myself and couldn't, but I know what one of the sources is: the "Empire of Dreams: The Making of the Star Wars Trilogy" documentary.
Of course it's a separate plot thread until things start coming together on Bespin. The Emperor and Vader have their own private conversation in that plot thread for the purpose of deciding whether to kill Luke or try to turn him. It would be absurd to say that any of the other characters are somehow a part of that conversation. This is the bad guy plot thread.The Vader material isn't in and of itself a separate plot thread IMO.
I wouldn't refer to the intent to recapture a feeling of excitement out of nostalgia as any kind of "agenda," unless for some bizarre reason I intended to indicate that as something sinister. Instead I'd call it something much more unambiguously positive, like "the goal."
According to the Wikipedia entry for Empire of Dreams, Abrams was not interviewed for that doc.
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