I promise you that in 100 years, 99.999% of the population of the planet won't care or notice the differences between the two.when the history of Star Trek is written 100 years from now, it'll be the Jefferies design of the Enterprise and the dude in the rubber Gorn suit that people remember when you talk about Star Trek.
How many films have been remade in color, with upgraded VFX, featuring all-star casts, but in the end the original endures because it retains a special quality?
I promise you that in 100 years, 99.999% of the population of the planet won't care or notice the differences between the two.![]()
It will still be "The Star Trek Enterprise."
Off the top of my head, I can think of several remakes that are vastly superior to their "classic" originals.
Dune
The Thing
The Fly
The Mummy
Scarface
Planet of the Apes
Invasion of the Body Snachers
Dawn of the Dead
It
Ocean's Eleven
The Blob
The list goes on.
I promise you that in 100 years, 99.999% of the population of the planet won't care or notice the differences between the two.
Dune
Planet of the Apes
I would argue that indeed, the newer trilogy is vastly superior to the films of the 60's and 70's. What Andy Serkis managed to bring out of the character of Ceasar was simply astounding in my opinion.Is it really, actually better than the 1968 original?
Thanks! The new Planet of the Apes trilogy just moved up, way up, on my "To Watch" List.I would argue that indeed, the newer trilogy is vastly superior to the films of the 60's and 70's. What Andy Serkis managed to bring out of the character of Ceasar was simply astounding in my opinion.
The first film, Rise of the Planet of the Apes, is easily the weakest of the trilogy while still containing some very powerful moments.Thanks! The new Planet of the Apes trilogy just moved up, way up, on my "To Watch" List.
How many films have been remade in color, with upgraded VFX, featuring all-star casts, but in the end the original endures because it retains a special quality?
The new Apes movies are good, but they're good in a different way than the '68 original. The new movies tell a pretty good story about the collapse of society and the rise of a new one. The original film is more about allegories for social issues that you see play out through Taylor's treatment within the ape society (e.g., the inability of scientific truth to exist in a system that places religious doctrine as having primacy).On the other hand. I haven't seen the new Planet of the Apes. Is it really, actually better than the 1968 original? Serious question.
Off the top of my head, I can think of several remakes that are vastly superior to their "classic" originals.
The reasons why those movies replaced the originals in the collective consciousness is because they were considered "vastly superior" to the originals on some quality level. Will SNW be considered "vastly superior" to TOS by Trek fans in the future to the point that this is the Enterprise and versions of Kirk, Spock, Uhura, etc., they think of when people say Star Trek?You know, the 1939 Wizard of Oz fits that description, being the first color (and sound) adaptation after the 1910 and 1925 versions.
I won't deny there's people who get hung up on how things look and a bunch of other things that are arguably superficial. BUT... I think there's also another way of framing your dichotomy.Turning this back on topic, one good thing has come out having of DSC, PIC, and SNW all starting within such a relatively short span of time. Unlike when it was just DSC by itself, now it's easier to tell who just wanted something different from someone who doesn't like any of these series and won't be happy until it looks, sounds, and feels like an episode from 1993.
The Klingons were trying to fix the Augment Virus and the Disco Klingons were an over-correction. Eventually, they got it right.Why change the Klingons in Discovery?
I don't like either version of the Gorn. The TOS Gorn looked silly even for TOS. The SNW Gorn are a rip-off of the Xenomorph and I'm a huge fan of the Alien Films. Well, at least the first four and Prometheus, but anyway... Not something I look upon favorably. I don't know. Probably different species of Gorn. The Xenomorph Gorn could be slaves? I'm not really married to this idea.Why call the xenomorph-Gorn the Gorn instead of creating something new? Why create continuity questions that are distractions from the good things in these episodes?, etc.)
I agree with that. How upside down everything is -- Taylor's exact words -- fits The Twilight Zone like a glove.One of the primary writers who adapted Pierre Boulle's novel into the original film was Rod Serling, and the '68 film really functions as a 2-hour Twilight Zone episode, with his style of social commentary and twist (i.e., I would argue it's still one of the best movie endings ever, when I was a kid it gave me chills the first time I saw it).
The Klingons were trying to fix the Augment Virus and the Disco Klingons were an over-correction. Eventually, they got it right.
I don't like either version of the Gorn. The TOS Gorn looked silly even for TOS. The SNW Gorn are a rip-off of the Xenomorph and I'm a huge fan of the Alien Films. Well, at least the first four and Prometheus, but anyway... Not something I look upon favorably. I don't know. Probably different species of Gorn. The Xenomorph Gorn could be slaves? I'm not really married to this idea.
I agree with that. How upside down everything is -- Taylor's exact words -- fits The Twilight Zone like a glove.
The ending was pitch-perfect. I first saw it on TV when I was 16 and, fortunately, none of the film had been spoiled for me. I lucked out in that regard.
I never really thought about it too much and it didn't really come up much in topics on this board.The thing is, I don't think anyone really had any issue with the rubber suit to this extent until now, when they're comparing it to SNW after a span of 55+ years of advances in television production values. Now, all of a sudden, it's a problem. Because, hey, it was complete shit when Farscape did it, amirite? Yeah, fuck that Jim Henson guy and all his fake-looking puppets and rubber aliens.
Confession Time: I like TOS's "Arena" but I've never been too crazy about the Gorn. And the Gorn in "In the Mirror Darkly" reminds me of something I'd see in a cartoon I used to watch when I was kid called Thundercats, down to the voice. I could see this Gorn in Castle Plun-Darr or taking orders from Mumm-Ra the Ever Living.
I never really thought about it too much and it didn't really come up much in topics on this board. At least not ones that I posted in. But, never once, in 24 years here, have I ever said, "I'd love to see more Gorn!" "That makeup was the best!"
Because another way of saying it is that it's now also easier to see who doesn't really care about retconning anything Star Trek pre-2009, and is willing to write it off wholesale to have something new as long as its called "Star Trek," and those that appreciate the continuity and the connections within a nearly 60-year old shared universe and legitimately do not understand why some of the choices made by those in charge were necessary
Heck, I think Yoda in TESB was far more effective than the CGI version in the prequels.
I happen to know, anecdotally, that this is not the case. Friends of mine did a review talking Star Trek and express their frustration, to put it mildly, with the effects and combat. This was 15+ years ago, so before SNW. Certainly was not considered a highlight of an episode by that group.The thing is, I don't think anyone really had any issue with the rubber suit to this extent until now,
That depended greatly on the scene. There were a couple lines that don't quite match up with the lines, like "You will be." Limits of puppeteering, but both work in some places, work less in the others.Yoda is TESB was more believable than whatever nightmare fuel they used in TLJ for Yoda.
That's because they got references wrong. The original puppet had degraded to a certain point and they attempted to recreate it, and it didn't quite get it right.Heck, I think Yoda in TESB was far more effective than the CGI version in the prequels.
Just because we accept changes doesn't mean we don't care. Rather black and white extremist viewpoint on who cares and doesn't care as Trek fans.Because another way of saying it is that it's now also easier to see who doesn't really care about retconning anything Star Trek pre-2009
We use essential cookies to make this site work, and optional cookies to enhance your experience.