So you're saying that you buy that the seven ships sent to Vulcan were the only ships near Earth, and they were all sent away? (I don't recall any dialogue to that effect, and it's risible either way.)
One of the Admirals says it (was it Komack? I don't remember specifically). He says "these are the only ships close enough to investigate" or something similar.
And that individual starship captains (even without access to their computers) know codes that can not only get you past the Solar system's defensive sensors (that much I can swallow), but also turn off all Earth's defenses, beyond the possibility of override, including even (e.g.) independently piloted small fighters of the sort that could shoot down the drilling platform? All this poses no problem for you? Really?
Personally, I'm not sure how Starfleet's defense net should work. But it's what the movie was saying. Nero's right up in Captain Pike's face with the Ceti-type creature and says "I want all the codes for the defense net" or something similar. The implication is that he got them, since he's drilling Earth shortly after.
So, IOW, two things that should be serious plot points are dismissed with throwaway lines of dialogue that require viewers to swallow implausible premises... but you
don't consider this lazy writing.
C'mon. The cast was talented, the money was there for good visuals... but the story just didn't hold up. It's got more holes than a fishnet. There are any number of Trek novelists—heck, I'd bet there are ordinary posters on these forums—who could dream up a
much more coherent, compelling story than this was. (And still hit the key points the studio required by way of a "reboot," if it came to that.)
At the end of the movie, you really do want to see the next adventure this particular group will encounter as they go to warp. And that is what makes this movie the best success, you want to see the sequel.
I really don't. Honestly. My enthusiasm for seeing what these writers and director will do next is pretty much nonexistent.
I note a lot of people around here posting things like "well, the
next one can be about exploration and thoughtful issues and logical storytelling"... but IMHO they're kidding themselves. A movie makes money like this, the only message Hollywood gets is "make another just like this one." IOW, another style-over-substance extravaganza.
For those that hated it, Star Trek has outgrown you, now. It's sad but true.
How do you figure? I think the general thesis from those who didn't like it is not that it's grown but that it's
regressed, into something simpler and less thoughtful than the original.
This level of success equals more movies and a new and larger fan base.
How is that bad?
How is it
good, unless the actual movies are? I could care less how much money Trek makes, or how many people watch it; what I'm concerned about is the
stories it tells.