And Relics before that, if I'm not mistaken.
Yes, that was the one I meant to mention.
 Thanks!But the "Tribbles" ep, too, IIRC.
And Relics before that, if I'm not mistaken.
 Thanks!Good to note, as I couldn't remember anything about sourced items for Tribbles, but I knew Relics did for sure.Yes, that was the one I meant to mention.Thanks!
But the "Tribbles" ep, too, IIRC.

Good to note, as I couldn't remember anything about sourced items for Tribbles, but I knew Relics did for sure.![]()

No they didn’t. STC was produced in 2013. ENT went off the air in 2005.
Touche.
Then it was Phase II/New Voyages. The thing was Paramount never bothered to return the uniforms they loaned. They went missing when the show went off the air.
This is not 100% correct. The hero uniforms for DS9 post rapture are not the precisely same design as the hero FC uniforms.*The lavender uniforms were paid for with the First Contact budget, DS9 probably only had to make new uniforms for Sisko, Dax, Bashir and O'Brien (Worf got his from FC too), the rest were freebies. So DS9 got all of the First Contact uniforms and Voyager got all of the DS9 uniforms, it was a win for both shows, had they made new DS9/Voyager uniforms the money for that would have come out their budgets.
Do you have a source for this? Because I would think that uniforms made for completely different people would look ill-fitting on the ENT cast (just like the DS9 uniforms did on the TNG cast in Generations), but they all look fine.
					
				Which is unhelpfully unattributed on MemAlpha."Pieces of the sets, and some of the costumes, have been borrowed by Paramount for their Enterprise series."

That's the inherent, massive failure of SNW as a concept; the "always looked that way" agenda not only clashes with TOS, but the natural, evolutionary design approach that transformed TOS into the TOS movies, and the movies into TNG's look. There's no way to sell the idea that SNW's look is over a century earlier than TNG. It does not work no matter how much some would love to sell that to themselves.The inherent problem with the production making or borrowing TOS sets is that it goes completely against their modus that ‘this is what it always looked like.’
Yeah...no.That's the inherent, massive failure of SNW as a concept; the "always looked that way" agenda not only clashes with TOS, but the natural, evolutionary design approach that transformed TOS into the TOS movies, and the movies into TNG's look. There's no way to sell the idea that SNW's look is over a century earlier than TNG. It does not work no matter how much some would love to sell that to themselves.
The TOS/Movies/TNG evolution was because those looks were developed in the 60s/70s/80s respectively. TMP looks like a 70s movie because that's when it was made for example, not because of when it was set, it could have taken place during TOS and would have looked mostly the same. They would have never reused the 60s look.That's the inherent, massive failure of SNW as a concept; the "always looked that way" agenda not only clashes with TOS, but the natural, evolutionary design approach that transformed TOS into the TOS movies, and the movies into TNG's look. There's no way to sell the idea that SNW's look is over a century earlier than TNG. It does not work no matter how much some would love to sell that to themselves.
At no point has visual continuity affected the story continuity.That's the inherent, massive failure of SNW as a concept; the "always looked that way" agenda not only clashes with TOS, but the natural, evolutionary design approach that transformed TOS into the TOS movies, and the movies into TNG's look. There's no way to sell the idea that SNW's look is over a century earlier than TNG. It does not work no matter how much some would love to sell that to themselves.
And what is it that makes TNG look like it takes place 70-80 years after the original series movies?There's no way to sell the idea that SNW's look is over a century earlier than TNG.
Its not the time the series/movies were produced; it was a conscious effort to show a believable, logical design lineage from one era to the next. That's why next to no one questioned the evolution from TOS-TOS/M-TNG--the internal visual language made sense right out of the gates. SNW is in no way some believable design / historical predecessor to TOS/TOS/M/TNG.The TOS/Movies/TNG evolution was because those looks were developed in the 60s/70s/80s respectively. TMP looks like a 70s movie because that's when it was made for example, not because of when it was set, it could have taken place during TOS and would have looked mostly the same. They would have never reused the 60s look.
Not seeing anything "believable or logical" in the TOS-TOS/M-TNG design linage. The all stand as isolates to me. Especially the uniforms. Each one throws out the baby and the bathwater.Its not the time the series/movies were produced; it was a conscious effort to show a believable, logical design lineage from one era to the next. That's why next to no one questioned the evolution from TOS-TOS/M-TNG--the internal visual language made sense right out of the gates. SNW is in no way some believable design / historical predecessor to TOS/TOS/M/TNG.
Not seeing anything "believable or logical" in the TOS-TOS/M-TNG design linage. The all stand as isolates to me. Especially the uniforms. Each one throws out the baby and the bathwater.
Still not seeing it. They seem to go their own ways for the most part. LCARS looks nothing like the jellies from TOS or even the the Xmas lights of TMP. The uniforms in TMP are a major departure from TOS. The TWOK ones that followed are a departure from TMP. They're almost the opposite of both TMP and TOS. TNG's seems to drifts back to TMP in away but goes for bold color and asymmetry. Of course on the ship front The Refit is a reimagining of TOS's Enterprise. Still it takes liberties. TNG reshapes the components of a Trek ship. The primary hull, the secondary hull and the nacelles are totally different.I'm talking about more than just uniforms. The Starfleet ships' exteriors/interiors are the strongest example of a natural design lineage from one production to another that clearly said the generations were in the same universe.
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