They also aren't incriminating anyone who actually exists, or encouraging viewers to identify with one group over another. The setting allows for storylines dealing with inequality in a way that equally touches men and women, or white and non-white viewers. Like the various Star Trek series before it, The Expanse replaces real-world racial divides with metaphorical alien ones to help erase knee-jerk defensiveness. But by limiting the story to humanity, the series gains a sense of realism that Star Trek lost in its utopian version of humanity's inclusive future. The Expanse acknowledges that people are tribal, that they identify and discriminate based on appearance, that they create in-groups and out-groups automatically. It acknowledges the worst parts of human nature, and makes them part of the story.
But it does all that while celebrating some of the best parts of human nature: tenacity, loyalty, bravery, and adaptability. And part of that mandate is embracing the diversity of humanity, and celebrating equality without preaching about it. That diversity makes for a stronger and more daring show, and a rarer and more distinctive future. Specifically, it's an escapist future that is still able to grapple with current ideas about identity politics. It doesn't acknowledge the complex experiences of modern-day women in politics, or people of color in the military, but it isn't trying to. It leaves that to other shows that are more steeped in individual perspective and experience. Instead, it provides an inclusive fantasy, where people of any race or gender can feel like their choices, rather than their appearance, will be the important part of the future.
And the viewers aren't the only ones getting to live vicariously through the show. For the actors, it also offers a chance to play out fantasies that have traditionally been limited to white men. "I was just so excited being cast into a spaceship," Yoon says. "I grew up watching Star Trek and The Next Generation, and those were the only shows where I would see another Asian onscreen. I'm pretty sure every Asian Canadian, male or female, has always had a secret dream to be the captain of a starship."
"There's no doubt that we're underrepresented," Tipper says. "I hope Naomi, and me portraying her, inspires people, and lets women of color know that they can either act and play these roles, or actually be the engineer on a spaceship. Either way! It's everything I believe in. That women should be in positions of power. That people of color should. We are at liberty as artists to create worlds where [this is already happening.] And the more people see that, the more they'll get used to it."