When I saw the show, I saw USS Voyager with the walls pulled in. That's what struck me without knowing how they developed the aesthetic. The metallic aesthetic can be seen in the TOS films.What they gave us an interior of a ship that was just a cramped looking Voyager without any real imagination or interest and difficult to pin down as a TOS prequel.
Really? They went to a lot of trouble to show us pressure doors, zero-gee grips and prominently bolted-on "metallic" vanity covers instead of soft carpeting and plastic surfaces. It's difficult to see what more could have been done. Or how the interior could have looked more like a submarine's...
We'd have the doctor chasing the health issues of some of the engineers much like sailors of old suffered from scurvy.
Now that I might have paid to see. (But no, I won't be paying for the 2017 show!)
Timo Saloniemi
I would've had an aesthetic similar to the Hunt for Red October or Crimson Tide. A focus on flashing lights and buttons with a scarcity in monitors. Everyone in headsets. That kind of thing. Does the captain even need a chair? I would be thinking along these lines. The BSG CIC is where I would've gone in terms of lighting with the Enterprise bridge.