It's nice to once again see the membership here rehashing all the same old arguments about TFF and STXI.
About the only thing I've seen here that I care to respond to, because I don't think it's been beaten to death, is the issue of Shatner's direction. He gets saddled with all the blame for TFF's problems. And, of course, you have to expect that when you're the director. But I still think it's a bit unfair.
Many of the key problems with the film were totally out of his control. To wit:
- From the very beginning, both the producer and the studio refused to allow him to tell the story he wanted to tell. They insisted on watering it down and going in a much more standard direction. Strike one.
- They insisted that he shoehorn lots of humor into what was supposed to be a serious, dramatic story, following the standard Hollywood mentality of "well, IV was funny, so that must be the key to Star Trek's success." Strike two.
- All of the good visual effects houses were too busy to take on the project. People other than Shatner, most notably Ralph Winter (who admits so on the DVD), said Ferren could handle it. He couldn't. Strike three.
- The entire climax of the film was botched because the people building the rockmen costumes and effects couldn't pull them off and didn't bother to admit that to their director until the day they were supposed to shoot those scenes. Strike four.
- Unions were on strike at the time of the filming, meaning that all the well-trained, experienced people were not only unavailable, but dedicated to causing problems for their replacements. Strike five.
- Paramount was unwilling to cooperate in allowing any reshoots, new effects, or anything else, even after seeing the mess that was a major summer film release in a tentpole franchise. Strike six.
Given all of this, I think it is amazing what Shatner actually managed to pull of. Despite all those problems, the film actually manages to have alot of heart, get the three main characters right moreso than any other film, and is to me the only film in the series -- Robert Wise's TMP not withstanding -- to feel like it was shot like a film and not a big TV episode. Plus, the production design is beautiful, the cinematography is gorgeous, and the score is fantastic.
Shatner may not be the best director in the world, but I think he did a fine job with what he was given, and is not to blame for much of the film's problems.