TWOK had its own version of development hell, and a bit unconventional. It may have not have been impossible but hardly easy. That was my point.
My other point, regarding Abrams and Meyers, was a similar background and approach to Trek. Regardless of personal opinion (some like it, some hate it), there is a similar trend in viewpoint and audience reaction. We can discuss Abrams Trek elsewhere![]()
VOY's was not unique to the franchise, despite statements that the audience wanted to hate it. I can find no evidence of such sentiments beyond the current analysis of why VOY is bad and impacted the franchise the way it did.
VOY wanted to do something different and could have succeeded.
It could have made a bigger deal of being stranded by saying, "we don't know where we are and need to find out why we are here." It's a big deal here because technology, both alien and Starfleet, has failed them, unlike TOS or TNG where tech saves them. In storytelling parlance they could, "hang a lantern," on the idea that the technology has failed and they will need more information about this section of space before getting home. That makes it more important because there is nothing there to help them or save them, distinguishing from Kirk or Picard.
Beyond that, if the premise isn't working, then you change it up to make it more manageable. You kill off cast members, you adjust the setting, and look for ways to make it work. You don't blame the audience because they didn't like it.
I love that this thread is 800 pages of an argument where both parties agree that Voyager isn't as good as it should have been.
I don't see why more fans can't just enjoy Voyager for what it is.I love that this thread is 800 pages of an argument where both parties agree that Voyager isn't as good as it should have been.
Yep.
But it all the audience's fault, you know![]()
I don't see why more fans can't just enjoy Voyager for what it is.
I don't see why more fans can't just enjoy Voyager for what it is.
Again, call me crazy...but could it be that most of those fans you're referring to watched the series, didn't like it, and therefore can't enjoy the series for "what it is," because "what it is" to them is crap?
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Wait a minute, wait a minute...I'm saying the same thing over and over again and expecting different results. I am crazy.![]()
TWOK had its own version of development hell, and a bit unconventional. It may have not have been impossible but hardly easy. That was my point.
The TOS movies were about reviving what had been a dead franchise and expanding on it in ways not done before since all that came before was a barely-defined TV universe.
VOY, not so much. It had it harder due to oversaturation and marginalization of Trek. It's situation was the polar opposite of WOK.
Okay.My other point, regarding Abrams and Meyers, was a similar background and approach to Trek. Regardless of personal opinion (some like it, some hate it), there is a similar trend in viewpoint and audience reaction. We can discuss Abrams Trek elsewhere![]()
Mine comes from personal experiences.
Not with the "Lost Ship" concept it couldn't.
That's still only enough plot for like a season and a half before it wears itself out.It could have made a bigger deal of being stranded by saying, "we don't know where we are and need to find out why we are here." It's a big deal here because technology, both alien and Starfleet, has failed them, unlike TOS or TNG where tech saves them. In storytelling parlance they could, "hang a lantern," on the idea that the technology has failed and they will need more information about this section of space before getting home. That makes it more important because there is nothing there to help them or save them, distinguishing from Kirk or Picard.
You can blame the audience for hating any attempts at trying new things, though.Beyond that, if the premise isn't working, then you change it up to make it more manageable. You kill off cast members, you adjust the setting, and look for ways to make it work. You don't blame the audience because they didn't like it.
So, you'll forgive me if I don't know all the experiences that may have had. I would be nice be helpful to understand a different point of view if there was more than the statement of "audience hatred."
The reasons for VOY's failure are numerous, and the creative forces behind VOY had much more control, studio influence or not, than the audience.
Start with a small premise, like the Lost Ship, which obviously could be used up in an episode, or spread out over a 1/2 season. Then you move on to from either the characters you have built up, or from the mysteries you have presented.
This goes back to the idea of a smaller cast for VOY, but regardless, the consistency of the characters and their motivation makes for far more enjoyable entertainment if I feel like the characters matter.
The budget, in particular, was slashed severely, due to the budget overages of TMP. It certainly had more hurdles than is common realized because it is so popular.
It keeps coming up that the VOY audience resisted change, yet evidence points towards enjoyment of some episodes and positive reception to some change.
There is an inconsistency to the characters that feels a little jarring for me, so it limits my enjoyment of this series.
We all have different tastes, that's just how these things work.I don't see why more fans can't just enjoy Voyager for what it is.
So, you'll forgive me if I don't know all the experiences that may have had. I would be nice be helpful to understand a different point of view if there was more than the statement of "audience hatred."
I can't really give you much more than the reactions of the people I watched the show with and folks on forums throughout the years.
Problem is that the real forces behind the show weren't the ones writing it.The reasons for VOY's failure are numerous, and the creative forces behind VOY had much more control, studio influence or not, than the audience.
Exactly as I've been saying. I'm also saying that whenever they DID try for a new plot they always got a bad reaction.
Helps if the Producers could make up their minds how the characters were to act (Janeway), and if they hadn't had the bad luck of casting bad actors for certain roles (Beltran, Wang). A smaller cast would've meant easier grip on those who were Centrals.
Like I said, they worked around that by just using lots of leftover stuff from TMP without having to build much new stuff. They made the new costumes for the Officers but the rest were all recycled from TMP with dye.
Like when?It keeps coming up that the VOY audience resisted change, yet evidence points towards enjoyment of some episodes and positive reception to some change.
A combination of poor actors and inconsistent directives on how to write the rest of them.There is an inconsistency to the characters that feels a little jarring for me, so it limits my enjoyment of this series.
We all have different tastes, that's just how these things work.I don't see why more fans can't just enjoy Voyager for what it is.
I see wot you did thar.it is really all about the journey. The Voyage, even.
There's a missed holodeck opportunity. Janeway playing with the Captain Proton program where we visit Queen Arachnia's lair. I am loving it.I also enjoy it because of the tantalizing way they teased us with the Delaney sisters. Week after week we expected to see the Delaney sisters in an Alternate Universe story on either side of the Captain's chair, their hair all Janice Rand, handing Janeway her coffee and making little notes on padds and blowing on their nails as though they had just polished them even though in the future the nail polish will be like in Total Recall and not require actual blowing on. That we never got this I am okay with, because we always believed we were going to get it and it is really all about the journey. The Voyage, even.
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