I think that's kind of the point of the disagreement between us. I never thought I was simply trying to rationalize away perceived flaws in the narrative because most of them I didn't perceive as such to begin with. There hasn't been much to date that would pull me out of the narrative. For example, I saw no problems with Saru discussing Stamets' condition with her, as she was already the one manning the drive with Stamets, i didn't need to resort to leaps of logic to try and find an explanation for her presence. She hasn't done anything in that regard that wasn't already her job so having her there didn't feel out of place for me at all.I know it's not just you doing this, but I really wish people wouldn't respond to pointing out flaws in the writing by coming up with in-universe explanations.
As for her seemingly inconsistent characterization with being awkward once and then becoming a party girl, that didn't raise my eyebrows either... being socially awkward doesn't necessarily mean having social phobia (I've known more than a few extroverted socially awkward people), and she's always seemed that kind of awkward type to me that had problems with establishing boundaries and would make eight new best friends (at least in her head) each time she went to the toilet. At the party, she was with people she knew fairly well, so her being relaxed around them didn't feel off for me either.
That being said, figuring out character motivations is kind of a hobby to me, but I generally don't have to use it as a last resort to try and explain writing choices that feel off or plain bad to me.
Last edited: