Was I the only one who, when the Throne Room Fight started, shouted out, "They're doing The Last Jedi! It's such a weird coincidence that they're doing The Last Jedi." It's not like there's any way they could've known (because, of course, if they had, they would've done something else). I was also yelling at Lorca that he was being a fool; he's a gunfighter getting into hand-to-hand combat with the star of
Crouching Tiger, Hidden Dragon? And then she immediately kicked him in the forehead, proving me right.
I am disappointed that all of Lorca's interestingness, conflict, and layers of depth turned out to be a ploy (and confused that Mirror-Georgiou ended up being honorable as promised). I think they might've fallen too much in love with their own twist of having the captain be the secret bad guy and carried it too far, when it would've better served the drama to have him be at odds with our Federation heroes, but not necessarily their antithesis. You could've had basically the same action with Lorca being, say, a sympathizer with the alien rebellion, or if he'd been won over after living in the Federation for the better part of the year and hoped to liberalize the Empire (after the requisite bloody revolution, attempting to dismantle the master's house with the master's tools leading to disaster), while Georgiou could've remained "savage," someone who kills her advisors for hearing the wrong thing and orders executions-by-torture as a matter of course, but Burnham having to work with her because she's got nothing to lose, while Lorca is unwilling to give up the Mycelium star that'll give him the power to reshape the Terran Empire.
Yes, Burnham almost always saved the day in some way from week to week, but the overarching plot was all set in motion due to the actions of Lorca - even if it wasn't entirely clear at the moment we were viewing it.
That's getting pretty close to the meme that in many stories, the villain is the "protagonist" in the most literal sense, in that they are the one who want to achieve or accomplish something that will change themselves or the world, while the hero only wants to stop them and preserve the status quo (crime stories being the prototypical example. The criminal has goals, motivations, and growth, the cop only exists to oppose them).