http://www.tweaktown.com/articles/7468/remastering-the-files-hd-jim-hardy-ceo-illuminate/index3.htmlWith revenue from physical media falling, but partially offset by streaming revenue and syndication rights, how is that affecting large scale remastering projects such as The X-Files?
It has a big effect. The studios are very cautious. The studios have to balance the creative, archive, and financial aspects of projects like these. There's so many series' that are being ignored. That's to their detriment because now there's many avenues to get these shows back into the marketplace. There's a broader range of distribution than before. You aren't necessarily going to make all your money back on one deal but over a number of years.
There are so many shows that need this process that are just sitting in the vaults, and it's a real shame. The overall quality is so, so significantly better than the old NTSC versions and they'll be able to license this product many times over, there'll also be new audiences for these programs. With classic shows like MASH, back in the day, they had cut negative. It wasn't until non-linear editing came about in the mid 80's that they were still cutting film.
There's a lot of great episodic series and lower budget features that needs this attention, but it ultimately becomes a directive from the accounting side. But what are you going to do? I hope the studios and distributors have a change of heart and focus more on their legacy assets. If they don't focus their attention to the legacy archival assets, there's going to be no value or revenue to be generated.
Not to say that it will ever happen (so please save the oh-so-hilarious memes), but if they were to ever reconsider moving forward with DS9 on bluray, why wouldn't they go to some of the folks who worked at the FX houses that did the original work to have them work and re-render some of the original files or using some of the original assets instead of starting from scratch? Since much of it apparently still exists, it seems like that would save a ton on time and money, even if it's just for a portion of the work instead of having a new team try to work with it or recreate it.
From a 2013 trekcore interview with former Senior CG Supervisor Robert Bonchune:
If they ask one of us – and if they use a team that uses LightWave – it’ll be much easier for them to redo… because the guys who worked on it, like me, have the assets. We have the original ships; we have most of everything that was used [in the making of the series]. That would eliminate a ton of the cost of rebuilding.
So, how would I approach it? The same way I did at the time – I’d figure out what was done in CG, and we’d just start from there. And today, it would be easier! Literally, you could just load the scene files and hit ‘render’ – it would be done! I mean, not everything… but a lot more than you’d think.
...If it was built by my team, it was overbuilt. It’ll hold up. I would be more surprised to see something that doesn’t hold up. I would be shocked if it doesn’t hold up to high definition.
I seriously doubt they would outsource it from one of their own companies, unless a time crunch existed.
Both TOS and TNG turned out rather well with CBS Digital working on them.
It never got past the initial bid phase and I have no idea what became of the project after that, but they were definitely considering it.
Since the DS9-R project is probably dead, it's probably safe to say this now, but about a year and change ago, CBS was in contact with the company I work for -- which is not CBS Digital -- about redoing the CGI for seasons 5 through 7. It never got past the initial bid phase and I have no idea what became of the project after that, but they were definitely considering it.
Since the DS9-R project is probably dead, it's probably safe to say this now, but about a year and change ago, CBS was in contact with the company I work for -- which is not CBS Digital -- about redoing the CGI for seasons 5 through 7. It never got past the initial bid phase and I have no idea what became of the project after that, but they were definitely considering it.
There are so many shows that need this process that are just sitting in the vaults, and it's a real shame. The overall quality is so, so significantly better than the old NTSC versions and they'll be able to license this product many times over, there'll also be new audiences for these programs.
Forgive me I haven't been on this thread for a while, but I thought it was basically common knowledge now that the DS9 upgrade had basically been scrapped.
Some interesting comments from the team that handled the X-Files HD remaster project:
http://www.tweaktown.com/articles/7468/remastering-the-files-hd-jim-hardy-ceo-illuminate/index3.htmlWith revenue from physical media falling, but partially offset by streaming revenue and syndication rights, how is that affecting large scale remastering projects such as The X-Files?
It has a big effect. The studios are very cautious. The studios have to balance the creative, archive, and financial aspects of projects like these. There's so many series' that are being ignored. That's to their detriment because now there's many avenues to get these shows back into the marketplace. There's a broader range of distribution than before. You aren't necessarily going to make all your money back on one deal but over a number of years.
There are so many shows that need this process that are just sitting in the vaults, and it's a real shame. The overall quality is so, so significantly better than the old NTSC versions and they'll be able to license this product many times over, there'll also be new audiences for these programs. With classic shows like MASH, back in the day, they had cut negative. It wasn't until non-linear editing came about in the mid 80's that they were still cutting film.
There's a lot of great episodic series and lower budget features that needs this attention, but it ultimately becomes a directive from the accounting side. But what are you going to do? I hope the studios and distributors have a change of heart and focus more on their legacy assets. If they don't focus their attention to the legacy archival assets, there's going to be no value or revenue to be generated.
The vibe I'm getting is that these companies that do this kind of thing are fans of this that or the other. They're aware the demand is there. However, the cashflow just isn't, and as others in this thread have stated, yes it's very likely these major million dollar studios are just as likely to let this material sit and rot rather than spend money on it.
Is it lack of foresight keeping shows on the shelf?
Is it good judgment avoiding gambling with millions?
As always, YMMV.
[yt]https://www.youtube.com/watch?v=GXE_n2q08Yw[/yt]
There were definitely up-scaled effects shots in the remastered X-Files that looked like crud in comparison with the normal, non-effects shots.
As far as the market for the remastered X-Files, the brand new sequel miniseries is coming out soon. So this is a much more direct tie-in than the various shows scattered across the Trek universe.
Kor
Any chance the new show could boost chances of seeing this?
New show comes out, new show is good, new show hits the mainstream like other niche/geek shows such Game of Thrones and The Walking Dead, people buy Blu-rays of new show, CBS wants to capitalize on rising popularity/interest in Star Trek, releases all-new Remasters of classic Trek shows such as Deep Space Nine and Voyager, they sell because people care about Star Trek again, everyone's happy.
Shalashaska said:As well, like someone else said, it won't be as huge of a project as TNG Remastered was. A lot of the original effects that had to be completely re-made for TNG have been saved and only have to be re-rendered in 1080p/2K/4K.
As well, like someone else said, it won't be as huge of a project as TNG Remastered was. A lot of the original effects that had to be completely re-made for TNG have been saved and only have to be re-rendered in 1080p/2K/4K.
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