Q: Tell our readers what to expect from “The Mads Are Back.”
A: We’re back riffing on not completely terrible movies, but they’re not the best you can find. We did six years in the configuration of Cinematic Titanic (a spin-off of sorts from “MST3K”), and that was five of us on stage: Joel (Hodgson), J Elvis (Weinstein, also known as Josh Weinstein), MaryJo (Pehl), Frank and myself. Now it’s just Frank and I, we’re sort of like a little jazz combo — it’s the same type of humor, but a little but looser. We script it but we leave a lot of flexibility, we change it up based on what audience we’re in front of and just to keep it fresh for ourselves.
Q: Are you surprised to find yourself still riffing after all these years?
A: Absolutely. Before we started Cinematic Titanic, I told a friend, “I’m done riffing, I’m not doing it ANY more.” And then it;’s like every time Gilligan said, “you can’t make me, you can’t make me...” Doodely, doodely, doodely, we’re riffing again. But I really enjoy it. I really like working with Frank, we have good chemistry. I absolutely love doing the show for a live audience. We spent so many years in the studio, alone and afraid, not knowing whether anyone was watching the show. So it’s really great too get the immediate feedback from the crowd.
Q: What do you joy about this partnership you’ve developed with Frank Conniff?
A: Well, we like to eat the same things ... We both enjoy a good meal, as our girth will testify to. If you ever got our girth on the stand in a trial, they’d say, “yes, your honor, they like to eat.” And we enjoy doing the show. We missed it, when Cinematic Titanic folded, we were very disappointed. We wanted to keep doing it. We tried to find a way to do that, and then Frank got a call about a year and a half ago to do a riffing show at a convention, and he said, “hey, do you want to do this? It might be fun.” And then we just started booking gigs. People heard that we were back on the road and we’ve been consistently on the road ever since. We’ve called it “The Mads” in the hopes that one day we can get the rest of the Mads to join us for one or two shows. Maybe we can get Josh, Mary Jo, Bill Corbett, Kevin (Murphy) ... anybody that was making Joel or Mike’s life miserable, we’d enjoy to have with us. But right now, it’s just Frank and I.
Q: Of course, there’s a big “MST3K” reunion coming up as the RiffTrax spin-off celebrates its anniversary with a live event that will be simulcast in theaters nationwide. Can you tell us about that?
A: June 28 at the State Theater in Minneapolis, it will be the RiffTrax guys — Kevin, Mike and Bill — and Bridget (Jones Nelson) and Mary Jo, and Frank and I, and Joel and Jonah Ray The only soldier missing is Josh Weinstein, or J. Elvis, as he is also known, who is out in Los Angeles and knee-deep in a couple of documentaries he’s working on. But maybe he’ll change his mind; it won’t be the same without him.
Q: How did this reunion come together?
A: Most of us lie in Minnesota again, so that’s a slam dunk, and Bill Corbett called me and said, “hey, we’re thinking of this goofy idea, what do you think?” “Yeah, that sounds fun.” It was that easy.
Q: Is it odd that you’re “reuniting” with someone who actually hasn’t been on “MST3K’ yet in Jonah Ray, who’ll be the test subject in the new version of the series?
A: As I understand it, initially, we’re riffing in components: The RiffTrax guys will riff on a short, Bridget and Mary Jo will riff on a short, Joel and Jonah will riff on a short, Frank and I will riff. So we’ll be isolated from one another in that respect. But at the end of the show, as I understand it, there’s going to be a “riffapalooza,” and everybody will jump on stage and riff together for one giant Cirque du Soleil riffing experience — or maybe it’ll be Cirque du So What? But we’re all gonna be there and, I don’t know, we’ll see how it goes. I’m looking forward to it. Anything can happen.
Q: You’re not involved with the “MST3K” revival that Joel launched via Kickstarter, but were you surprised at the enthusiasm with which it was received?
A: It was a little bit of a surprise. We knew how enthused the fans were — they’re continuing to watch the show and introduce their kids — but the amount of money they raised was a surprise. That’s real money.
Q: Do you have any thoughts about Felicia Day playing Dr. Forrester’s daughter?
A: Only: “How’d that happen?” I don’t know anything about the story line but I would be curious to know how did Dr. Forrester even meet somebody that he could have a daughter with, I guess we’ll have to find out.
Q: You’re coming in to support WSRE, which airs “Mystery Science Theater 3000” reruns. Are you surprised that the old shows are still in circulation?.
A: They’ve continued to be popular all these years. It’s very cool that they’re on the PBS stations around the country because I think that’s a perfect home for them. That’s where I saw “Monty Python” and “Fawlty Towers” and all those great British comedies. So it’s a real honor to be among those shows, to be that beloved by the audience that we can get a prestige spot like with public television — which is supposed to be helping people, I think. It’s a great honor.
Q: We talked about the “MST3K” Kickstarter, but you have a Kickstarter campaign of your own going on right now. Talk about that.
A: The working title is “RenFest” (renfestivity.com), and it’s a situation comedy that takes place in a renaissance fair.. Mary Jo plays a character who is coming into this already established community, and she’s wanting too bring back the authentic aspect of a Renaissance Fair — eliminate any anachronisms, no “Star Wars” Stormtroopers, no “Game of Thrones” — and it’s the clash that she is up against with the politics of running a business and running an entertainment venue. It’s a bit of maybe “The Office” meets a Renaissance Festival. We’re not going in there to make fun of people — we’re a part of this group. It’d be like going to a sci-fi convention and making fun of cosplayers — that’s a one-note joke that’s maybe 30 years old. We want to find the humor in the relationships and the personalities of the people we encounter. We’re really looking forward to being able to produce the series, and that’s why we’re asking for help on Kickstarter, because you have to pay people to make television shows.
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