Yeah... in situations like that, it's hard not to do a hard eye roll on the "don't judge people so quickly" advice.![]()
Yeah, like, these aren't "Well, the guy is a republican, so what?" posts. Kinda glad I can't find a twitter feed for him....
Yeah... in situations like that, it's hard not to do a hard eye roll on the "don't judge people so quickly" advice.![]()
That, my friends, is Trek.
Ignoring the political beliefs of people who would legislate others out of existence for the convenience of enjoying their artwork is not "Trek", but I don't harbor any delusions of changing your (or anyone else's) minds.
There is, actually, a difference between having a genuine disagreement with someone, and someone promoting a harmful and seditious lie. Admiral Leyton went to jail.The man can have whatever politics he wants. I don’t agree with them but that’s of no significance.
When his pencil hit paper though, his ship designs are beautiful. His political views don’t change that.
I’d rather discuss and debate his views with him than decree his existence abhorrent and his works of no merit because of them.
That, my friends, is Trek.
I think the windows aren't too bad – it would be very odd if a ship that size didn't have any – but there's a lot of surface detail on the Enterprise-D that detracts somewhat from the overall design, especially when compared to the comparatively smooth hulls of the original and refit 1701, or the Excelsior. Things like the transporter emitters and especially the lifeboats just break up those clean, smooth lines, and feel a bit, dare I say, low-tech. Why do they need to be on the outside in the 24th century, the era of "technology unchained", when 22nd and 23rd century starships managed perfectly well with them hidden behind hull plates?
![]()
Just look how visually noisy all those square hatches are. Worse, the transporter emitters at the front of the saucer look like angry eyebrows!
Also, the 4ft filming model with its extra hull detailing didn't help – I remember as a kid seeing it in "Yesterday's Enterprise" and thinking that it was a deliberate modification to the model to make it look more heavily armoured. The detailing on the hull plates was too heavy, even for low-res CRT TVs.
![]()
Though I wouldn't say that the saucer is out of proportion, it just looks really big when you stick a camera close to it. If you pull the camera away and then zoom in it appears less huge by comparison:
![]()
(and because it's easier to mount and motion control the models that way), is definitely not its most flattering angle.
There's no discontinuity in Star Trek. Whenever something looks different or is a retcon, it's just because of the constant time travel.
My most controversial opinion?
There's no discontinuity in Star Trek. Whenever something looks different or is a retcon, it's just because of the constant time travel.
Yes, this means Klingon appearances, bridges, uniforms, Eugenics War dates, the fact that Klingon First Contact wasn't disastrously wrong, and so on. Hell, Archer's entire series, are all the result of time being constantly meddled with. Nothing is wrong. Everything is just updated.
I sure hope for Worf that his experience in Parallels didn't leave him sensitive to such timeline changes for the rest of his life - he seems psychologically less equipped to deal with such awareness than, for example, Guinan.
WORF: I do not know. Things are changing.
TROI: What's changed?
WORF: <...>It is as if events, circumstances, continue to change from moment to moment, but I am the only one who seems to be aware of it.
I can see that.This is more an embarrassing one:
I thought INTO DARKNESS was a critique of the Iraq War with Admiral Marcus creating the threat of Klingon weapons of mass destruction and tying them into Khan/Harrison as a way to justify cassus belli.
Apparently it was not about that.
We use essential cookies to make this site work, and optional cookies to enhance your experience.