I don't know but I think anyone who has a problem with how DSC looks but has no problem with how ENT looks is a hypocrite...
But now suddenly it's an issue for some people (note that I said "some") because they don't like DSC. If they loved it, I bet you they wouldn't care.
Case in point: do they have a problem with how the Kelvin looked? Which is considered Prime and was a mere 12 years before the TOS Enterprise was commissioned? No. They don't.
What about those of us who also had a problem with how ENT looked? (At least, the ship exteriors. Interiors seemed more plausible.)
As for the Kelvin, it was literally the
only ship in the Abrams films that looked like it fit Starfleet's design lineage. Although even then, the notion that a ship that early had 800 crew and 20 shuttlecraft was laughable. Abrams really had a thing about size...
TNG and those after are set in an idealistic, utopian future. Or... are they?
...
This whole "no money/no want in Star Trek" bullshit started with TNG.
...
Ask the miners and the women in "Mudd's Women" if they live in an idealistic utopia. ... Cyrano Jones trafficks in all kinds of dubious merchandise, and basically lives on a shoestring. Where's his utopia?
...
In "The Measure of a Man" the Admiral talks to Picard on two occasions of "buying you dinner/a drink" (I don't recall the exact words). Why didn't Picard give her a lecture about no money, no want, no need to buy anything?
All these contradictions and hypocrisy are things I consider insulting to the audience. Pick one and go with it. But don't say one thing and show the other and insist that "No, pay no attention to what you see. It's what Picard says that's actually the truth."
Not a new conversation around here (of course), but FWIW, as I've posted before, the point to me always seemed to be that
the Federation had a post-scarcity economy. That says nothing about conditions on colony worlds or other interstellar territory outside the Federation's domain, which could and did have different economies of their own, and with which the UFP (and its personnel) would at least occasionally need to trade. It also doesn't say that every single problem had been solved, or that people are without any conflicts of interest... that kind of utopia would just be boring.
Granted, sometimes characters (that is to say, writers) didn't do such a great job of remembering this, or (at the very least) used "outdated" figures of speech about economic transactions ("earn your pay," "buy you dinner"). I'd agree that this muddied the waters on occasion, but I wouldn't go so far as to call it "contradictions and hypocrisy... insulting to the audience." Obviously none of them were economic or political theorists, and at any rate the shows were never really
about exploring the details of life
inside the Federation.
Trust me, I remember these discussions with the JJ detractors back in May 2009. It is no different than now. If you inherently don't like something, those things come to the surface and become rationalization and justifications for that dislike (which by the way isn't required, because it's all a matter of taste anyway...)
I fundamentally disagree with this. You're claiming that all opinions about a given story (including about its logical coherence) are 100% irreducibly subjective, and claims to the contrary are nothing but
ex post rationalization. I think
that amounts to an insult to the intelligence (and integrity) of the viewers, and of course if it were so it would render a thread like this completely moot. (And lots of others as well... if matters of taste are purely "inherent" and lack any other causation or consistency, then lots of aesthetic and critical discourse falls to pieces.)
I disliked ST09, from the very start,
because it slapped me in the face with one egregiously stupid scene after another. It's not as if I developed some inchoate abstract dislike of it, and then invented those objections after the fact. These weren't even classic
"fridge logic" problems; they literally jumped out at me as I was sitting in the theater watching the movie. STID was almost as bad.
FWIW, those are hardly the only Trek films or episodes that do so. I think the same kind of flaws run through STV:TFF, and even to an extent STIV:TVH (despite its fan-favorite status), although not remotely to the same
extent as in the Abrams films. And of course VOY was infamous for it, with "Thresholds" being the example that really dials it up to 11.
It's true. The plot and various story points throughout make absolutely no sense if you think about it for more than 10 minutes.
And somehow, I still find a way to enjoy it...
Okay, this baffles me. When a story really "makes no sense," that severely interferes with my enjoyment. At best I might put it in the "guilty pleasure" category, if it has other outstanding qualities to help balance things out. (But the Abrams films don't qualify on that front, either.)
Not being a Christian, he was not constrained by the notion that you need your body in order to be resurrected (their prohibition against cremation).
Umm, what Christians have you been hanging out with?...
