The ridiculously overblown n3on nebulae and specularity on some of the models are very B5.
All the nebulae are annoying is what they are. Why would we be able to see any large and bright nebulae that close to Earth's solar system or Vulcan?
The ridiculously overblown n3on nebulae and specularity on some of the models are very B5.
Well, not with the surface detail the original model had it wouldn't. But DS9 and ENT proved you can reuse it on modern television if you upgrade the texturing and coloring. It's not the design, it's the limitations of the original 1960s shooting model and how detailed it was for the demands of a television series made fifty years ago.
It's the design.Nothing incorrect about the TOS design. Poor texturing and lighting in modern renders is not the fault of the design.
The ridiculously overblown n3on nebulae and specularity on some of the models are very B5.
nah it's the design
Like what?As is, it would work in 2018, just with aesthetic upgrades to the surface detailing and texturing of the ship.
So, not really changing it.What ENT did to the Defiant only with more Aztecing and visible hull paneling. Let the engine nacelles glow blue because that look just works in any time period. And those changes would work. The same shape can be retained.
From a design standpoint, there's nothing about the original Enterprise that makes it sublimely perfect or innately deserving of adoration. We cannot possibly be good judges of the design because we live in a cultural millieu shaped by it. Of course we think it looks good; fifty years of history have drawn on it.
The golden ratio argument falls apart remarkably fast as soon as we observe how many of the alignments between the ship and the ratio are off by a little or a lot. (Also, the golden ratio is, at best, questionable as a test for good design). If we want, we can find all kinds of things awkward about the Enterprise. Personally, I find it far more interesting when we start thinking of the ship as a design with successes and flaws, rather than venerating it.
I need this on a T-Shirt.Yes, those are discernible surface changes and alterations. There's nothing inherently "wrong" about the shape or design. If we're going to be serious and not simply tongue-in-cheek about embracing a more eclectic variety of starship designs in Trek then the 2250s can be the home for both the classic TOS look (with aesthetic upgrades for a modern HD image) and the DSC look. One doesn't cancel out the other and both can coexist.
All the nebulae are annoying is what they are. Why would we be able to see any large and bright nebulae that close to Earth's solar system or Vulcan?
I hope they tone this way down in Season 2.
(Also, the golden ratio is, at best, questionable as a test for good design).
There's nothing inherently "wrong" about the shape or design.
This is a lot of "yeah, but" excuse-making for STD's insipid design.
Which is basically what they did in Discovery along with a few modest structural changes, the most obvious being the nacelle pylons. In this case, it's pretty clear that the re-design of the Enterprise is meant to bring the TOS version slightly closer to the TMP version, which means there's probably an aztec pattern on the hull and a more metallic color scheme if we saw it in more normal light conditions.Well, not with the surface detail the original model had it wouldn't. But DS9 and ENT proved you can reuse it on modern television if you upgrade the texturing and coloring.
I submit that the effort of redetailing the original TOS model to something fit for modern television would wind up changing enough of the surface detailing that the Trek purists would be furious either way, and that there is literally nothing they could do short of faithfully recreate the original model -- even with the entire port side inexplicably lacking windows or surface details -- that wouldn't draw a backlash.It's not the design, it's the limitations of the original 1960s shooting model and how detailed it was for the demands of a television series made fifty years ago.
Well, isn't that true for all of Discovery? There are just "fan boys" who have to "justify" why they like it by putting the rest of Star Trek down. Obviously... /sYeah because I guess you don't think it's possible for someone to genuinely like it.
I submit that the effort of redetailing the original TOS model to something fit for modern television would wind up changing enough of the surface detailing that the Trek purists would be furious either way, and that there is literally nothing they could do short of faithfully recreate the original model -- even with the entire port side inexplicably lacking windows or surface details -- that wouldn't draw a backlash.
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