Every single ship had a more advanced looking deflector
They all have physical deflectors with antennae just like the connie, just with glowy bits like Voyager and the NX-01.
The connie might have glowy stuff behind it but it's hard to tell.
Every single ship had a more advanced looking deflector
Star Trek (2009) doesn't
But it's not Prime. It's Kelvin.Sure it does. The setting is the same exact setting as TOS. They took the story in a different direction, but it is nonetheless "Star Trek".
But it's not Prime. It's Kelvin.
It's Prime-EAnd? Honestly, it would be a hard argument to make that Prime is even "Prime". Thanks to all the time travel hi-jinks from all the various series. Which future timeline in "Endgame" is "Prime"?
I don't want to put words in anybody's mouth (even though that's exactly what I'm doing), but I think they don't like that it's round and mostly undetailed aside from a single spike in the center. Or that it's pretty much the least changed part of the entire ship. I could be wrong.They all have physical deflectors with antennae just like the connie, just with glowy bits like Voyager and the NX-01.
The connie might have glowy stuff behind it but it's hard to tell.
I don't think that's true. Writers in prose, TV and film have been "cramming" things into Trek's continuity since the 1960's.My main concern is storytelling possibilities. Cramming this show into the continuity of other shows takes away so much of the dramatic potential of Discovery. Especially when the show relies on so many already known ideas and characters whose outcomes have already been defined.
I think cramming it in the this point of the continuity would be fine, if they were content of making their stories in a bit less universe-shattering in their scope. A traditional Trek stories about a ship doing explorey stuff and responding to random emergencies can be pretty easily fitted in any point of the fictional history. It is just that they insist on bringing on new never heard of supertech and starting massive wars, so it gets kinda awkward.My main concern is storytelling possibilities. Cramming this show into the continuity of other shows takes away so much of the dramatic potential of Discovery. Especially when the show relies on so many already known ideas and characters whose outcomes have already been defined.
I don't think that's true. Writers in prose, TV and film have been "cramming" things into Trek's continuity since the 1960's.
What's your favorite take on updating the TOS deflector? How would you have done it?
That's a different subject and has nothing to do with continuity, canon or cramming. And of course opinions vary. I think the characters are actually pretty interesting. The weakest sadly is Burnham.It is if they create a group of character as flat and uninspiring as the one's we have now.![]()
I like what we got, but that is a very good looking ship.Something like this is how I think the entire ship should have looked. I'd of course make a few adjustments myself, such as a different neck, curve adjustments to the saucer shape to get rid of the pop scifi 60s shapes, and something a bit more fancy than rectangular pylons, but overall this is in the ballpark of how they should have done it, imo.
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Besides, if the refit design is perfect, what's the harm in imitating it?
It's also a reboot.
Yah know, even after letting it settle in for a week, I really don't like this Enterprise design. It's a Frankenstein of parts from the NX-01, TOS, and Refit that don't really go together. I really, really don't like that they kept that godawful 60s Deflector when ships like the Shenzhou have more modern ones.
And? Honestly, it would be a hard argument to make that Prime is even "Prime". Thanks to all the time travel hi-jinks from all the various series. Which future timeline in "Endgame" is "Prime"?
My main concern is storytelling possibilities. Cramming this show into the continuity of other shows takes away so much of the dramatic potential of Discovery. Especially when the show relies on so many already known ideas and characters whose outcomes have already been defined.
I disagree about the deflector. Although post-TMP deflectors are sexier, the fact of the matter is that, realistically speaking, the physics that make dishes work in real life won't change ever. So the dish is actually more believable than some glowy cup.
That's a different subject and has nothing to do with continuity, canon or cramming.
Looks good to me, it is in dire need of some hull textures though.Something like this is how I think the entire ship should have looked. I'd of course make a few adjustments myself, such as a different neck, curve adjustments to the saucer shape to get rid of the pop scifi 60s shapes, and something a bit more fancy than rectangular pylons, but overall this is in the ballpark of how they should have done it, imo.
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No it doesn't. Being badly written, acted or filmed has nothing to do with continuity or canon. That's about being entertained.It does if the characters are uninteresting. Because you then start looking for something else to latch onto, and all that is left is fanwank.
What?Only if you use a special definition of the word.
re- a prefix, occurring originally in loanwords from Latin, used with the meaning “again”.
boot- [Verb] To start.
You seem to be moving your goalposts here. Previously you wrote, "They can do that [a modern take on Star Trek where they can let their imaginations run wild] and call it prime. Prime has nothing to do with changing, updating or adding things."Yes and DISCO is part of that "single (relatively) coherent fictional timeline".
Of course you can. But you can't if you decide to depict him, say, wearing leather biker gear and riding a Harley around the country on his political campaign. Or at least, people might reasonably ask if it's intended to be the "same" Abraham Lincoln they know from history.A good story is about the journey, not the destination. You can tell a good story about Abraham Lincoln even knowing he dies in 1865.
That's a pretty good (re)design. But for my money it looks at least as close to the original as what we got in DSC, if not more so (although part of that impression might be due to the hull color and lighting). The deflector dish is still outboard rather than inboard, for instance. So it's not at all clear to me what differences you're zeroing in on here. (It's also not clear what you're seeing that you deride as "60s shapes" when you look at the saucer.)Something like this is how I think the entire ship should have looked. I'd of course make a few adjustments myself, such as a different neck, curve adjustments to the saucer shape to get rid of the pop scifi 60s shapes, and something a bit more fancy than rectangular pylons, but overall this is in the ballpark of how they should have done it, imo.
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